Poly Auction Hong Kong | Spring Auctions 2021 | Fine Chinese Paintings and Calligraphy

Page 1

FINE CHINESE

PAINTINGS AND CALLIGRAPHY 中國書畫專場

HONG KONG 23 APRIL 2021 香港 2021 年 4 月 23 日


LOT429 DETAIL 局部


LOT448 DETAIL 局部


LOT370 DETAIL 局部



保利香港 拍賣日程 華瓷御彩:重要清代御窯瓷器甄選 編號:HKS3321-2 2021 年 4 月 21 日 星期三 上午 10:30

懷藏日月:法國杜尚家族藏重要中國藝 術珍品(一) 編號:HKS3321-3 2021 年 4 月 21 日 星期三 順延 逸趣芸窗:文人陳設及佛教藝術 編號:HKS3321-4 2021 年 4 月 21 日 星期三 順延 中國古董珍玩專場 編號:HKS3321-1 2021 年 4 月 21 日 星期三 下午 1:30 現當代藝術專場 編號:HKS1021 2021 年 4 月 21 日 星期三 下午 4:00 璀璨珠寶專場 編號:HKS2621-1 2021 年 4 月 22 日 星期四 下午 1:00 名貴鐘錶專場 編號:HKS2621-2 2021 年 4 月 22 日 星期四 下午 3:30 中國書畫專場 編號:HKS3021 2021 年 4 月 23 日 星期五 上午 10:30 尚品手袋及潮玩專場 編號:HKS2921 2021 年 4 月 23 日 星期五 下午 3:00

歲月留香——珍稀陳年普洱茶專場 編號:HKS1621-2 2021 年 4 月 24 日 星期六 下午 1:30 中外名酒珍釀專場 編號:HKS1621-1 2021 年 4 月 24 日 星期六 下午 4:00

POLY AUCTION (HONG KONG) SALES CALENDAR IMPERIAL TREASURES: A SELECTION OF QING IMPERIAL PORCELAINS SALE: HKS3321-2 WEDNESDAY, 21 APRIL 2021 10:30AM THE DUCHANGE FAMILY COLLECTION OF IMPORTANT CHINESE ART I SALE: HKS3321-3 WEDNESDAY, 21 APRIL 2021 POSTPONE

SCHOLARLY DELIGHTS: FURNISHINGS FROM THE LITERATI’S STUDIO AND BUDDHIST ART SALE: HKS3321-4 WEDNESDAY, 21 APRIL 2021 POSTPONE CHINESE CERAMICS AND WORKS OF ART SALE: HKS3321-1 WEDNESDAY, 21 APRIL 2021 1:30PM MODERN AND CONTEMPORARY ART SALE: HKS1021 WEDNESDAY, 21 APRIL 2021 4:00PM MAGNIFICENT JEWELS SALE: HKS2621-1 THURSDAY, 22 APRIL 2021 1:00PM IMPORTANT WATCHES SALE: HKS2621-2 THURSDAY, 22 APRIL 2021 3:30PM FINE CHINESE PAINTINGS AND CALLIGRAPHY SALE: HKS3021 FRIDAY, 23 APRIL 2021 10:30AM NOBLE HANDBAGS & HYPE COLLECTIBLES SALE: HKS2921 FRIDAY, 23 APRIL 2021 3:00PM RARE PU’ER TEA AUCTION SALE: HKS1621-2 SATURDAY, 24 APRIL 2021 1:30PM CHINESE SPIRIT AND WHISKY AUCTION SALE: HKS1621-1 SATURDAY, 24 APRIL 2021 4:00PM

預 先 登 記 P R E - R E G I ST R AT I O N

若閣下是首次參與競投,同時未獲得保利香港拍賣有限公司認可的註冊客戶推薦,保證金為港幣 500,000 元。如閣下 打算競投高估價拍賣品(在圖錄內及 / 或電子圖錄內標有〇符號之拍賣品),保證金為港幣 1,000,000 元。保利香港 拍賣有絕對權力隨時調整高估價拍賣品之保證金及 / 或手續 , 而不需要另行通知◦在閣下競投前 , 本公司亦有絕對權力 向閣下要求提供任何有關閣下的財務證明。本公司有絕對權力拒絕任何人之競投登記而不需給予任何解釋◦

If this is the first time you bid with Poly Auction (Hong Kong) Limited, and you are not recommended by a registered client endorsed by us, the deposit will be HK$500,000. If you intend to bid on a “Premium Lot”(i.e., a lot marked with 〇 in the printed catalogue and/or the digital catalogue), the deposit will be HK$1,000,000, please be aware the amount of deposit and/or bidding registration procedure for “Premium Lot” can be changed at any time at Poly Auction(Hong Kong)’s sole discretion without prior notice. In either case, you must deliver to Poly Auction (Hong Kong) Limited such necessary financial references, guarantees, deposits and/or such other security as Poly Auction (Hong Kong) Limited may in its absolute discretion require for before your bid. Poly Auction (Hong Kong) Limited may refuse any bidding registration without any explanation at its’ sole discretion.


LOT478 DETAIL 局部


保�香� 2021 ��拍賣�

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Poly Auction Hong Kong Spring Auctions 2021

Touring Preview

北�

Beijing

北��東城���東大街 298 �

The Time Hall, Time Museum

3 月 24 日� 25 日

時間�物� 時間��

24 to 25 March 298, Gulou East Street, Dongcheng District, Beijing

上�

Shanghai

上��北��路 1008 �

Function Room III, The St. Regis Shanghai Jingan

3 月 29 日� 30 日

上���瑞吉酒� �功�� III

29 to 30 March 1008, Beijing West Road, Shanghai

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Taipei

�北��義��仁路 100 � 3 �

Breeze Exhibition Centre

4 月 3 日� 4 日

�風南�����中� 預�及拍賣

3 to 4 April Level 3, 100 Songren Road, Xinyi District, Taipei

Preview and Auctions

預�

Preview

上午 10 時��上 8 時

10:00 am to 8:00 pm

4 月 18 日� 20 日 香�君�酒�

香������ 1 �

18 to 20 April Grand Hyatt Hong Kong 1 Harbour Road, Wan Chai, Hong Kong

拍賣

Auctions

保�香����間

Poly Gallery Hong Kong

4 月 21 日� 24 日 香������ 88 ��古�場 1 期 7 � 701-708 �

21 to 24 April Suites 701-708, 7/F, One Pacific Place, 88 Queensway, Admiralty, Hong Kong

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傳��+852 2303 9888

Fax: +852 2303 9888

電��+852 2303 9899 電郵�info@polyauction.com.hk

Tel: +852 2303 9899 Email: info@polyauction.com.hk


F I N E C H I N E S E PA I N T I N G S AND CALLIGRAPHY

中國書畫專場

拍賣

2021 年 4 月 23 日 星期五

上午 10:30(拍品 301-504) 拍賣編號:HKS3021 AUCTION

FRIDAY, 23 APRIL 2021

10:30AM (Lots 301-504)

Sale Number: HKS3021


專家及服務查詢 SPECIALISTS AND SERVICES ENQUIRIES

POLY AUCTION (HONG KONG) LIMITED MANAGING DIRECTOR 保利香港拍賣 執行董事 ALEX CHANG 張益修 achang@polyauction.com.hk SPECIALISTS 專家團� 專家

+ 2303 9833 +852 852 2303 9823 JEW@POLYAUCTION.COM.HK FCPC@POLYAUCTION.COM.HK YUANFENG CHENG 程遠楓 REX HEADLIN OF林子瓏 DEPARTMENT TONY CHENG 程夢求 珠寶�尚品��門主� ELAINE SZE SZEWANG 王怡然 � 思 GIGI ZHAO 趙曌

SPECIALIST- WATCH & CLOCK 鐘錶專家 KAREN NG

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SPECIALIST- HANDBAG �貴手袋專家 AMANDA ZHAO

趙晶晶

SPECIALIST TRAINEE- JEWELLERY ��專家 KATHY IP

葉啟�

BUSINESS REPRESENTATIVE(TAIPEI) ���務代� SHALLY LIN

林�

KELLY DANG TRINITY YU

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ADMINISTRATION 行政團�

WORLDWIDE �� HONG KONG 香港 T: + 852 2303 9899 F: + 852 2303 9888 Email: info@polyauction.com.hk SHANGHAI 上� Zhang Jin �瑾 T: + 86 21 5178 0360 F: + 86 21 5178 0361 Email: shanghai@polyauction.com TAIPEI �� Jasmine Chang ��� T: + 886 2 2581 3855 F: + 886 2 2522 2595 Email: taipei@polyauction.com.hk

MACAU �門 Miu Cheang ��賢 T: + 853 2875 1013 F: + 853 2875 1014 JAPAN 日� Haruko Kazami �見�� T: + 81 3 6278 8011 F: + 81 3 6278 8012 NEW YORK �� Kenny Wong T: +1 212 273 0822

�利拍賣��小�� Poly Auction Wechat Mini Programme

�利�港�方�� Poly Auction (Hong Kong) official Wechat ���利�方�� Poly Auction (Beijing) official Wechat


中國書畫部專家

FINE CHINESE PAINTINGS AND CALLIGRAPHY

SPECIALIST 中國書畫部 專家

SPECIALIST 中國書畫部 專家

JUNIOR SPECIALIST 中國書畫部 初級專家

JUNIOR SPECIALIST 中國書畫部 初級專家

YUANFENG CHENG 程遠楓

REX LIN 林子瓏

TONY CHENG 程夢求

ELAINE WANG 王怡然

SPECIALIST TRAINEE 中國書畫部 實習專家 GIGI ZHAO 趙曌


LOT314 DETAIL 局部


�事�主� CHAIRMAN

��� Jiang Yingchun

�行�事

MANAGING DIRECTOR

��修 Alex Chang

財務��

CHIEF FINANCIAL OFFICER

呂�� Robin Lyu

專��服務查�

SPECIALISTS AND SERVICES ENQUIRIES

現當代��

MODERN AND CONTEMPORARY ART +852 2303 9880 CMCA@POLYAUCTION.COM.HK

��� Jamie Yu

林�� Ya-wei Lin ��� June Hsu

楊�� Joseph Yang 馬�� Junnan Ma

��桐 Holly Zhang

��� Dominique Wong 中國古��玩

CHINESE CERAMICS AND WORKS OF ART +852 2303 9863 WOA@POLYAUCTION.COM.HK

��� Li Yizhou 杜�波 Du Jibo � 犇 Hu Ben

��� Kathy Tsang ��爾 Joyce Tsoi 中國書畫

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財務���服務

MAGNIFICENT JEWELS AND PRESTIGE

FINANCE & CLIENT RELATIONS

+852 2303 9823

+852 2303 9862

JWL@POLYAUCTION.COM.HK

FINANCE@POLYAUCTION.COM.HK

WATCHES

� 思 Sze Sze

��� Karen Ng ��� Kathy Ip

�凱� Kelly Dang 林�

Shally Lin

林�� Maggie Lam

�佑� Summer Qian 尚品手��潮品

NOBLE HANDBAGS AND HYPE

+852 2303 9861

CS@POLYAUCTION.COM.HK

林�� Jo Lam

�佩� Denise Cheung �務�物�

WAREHOUSE & LOGISTICS +852 2303 9871 SHIPPING@POLYAUCTION.COM.HK

� � Xu Cheng

COLLECTIBLES

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BAG@POLYAUCTION.COM.HK

+852 2303 9899

+852 2303 9827

�晶晶 Amanda Zhao 陳�� Rita Chan

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RECEPTION SALE@POLYAUCTION.COM.HK

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REPRESENTATIVE OF POLY AUCTION HK

BUSINESS DEVELOPMENT AND GALLERY

(TAIPEI OFFICE)

CHINESE PAINTINGS AND CALLIGRAPHY

+852 2303 9818

+886 2 2581 3855

+852 2303 9833

BD@POLYAUCTION.COM.HK

TAIPEI@POLYAUCTION.COM.HK

+86 10 6408 3508 FCPC@POLYAUCTION.COM.HK

��� Cheng Yuanfeng

��� Jenny Lok

�雨汀 Blair Cheung

��� Jasmine Chang

� � Tian Zhang

�����上�代�

��求 Tony Cheng

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(SHANGHAI OFFICE)

� � Gigi Zhao

OPERATIONS

+86 21 5178 0360

+852 2303 9810

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林子� Rex Lin

王�� Elaine Wang ��佳�

RARE WINE, WHISKY & CHINESE TEA +852 2303 9852 CWW@POLYAUCTION.COM.HK

桂 湘 Liam Gui

��� George Yau

��� Melanie Chung

陳濔濔 Mimi Chen ����場

PUBLIC RELATIONS & MARKETING +852 2303 9891 PR@POLYAUCTION.COM.HK

林家� Fatima Lam

REPRESENTATIVE OF POLY AUCTION HK

� 瑾 Zhang Jin


LOT361 LOT430


FINE CHINESE PAINTINGS AND CALLIGRAPHY

中國書畫專場

目 錄

CONTENTS 8

專家及服務查詢 Specialists and Services Enquiries

17 拍品 Property for Sale 220 索引 Index

222 重要通告及目錄編列方法之說明 Important Notices and Explanation of Cataloguing Practice 225 業務規則 Condition of Business

235 競投登記須知 Important Notice about Bidding Registration 236 財務付款須知 Important Notice about Payment 237 競投登記表格 Bidding Registration Form 239 委託競投表格 Absentee Bid Registration 241 裝運委託 Shipping Instructions


索引 INDEX OF ARTISTS

BAI JIAO

439

HONG LI

BIAN SHOUMIN

边寿民

337

HOU FANGYU

侯方域

343

BIAN WENYU

卞文瑜

318

HU CHONGXIAN

胡崇贤

389,408

CAI YUANPEI

蔡元培

501

HU GONGSHOU

胡公寿

350,371

CHEN BAOCHEN

陈宝琛

496

HU SHI

371

CHEN JIAYAN

陈嘉言

325

HUA YIXIANG

华亦祥

309

CHEN LIU

312

HUANG HUANWU

黄幻吾

466,467,468

CHEN SHU

338

HUANG JUNBI

黄君璧

402,403,418,419,

CHEN SHUREN

陈树人

458

CHEN YONG

365

HUANG SHEN

363

CHEN ZUN

327

HUANG YONGYU

黄永玉

485

CHENG GUN

332

HUANG YUANJIE

黄媛介

322

CHENG CANG

328

HUANG ZHIBI

黄之璧

308

CHENG JIASUI

程嘉遂

346

HUANG ZHONGYU

黄仲玉

501

CHENG SHIFA

程十髪

475

HUANG ZHOU

450

CHU KO

379,380,381,382

JIANG ZHAOSHEN

江兆申

375,376,377

DAI JITAO

戴季陶

372

JU JIE

319

DAI XI

336

EMPEROR KANG XI

康熙帝

369

DING YANYONG

丁衍庸

400,481,482,483,484

KANG YOUWEI

康有为

360

DONG GAO

335

LANG JINGSHAN

郎静山

390

DONG QICHANG

董其昌

358

LI HONGZHANG

李鸿章

344

DONG SHOUPING

董寿平

441

LI KERAN

李可染

452

DONG ZUOBIN

董作宾

392,495

LI QING

339

FAN HONGBIN

樊鸿宾

487,488

LIANG SICHENG

梁思成

500

FAN QI

329

LIN FENGMIAN

林风眠

404,478

FANG RENDING

方人定

459

LIN YONG

471

FANG YIZHI

方以智

320

LIU YONG

359,368

FU BAOSHI

傅抱石

448

LOU JIAN

307

GAO JIANFU

高剑父

459

LUO PIN

351

GAO XIANG

340

LUO YANLONG

罗艳龙

491

GAO YANG

324

LUO ZHENYU

罗振玉

499

GONG ZIZHEN

龚自珍

355

OU HAONIAN

欧豪年

383

GUAN SHANYUE

关山月

469

PU RU

423,424,425,426,

KOON WAI BONG

管伟邦

490

GUO DAWEI

郭大维

409

PU ZUO

HAN WU

480

QICHU HESHANG

七处和尚

317

HE BAILI

何百里

489

QI BAISHI

齐白石

453,454,455

RICHARD HO MAN-WUI 何文汇

492

QI ZHIJIA

祁豸佳

303

戈 熙

356,357

420,421,422

427,502,503,504 佐

395


QI GONG

445

XIANG DEXIN

项德新

331

QIAN ZAI

349

XIAO CHEN

345

REN BONIAN

任伯年

435

HSIAO-CHIN

384

SHEN PENG

410,411

XIE ZHILIU

谢稚柳

438

SHEN ZONGJING

沈宗敬

301

XU BEIHONG

徐悲鸿

449

SHI LU

451

XU TAOZHANG

徐陶璋

361

HUGH MOSS

水松石山房主人

鹏 鲁

XU BIN

354

486

YA MING

446,447

SONG WENZHI

宋文治

474

YANG SHANSHEN

杨善深

461,462,465,494

SUN YUNSHENG

孙云生

401

YANG ZHIGUANG

杨之光

473

TAI JINGNONG

台静农

373,374

YAO YUNZAI

姚允在

330

TIAN SHIGUANG

田世光

397

YE XIN

342

TONG YU

366

YI DA’ AN

易大厂

396

WAN XIANGQIAN

万象乾

311

YU YOUREN

于右任

391,412,413,414

WANG BOGONG

王伯恭

398

WANG DUO

314

YU ZHONGLIN

喻仲林

385,386,387

WANG FU'AN

王福厂

497

ZHA SHIBIAO

查士标

341

WANG GEYI

王个簃

476

ZHANG DAQIAN

张大千

389,407,408,428

WANG HUI

353

WANG RUOXI

王若羲

302

ZHANG DING

456,457

WANG WEILIE

王维烈

334

ZHANG FU

321

WANG WENZHI

王文治

367

ZHANG QIAN

394

WANG WEN

316

ZHANG YIPENG

张一鹏

310

WANG WU

347,364

ZHAO SHAO’ ANG

赵少昂

442,443,460,463,464

WANG XIJING

王西京

493

ZHAO ZHICHEN

赵之琛

444

WANG XUEHAO

王学浩

348

ZHENG BANQIAO

郑板桥

306

WANG XUETAO

王雪涛

470

ZHENG XIAOXU

郑孝胥

498

WANG YUANQI

王原祁

370

ZHOU YANSHENG

周彦生

472

WANG ZHEN

393,436

ZHOU ZHIMIAN

周之冕

326

WANG ZHIDENG

王穉登

313

ZHU LING

333

WEN ZHENGMING

文征明

315

ZHU QIZHAN

朱屺瞻

477

WENG FANGGANG

翁方纲

362

ZHU SHISHEN

朱士绅

305

WENG YU

352

ZHU ZHI

323

WU CHANGSHUO

吴昌硕

436,437

ZHU LESAN

诸乐三

440

WU GUANZHONG

吴冠中

479

ZHUANG YAN

378,405

WU HUFAN

吴湖帆

406

WU WEIYE

吴伟业

304

WU YONGXIANG

吴咏香

388

WU ZISHEN

吴子深

399

415,416,417,431

429,430,432,433,434


明清红金扇面专题 ( —

) LOT301-337

) LOT301-337

( COLLECTION OF FANS PAINTED ON GOLD-FLECKED PAPER

飞鸿片影



宋元流行的團扇,至明清中期不再流行。取而代之的折扇的流行。明中葉後絲織業的發 展,產生了先進的生產力。江南地區開始出現資本主義萌芽,經濟重心更加南移。蘇浙 地區更成為重要的稅收大省。隨之而來的是傳統文化重心也移至江南。這得益於吳越文 化的滋養和文人士夫的熱情參與。而江南的書畫家們開始對書法、畫的載體提出了更高 的要求。這時折扇開始盛行。書畫家經常在扇面上題字作畫,內容相當豐富,山水、人 物、花卉、走獸無所不涉,真、草、隸、篆無所不寫。雖然只有盈尺小幅,但是小中見 大,畫家在構圖佈局時須成竹在胸,所以技藝泛泛者視若畏途,不敢隨意染指,這在一 定程度上確保了存世扇面書畫的質量。 一般應酬、筆會之類情況,會直接在扇子上畫,但畫的相對不精細;畫面更精細的,因 為創作難度大,需畫了再裝龍骨。後來慢慢演繹,就不限於實際功用,變成冊頁,室內 裝飾等各種形式。現在的保存下來的扇面也有拆了龍骨的,和未來得及裝龍骨等各種情 況,只是其形狀和材質仍然是適用於成扇的。 傳統工藝製作的金箔扇面,需要經過十多道工序,使延展性和可塑性極好的黃金分布均 勻,整張紙都布滿金箔才能完成。由於用金量大,僅僅是紙張本身就價格不菲。其中以 顏 色 發 紅 , 也 即 「 紅 金 」 的 成 色 最 好 。 有 「 九 赤 八 黃 七 青 」 之 說 , 即 含 金 量 超 過 90 的 為偏紅色,含量 80 的為偏黃色,含量為 70 的為偏青色。黃金性質穩定,永久不變色、 抗氧化、防潮濕、耐腐蝕蟲咬。將金提純,再經千錘百鍊才得以完成,可謂用功之極。 在當時也是有顯赫身份地位的人,才能用這樣的材質進行創作。 是此聚集一批明清文人所創作的紅金扇面。吳門畫派的代表王問所繪「孤帆遠寂」。主 詞翰之席三十餘年吳門王穉登「行書七言詩」。嘉定四先生婁堅的「行書五言詩」,明 末大書法家王鐸的「唐太宗帖」。復社四公子之一方以智的「幽居圖」。


301

301 SHEN ZONGJING  (1669-1735) CALLIGRAPHY painted in 1735 fan; ink on gold paper 16.5×52 cm. (6 1/2×20 1/2in.)

HK$ 20,000 - 30,000 US$ 2,600 - 3,800

沈宗敬  行书七言诗 扇面 水墨金笺 约0.8平尺

一七三五年作

题识: 瑞霭氤氲绕画堂,云輧王母正翱翔。贻谋永夜尝熊胆,补衮当年藉 凤皇。彤管大书青玉案,瑶芝新泛紫霞觞。闺中林下应难並,更有 三吴老敬姜。乙卯春日,云间沈宗敬。 钤印:「沈宗敬印」 沈宗敬,字南季,又字恪庭,号狮峯,亦作狮峯道人,又号卧虚山 人,华亭(今松江属上海市)人。康熙二十七年(1688)进士。 荃子。精音律,善吹萧、鼓琴,工诗、书。画传家学,山水师倪、 黄,兼用巨然法。水墨居多,青绿亦偶为之,小景小幅尤佳。


302

302 WANG RUOXI  (QING DYNASTY)  CALLIGRAPHY hanging scroll; ink on gold paper 19×59cm.  (7 1/2×23 1/4 in.)

HK$ 60,000 - 120,000 US$ 7,700 - 15,400

王若羲(清顺治)  草书诗扇  立轴 水墨金笺 约1平尺 题识: 四望云巅一镜收,涟漪澵澵正宜秋。晚风吹徹梅 花曲,疏月斜窥杨柳舟。夹岸酒帘招客醉,隔桥 渔火傍人游。几多古事皆凭吊,总付长流永夜 幽。<秦淮次韵>,似长衍老世丈正,王若羲。 钤印:「王若羲印」 王若羲,顺治十二年进士,延平教授转梁山知县 多惠政民德。


303

303 QI ZHIJIA  (1602-1645) CALLIGRAPHY fan; ink on gold paper 15.5×50.5cm.  (6 1/8×19 7/8 in.)

HK$ 60,000 - 120,000 US$ 7,700 - 15,400

祁豸佳  草书五言诗  扇面 水墨金笺 约0.7平尺 题识: 煙景驻征骑,晴林踏落花。 因听绿水曲,忽到赤松家。 鱼鸟向人近,楼台俯郭斜。 更携余兴在,丝管隔窗纱。 起如社兄。祁豸佳。 钤印:「祁豸佳印」


304

304 WU WEIYE (1609-1672) CALLIGRAPHY fan; ink on gold paper 17×50.5 cm.  (6 3/4×19 7/8 in.)

HK$ 120,000 - 150,000 US$ 15,400 - 19,200

吴伟业  行书七言诗 扇面 水墨金笺 约0.8平尺 题识: 六月冰壶生昼凉,侯家池馆胜平阳。楼头霁色开鳷鹊,台上新 云似凤凰。客诧郇公厨味好,人惊卫尉厕衣香。不烦投辖深相 挽,小舫青油系绿杨。书为公允社兄,伟业。 钤印:「吴伟业印」、「灌隐」 吴伟业,字骏公,号梅村,江苏太仓人。明末清初诗人,与钱 谦益、龚鼎孳並称“江左三大家”。崇祯四年(1631)一甲 第二名(榜眼),授翰林院编修。南京国子监司业,中允谕德 (太子官属),庶子。


305

305 ZHU SHISHEN  (QING DYNASTY)  CALLIGRAPHY hanging scroll; ink on gold paper 17.5×51.5cm.  (6 7/8×20 1/4 in.)

HK$ 60,000 - 120,000 US$ 7,700 - 15,400

朱士绅(清顺治)  草书五言诗  立轴 水墨金笺 约0.8平尺 题识: 群峰盘尽吐平沙,小试青头带晚霞。斜把玉 鞭云外指,一林红树似桃花。西郊试马之 一,呈易老年教正,弟朱士绅。 钤印:「朱士绅印」、「缙公」 朱士绅,顺治十五年进士,工书。

题盒


306

306 ZHENG BANQIAO  (1693-1766) CALLIGRAPHY painted in 1747 fan; ink on gold paper 15.5×48 cm. (6 1/8×18 7/8in.)

HK$ 150,000 - 180,000 US$ 19,200 - 23,100

郑板桥  行书诗扇 扇面 水墨金笺 约0.7平尺

一七四七年作

题识: 月光清峭射楼台,浅夜篱门尚半开。树里灯行知客到, 竹间煙起唤茶来。数声犬吠秋星落,几阵风传远笛哀。 坐久谈深天渐曙,红霞冷露满苍苔。山东锁院自清凉, 湖水湖云入槛长。剪取吾家书带草,为君结束锦诗囊。 秋声何处寻,寻入竹梧里。一片竹梧阴,何处秋声起。 乾隆丁卯四月初夏,板桥居士。 钤印:「郑」·「燮」


307

307 LOU JIAN  (1554-1631) CALLIGRAPHY fan; ink on gold paper 15×45.5 cm. (5 7/8×17 7/8in.)

HK$ 180,000 - 250,000 US$ 23,100 - 32,100

娄坚  行书五言诗  扇面 水墨金笺 约0.6平尺 题识: 出郭未云远,扁舟兴颇幽。花前明霁日,竹外俯春流。 物色那禁变,吾生空复愁。唯应集酒伴,暇即到江头。 <城南即事>,用杜韵。娄坚。 钤印:「娄道者坚」 娄坚,字子柔,一字歇庵。祖籍长洲,徙江东(今高桥 镇),后徙嘉定城南。经明行修,擅诗古文辞,从归有 光游,融会师说,成一家言。和平安雅,以真朴胜人。 诗律在元和长庆间,古风尤胜。书法大苏,妙绝天下, 尺书寸简,人争传购。


308

308 HUANG ZHIBI  (MING DYNASTY) CALLIGRAPHY fan; ink on gold paper 17.7×65.5 cm. (7×25 3/4in.)

HK$ 150,000 - 250,000 US$ 19,200 - 32,100

黄之璧(明万曆)  行草五言诗 扇面 水墨金笺 约1.0平尺 题识: 楼阁余曾望,嘉声此地闻。扬芬激秋瀑,流响散 春云。捲幔花阴合,钩帘黛色分。绝知藏二酉, 嬗代起能文。题尊公旦嘉声楼之作。黄之璧。 钤印:「之」、「壁」 黄之壁,字白仲,浙江人,工词章,善书画,与 屠隆友善,名重一时。


309

309 HUA YIXIANG  (1624-1665) CALLIGRAPHY fan; ink on gold paper 15.5×51.5 cm. (6 1/8×20 1/4in.)

HK$ 80,000 - 150,000 US$ 10,300 - 19,200

华亦祥  行书五言诗 扇面 水墨金笺 约0.7平尺 题识: 万壑树参天,千山响杜鹃。山中一夜雨,树杪百重 泉。汉女输橦布,巴人讼芋田。文翁翻教授,不敢倚 先贤。唐律。为苍璧年兄,华亦祥。 钤印:「华亦祥印」 华亦祥,字缵长,号鹅湖,又号惕中。清无锡人。顺 治十六年(1659)殿试进士第二名,授编修。时江南以抗 粮案被逮诸人,亦祥保全者甚多。


310

310 ZHANG YIPENG   (QING DYNASTY)  CALLIGRAPHY painted in 1653 fan; ink on paper 16×50 cm. (6 1/4×19 5/8in.)

HK$ 80,000 - 120,000 US$ 10,300 - 15,400

张一鹏(清顺治)  楷书「洛神赋」 扇面 水墨金笺 约0.7平尺

一六五三年作

题识: (文略)癸巳新秋临大令十三行洛神赋似德老词兄。张 一鹏。 钤印:「张一鹏印」 张一鹏,直隶隆平举人。顺治二年(1645年)任徽州。当 残破之余,川蜀未靖,事处万难。鹏造船运米,而民 不扰。厘奸除盗,远近获安。撰对联榜于城门日“守三 百六十顷沙石不毛土地,当东西南北十字要冲,赢马敝 车,莫怪置邮不速命;抚四千八百丁呻吟待毙民人,供 春夏秋冬四时赋额,禽妻卖子,可怜刻肉以医疮”。


311

311 WAN XIANGQIAN  (MING DYNASTY) CALLIGRAPHY fan; ink on paper 16×50.5 cm. (6 1/4×19 7/8in.)

HK$ 100,000 - 150,000 US$ 12,800 - 19,200

万象乾(明崇祯)  行书「董其昌」诗 扇面 水墨金笺 约0.7平尺 题识: 专城四十尚为雄,况复东南倚折冲。虎视几当青眼客,鹰 扬翻属黑头公。诞弥夏帝乘权始,赋有吴都在部中。极目 奇云壶岛外,旌幢来自蕊珠宫。董思白先生诗,书为玉老 亲翁,象乾。 钤印:「万象乾印」 万象乾。明代书法家。江西南城人。崇祯间为湖广泸溪县 学训导。擅长书法,腕力绝劲,出入欧、柳。后进以善其 法称者,无一能步其后尘。遗墨所在,珍为至宝。


312 CHEN LIU  (1508-1575) CALLIGRAPHY mounted; ink on gold paper 17×50cm.  (6 3/4×19 5/8 in.)

HK$ 180,000 - 250,000 US$ 23,100 - 32,100

陈鎏   行书五言诗  扇面 水墨金笺 约0.8平尺 题识: 湖吟启笔户,长眺拟登遐。农迳二三里,炊煙几十家。倦牛春草 稳,归鸟夕阳斜。何处风帆急,江湖未有涯。陈鎏。 钤印:「雨泉」 题跋:己未初夏,异道人籀

。钤印:「肖象印」

鉴藏印:「仲苍珍藏」、「王陬生藏」、「章绶衔印」 说明: 1. 「章绶衔印」为章绶衔鉴藏印。章绶衔(1804~1875),清书法 家、藏书家。字紫伯,一作子伯,号辛复,别号爪鲈外史,浙江归 安荻溪人。咸丰间贡生。家藏书画甚富,精于鉴别。 2.「仲苍珍藏」为瞿元霖鉴藏印。瞿元霖(1814—1882),字仲 苍,号春陔,晚号天逸道人。湖南善化(今长沙)人。瞿岱次子, 瞿鸿机父亲,咸丰元年(1851)辛亥恩科举人,官至刑部主事。 陈鎏,字子兼,别号雨泉,吴县(今江苏苏州)人。嘉靖十七年 (1538)进士,除工部营缮主事,累官至四川右布政使。诗文冲远 有致,书法尤精绝。工小楷。出入钟欧,自篆、隶、行、草、擘窠 以逮笺疏、榜署书,尤丰媚遒逸,有天然趣。 著有〈已宽堂集〉。


312


313 WANG ZHIDENG  (1535-1612) CALLIGRAPHY mounted; ink on gold paper 15.5×48cm.  (6 1/8×6 1/8 in.)

HK$ 180,000 - 220,000 US$ 23,200 - 28,400

王穉登  行书七言诗  扇面 水墨金笺 约0.7平尺 题识: 秋江一棹向明光,新拜尚书吏部郎。撤棘去篱虚夜月,栽桃树李遍 春阳。题成启事心如水,读过除书口尽香。肯念吴民憔悴久,剖苻 须为简循良。送朱司礼擢选部郎,王穉登似若蒙使君。 钤印:「穉」·「登」 鉴藏印:「存心堂藏」、「宋臣清玩」、「渠楚南过眼」 说明: 1.文物商店旧藏。 2.「存心堂藏」为蔺挺达鉴藏印。蔺挺达(1606—1681)蔺挺达是 蔺完植的孙子,字金芝,号东崖。在顺治、康熙年间任官20余年。 曾兼任“撞钟御史”,是皇帝的近臣。康熙皇帝钦赐“老实官”, 人称“蔺老实”。是顺治进士。著有「存心堂文集」等。 3.「渠楚南过眼」为渠本翘鉴藏印。渠本翘(1862-1919)原名本 桥,字楚南,号湘笙,山西祁县县城人。到其父亲一代,渠家已经 成为山西省的富商巨贾。是山西省最早的实业家。 渠本翘自幼天资聪明、勤奋好学。不到20岁就博经通史。光绪十一 年(1885年)中了秀才,光绪十四年(1888)中解元,光绪十八年 中了进士,为三甲第四名,任内阁中书。 曾留学日本,后任日本横 滨总领事,外务部司员。1906年参加山西绅民收回矿权运动,投资 创办「山西保晋矿物公司」任总经理。1909年9月任山西大学堂监 督。辛亥武昌起义后,被清政府任命为山西省宣慰使,没有到任。 1911年清朝退位后后隐居天津租界。曾致力于收藏和著述,购买 名人字画、征集文献,整理出版。曾请林琴南作<丽台招隐图>, 1915年印刷发行了刘奋熙著<爱薇堂遗集>。 按语: 王穉登,明朝嘉靖至万里时文学家、书法家。少有才名,长益骏 发,名满吴会。以诗文称雄一时,覆善书,篆、隶、行皆妙,文征 明卒后,掌吴中文会数十年。后人称其为吴门派之后劲,也是吴门 派末期的代表人物。此红金扇面作「送朱司礼擢选部郎」为其诗。 所书自首至尾抑扬顿挫,挥洒自如,绝无滞涩犹豫之窘态倦意。笔 法方圆结合,随势就体,随体赋形,骨肉均匀。点画放纵,笔势流 畅如飞,自然洒脱。


313 文物商店标签


314 WANG DUO  (1592-1652) CALLIGRAPHY fan; ink on gold paper 17.5×52.5 cm. (6 7/8×20 5/8in.)

HK$ 500,000 - 800,000 US$ 64,100 - 102,600

王铎  行书赠二弟「 唐太宗帖」 扇面 水墨金笺 约0.8平尺 题识: 唐太宗帖。今者梅炎藻夏,麦气迎秋,香飘兰坂之风,镜转桂岩之月,为善之 暇,想足怡神,延望白云,载深离绪,聊疏。二弟懒学书,观此当愤诽。兄觉 斯。 钤印:「王铎」 鉴藏印:「慧吾珍藏」、「天景楼」、「德彝」、「季彤心赏」 著录:卢辅圣主编「中国书画全书」——「听帆楼续刻书画记」,上海书画出 版社,第十七冊,页三十二。 说明: 1.「季彤心赏」为潘正炜鉴藏印。潘正炜(1791-1850),字榆庭,号季彤, 又号听颿楼主人,广东番禺人。洋行商人。广东著名鉴藏家。精鉴别,富收藏 书、画;著有〈听帆楼诗钞〉〈听帆楼书画记〉。 2.「天景楼」、「慧吾神游」为梁慧吾鉴藏印。梁慧吾,天景楼主,20世纪著 名收藏家,与张大千交善。 3.「德彝」为褚德彝鉴藏印。褚德彝(1871-1942)近代篆刻家、考古家。原名 德义,避宣统讳更名德彝,字松窗、守隅等,号礼堂,又作里堂,别号汉威、 舟枕山民等,浙江余杭人。篆刻初师浙派,后精研秦汉印,所作挺秀苍劲。侧 款刻篆文,亦短峭入古,别有风韵。书宗河南(褚遂良),能得其渊源,隶书 学汉礼器碑,功力最深。着有〈金石学续录〉、〈竹人录续〉、〈松窗遗印〉 等。

按语: 王铎在明代画坛上与董其昌齐名,在明末便有“南董北王”之称。尤工真、 行、草书,得力于钟繇、王献之、颜真卿、米芾,笔力雄健,长于布局。用笔 出规入矩,张弛有度,亦是充满流转自如,力道千钧的力量。 此件扇面写〈唐太宗帖〉。作品小中见大,笔力雄强,结字欹正並用,章法茂 密,正如米芾“小字要如大字”之说。王铎虽以擅大字立轴名世,其传统小字 功力也非常深厚,字势连绵,天真自然,“笔墨外别有一种英姿卓荦之概,始 力胜于韵者。”此件特别之处是其写给二弟王镛。 王镛,字仲和,号虎邱。在地方志的记载中,他多行善举,李自成农民军攻入 孟津,难民数千人逃奔至黄河岸边,王镛以己船渡至夹滩,全活甚众;崇祯庚 辰(1640年)河南大荒,王镛又出麦赈济,全活数千人。顺治元年(1644)年,王 镛由准贡生授雎陈兵备道佥事,改授山西冀宁道佥事,五年(1648年)升浙江金 衢严道右参议。王铎为王镛创作了很多作品,除了示范与激励之外,也有家族 收藏的意图。此件红金扇面为听帆楼主潘正炜珍藏。並 收录在〈听帆楼书画 记〉中,得者可宝之。

出版物书影


314


315

315 WEN ZHENGMING CALLIGRAPHY fan; ink on gold paper 17×49cm.  (6 3/4×19 1/4in.)

HK$ 100,000 - 150,000 US$ 12,800 - 19,200

文征明  行书七言诗 扇面 水墨金笺 约0.7平尺 题识: 松窗酒醒篆煙残,手汲新泉破月团。芳草池塘春入梦,绿阴帘幕昼生寒。犹来 中散裁书懒,老去渊明束带难。却笑闲缘消未得,每从人觅异书看。文征明。 钤印:「文征明印」 鉴藏印:「季彤心赏」、「听帆楼藏」 说明: 「季彤心赏」、「听帆楼藏」为潘正炜鉴藏印。潘正炜(1791-1850),字榆 庭,号季彤,又号听颿楼主人,广东番禺人。洋行商人。广东著名鉴藏家。精 鉴别,富收藏书、画;著有〈听帆楼诗钞〉〈听帆楼书画记〉。


316

316 WANG WEN  (1497-1576) BOATING ALONE fan; ink on gold paper 15.5×47 cm. (6 1/8×18 1/2in.)

HK$ 120,000 - 180,000 US$ 15,400 - 23,100

王问  孤帆远寂  扇面 水墨金笺 约0.7平尺 题识: 仲山王问。 钤印:「子裕」 王问。字子裕,号仲山,江苏无锡人。嘉靖十一年进 士,历官车驾郎中,擢广东按察佥事,因思念老父,未 赴任,即弃官归家。书法类米芾,又似黄庭坚,点染山 水、花鸟皆精。诗作萧闲疏放,冲然自得,


317

317 ZHU RUI (MING DYNASTY) LANDSCAPE painted in 1649 fan; ink on paper 17.5×51 cm. (6 7/8×20 1/8in.)

HK$ 160,000 - 200,000 US$ 20,500 - 25,600

七处和尚(明崇祯)  夏日江岸 扇面 水墨金笺 约0.8平尺

一六四九年作

题识: 己丑夏日写为远奕禅宗,弟睿。 钤印:「僧

之印」

七处和尚,明末清初应天江宁(今江苏南京)人,俗姓朱, 名睿,字翰之。 明宗室。明亡削髮为僧,自称七处,人称七 处和尚、七师。善画,笔法清远,周亮工称其“以画名江南 者六十年”。然不肯轻易为人落笔。年七旬后卒。殁后片纸 尺素,人皆以重金争购。因而赝品纷出,传世真迹甚少。


318

318 BIAN WENYU(1632-1717) LANDSCAPE AFTER MIFU fan; ink on gold paper 16.5×51.5cm. (6 1/2×20 1/4in.)

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

卞文瑜  仿米家山水 扇面 水墨金笺 约0.8平尺 题识: 癸巳嘉平月,似贞明先生正,卞文瑜。 钤印:「文瑜」 鉴藏印:「行有恒堂审定真迹」 说明: 1.上款人为王节(1599-1660),字贞明,号惕斋,江苏吴县人,明崇祯十二年举人,工 山水,善作诗。简介:卞文瑜,字润甫,号浮白、萝庵,江苏苏州人。擅画山水。布局 结构殊有思致;树石钩剔颇具笔意,曾从董其昌讲求笔法。为“画中九友”之一。 2.「行有恒堂审定真迹」为载铨鉴藏印。载铨(1794-1854),乃清朝道光时期皇族定郡 王,斋号“行有恒堂”,是清高宗长子定安亲王永璜的曾孙,定端亲王奕绍子,为第五 代亲王。其人风雅,工诗,富收藏。「行有恒堂审定真迹」、「曾存定府行有恒堂」等 几方鉴藏印,多用于其收藏的重要书画作品上。


319

319 JU JIE (1524-1585) LANDSCAPE painted in 1561 fan; ink on gold paper 18.5×53 cm. (7 1/4×20 7/8in.)

HK$ 180,000 - 220,000 US$ 23,100 - 28,200

居节  江岸谈古 扇面 水墨金笺 约0.9平尺

一五六一年作

题识: 辛酉冬日居节写。 钤印:「居节之印」 鉴藏印:「虚斋藏扇」 说明: 「虚斋藏扇」为庞元济鉴藏印。庞元济(1864~1949),字莱臣,号虚 斋。浙江吴兴南浔人。精于鉴赏,收藏有铜器、瓷器、书画、玉器等文 物,尤以书画最精,为全国著名书画收藏家之一。与于右任、张大千、 吴昌硕等人均有交往。 居节,字士贞,一作贞士,号商谷、西昌逸士,吴州(治今江苏苏州) 人。少从文征明游,书、画为入室弟子。山水画法简远,有宋人之风。 家本业织,籍隶织局,受织监孙隆诬陷,被拘系破家,晚年僦居虎丘南 村,屋数椽,萧然自适,或绝粮,则旦起写〈疎松远岫〉一幅,令童子 易米以炊,年六十,竟以穷死。后人珍视其画,认为可与朱朗、侯懋功 相颉颃。


320

320 FANG YIZHI  (1611-1671) LANDSCAPE painted in 1643 fan; ink on gold paper 17×51 cm. (6 3/4×20 1/8in.)

HK$ 180,000 - 250,000 US$ 23,100 - 32,100

方以智  幽居图 扇面 水墨金笺 约0.8平尺

一六四三年作

题识: 癸未孟冬。写似祯翁老公祖,晓桐社弟方以智。 钤印:「无」、「智」 鉴藏印:「孔氏鉴定」、「赵叔孺收藏印」 说明: 1.「孔氏鉴定」为孔广陶鉴藏印。孔广陶(1832-1890),清著名藏 书家、刻书家。字鸿昌、一字怀民,号少唐,别称少唐居士。广东南 海南庄罗格人。孔子第七十代孙。父孔继勋,早年经商,以经营盐业 致富。国学生,官分部郎中、编修。嗜书,富收藏,以收藏武英殿刻 本书籍出名。以巨资购书。藏书处称「三十三万卷书堂」,又有「岳 雪楼」,所藏之书,皆为精品,尤以清殿本为富。与伍崇曜「粤雅 堂」、潘仕成「海山仙馆」、康有为「万木草堂」,合称「广东四大 藏书家」。 2.「赵叔孺收藏印」为赵叔孺鉴藏印。赵叔孺(1874-1945),浙江 鄞县(今浙江宁波)人。原名润祥,字献忱、叔孺,后易名时棢,号 纫苌,晚年自号二弩老人,以叔孺行世。清末诸生,曾任福建同知。 民国后,隐居上海。金石书画、花卉虫草、鞍马翎毛,无不精擅,尤 擅画马,可称「近世之赵孟頫」。


321

321 ZHANG FU  (1546-1631) XING STUDIO painted in 1618 fan; ink and color on paper 18.5×55 cm. (7 1/4×21 5/8in.)

HK$ 120,000 - 180,000 US$ 15,400 - 23,100

张复  杏花书屋 扇面 设色金笺 约0.9平尺

一六一八年作

题识: 杏花书屋。戊午新秋张复。 钤印:「张复印」 说明: 杏花书屋为周士洵之书屋。周士洵为周广子。周广于明正德 间为御史,直言立朝,曾上疏进谏明武宗。归有光佩服其父 亲的正直,遂于其结交。曾写杏花书屋记。此图或是所绘当 时读书情景。 张复,字符春,号苓石、中条山人,江苏太仓人。隆万间老 画师,幼从钱谷学山水画 。晚年自成一家。人物以沈周为 宗,工致则过之,为吴门画派名手之一。王世贞评说:「吴 中丹青一派,所见无过元春者。」


322

322 HUANG YUANJIE (1620-1669) LANDSCAPE fan; ink on paper 16×47 cm. (6 1/4×18 1/2in.)

HK$ 120,000 - 180,000 US$ 15,400 - 23,100

黄媛介  闲居图 扇面 水墨金笺 约0.7平尺 题识: 丙申上巳写似牧斋词宗正。鸳水黄媛介。 钤印:「媛」、「介」 鉴藏印:「马曰璐藏本」、「孔」 说明: 1.上款人牧斋即钱谦益。钱谦益(1582—1664),字受之,号牧斋,晚 号蒙叟,东涧老人。学者称虞山先生。清初诗坛的盟主之一。 2.「马曰璐藏本」为马曰璐鉴藏印。马曰璐 (1701-1761),清代诗 人,字佩兮,号南斋、半槎道人,安徽祁门人。国子生,候选知州,乾 隆元年丙辰(1736)与其兄马曰琯並荐博学鸿词,不就,名重一时。好 学、工诗、喜结客,一如其兄。家有小玲珑山馆,富藏书,常与名士作 诗画之会。 3.「孔」为孔广陶鉴藏印。孔广陶(1832-1890),清著名藏书家、刻 书家。字鸿昌、一字怀民,号少唐,别称少唐居士。广东南海南庄罗格 人。孔子第七十代孙。父孔继勋,早年经商,以经营盐业致富。国学 生,官分部郎中、编修。嗜书,富收藏,以收藏武英殿刻本书籍出名。 以巨资购书。藏书处称「三十三万卷书堂」,又有「岳雪楼」,所藏之 书,皆为精品,尤以清殿本为富。与伍崇曜「粤雅堂」、潘仕成「海山 仙馆」、康有为「万木草堂」,合称「广东四大藏书家」。 黄媛介,字皆令,浙江嘉兴人,出身儒士之家。常与名卿士大夫、与名 媛闺秀交往酬唱。工书善画。


323

323 ZHU ZHI (MING DYNASTY) VISITING A FRIEND mounted; ink and color on paper 18.5×55cm. (7 1/4×22 in.)

HK$ 120,000 - 180,000 US$ 15,400 - 23,100

朱质(明)  访友图 扇面 设色金笺 约0.9平尺 题识: 丁卯夏日。朱质。 钤印:「朱」·「质」 朱质,字吟余,长洲(今江苏苏州)人。善画。


324

324 GAO YANG (MING DYNASTY) LANDSCAPE painted in 1624 mounted; ink and color on paper 18.5×55.5cm. (7 1/4×7 1/4 in.)

HK$ 100,000 - 150,000 US$ 12,800 - 19,200

高阳(明萬曆)  闲居图 扇面 设色金笺 一六二四年作 约0.9平尺 题识: 甲子秋日,写似季植词宗,高阳。 钤印:「字秋父」 高阳,字秋甫,浙江宁波人。善花鸟,画奇 石尤精,太湖石、英石、蜡石皆能画得惟妙 惟肖。画花卉笔意纵横,天真烂漫,写生名 手。所画山水墨气苍蔚,意境幽深,得吴镇 法,然作品极少。


325

325 CHEN JIAYAN  (1599-1678) FLOWERS AND INSECTS painted in 1654 fan; ink on gold paper 16×47.5 cm. (6 1/4×18 3/4in.)

HK$ 100,000 - 150,000 US$ 12,800 - 19,200

陈嘉言  花卉虫草 扇面 水墨金笺 约0.7平尺

一六五四年作

题识: 甲午秋月写意。陈嘉言。 钤印:「嘉言私印」 出版:<中国绘画总合图录>(四),页266,铃木敬(日 本),JP14-068,东京大学东洋文化研究所,一九八二年版。

出版物书影


326

326 ZHOU ZHIMIAN  (1521-?) PLUM BLOSSOM, ROCK, AND BAMBOO painted in 1600 hanging scroll; ink on gold paper 15.5×46.5cm.  (6 1/8×18 1/4 in.)

HK$ 80,000 - 150,000 US$ 10,300 - 19,200

周之冕  梅花木石  立轴 水墨金笺 约0.6平尺

一六〇〇年作

题识: 伯寅游燕,过我言别,写此为赠,以纪毋忘岁寒之交云 尔。庚子清和既望,周之冕。 钤印:「之冕」、「周氏服卿」 周之冕,字服卿,号少谷,长洲(今江苏苏州)人。活跃 于万历年间。擅花鸟,注重观察体会花鸟形貌神情,及禽 鸟的饮啄、飞止等种种动态。善用勾勒法画花,以水墨点 染叶子,画法兼工带写,人称勾花点叶法。所作花鸟,形 象真实,意态生动,颇有影响。写意花鸟,最有神韵。设 色亦鲜雅,家畜各种禽鸟,详其饮啄飞止,故动笔具有生 意 。特以嗜酒落魄,不甚为世重耳。又善古隶。


327

327 CHEN ZUN  (MING DYNASTY) WILLOW BY THE RIVER painted in 1597 fan; ink and color on gold paper 17×50cm. (6 3/4×19 5/8in.)

HK$ 60,000 - 120,000 US$ 7,700 - 15,400

陈遵(明万曆)  柳溪八哥 扇面 设色金笺 约0.8平尺

一五九七年作

题识:丁酉仲春写真。陈遵。 钤印:「陈遵印」 鉴藏印:「曾在六舟处」 说明: 「曾在六舟处」为达受鉴藏印。达受(1791-1858),字六 舟,又字秋檝,号万峰退叟,俗姓姚。浙江海宁人。出家为 僧,居盐官北门外白马庙。后主持西湖净慈寺。精鉴赏,喜 金石,诗书画刻均精妙,摩拓古铜器尤称绝技。行迹半天 下,名流硕彦多所交流。阮元称他为“金石僧”。 陈遵,字汝循,浙江嘉兴人。少年时即寄情翰墨,壮岁寓居 吴县(今江苏苏州)。善画花鸟、蔬果、草虫,所作形态逼 真,栩栩如生,笔力苍老,构图新颖。海内鉴赏家重金购 求,然非其人辄弗应。通音律,暇时喜操琴自娱。


328

328 CHENG CANG  (MING DYNASTY) GOOD HARVEST fan; ink on gold paper 15×50cm. (5 7/8×19 5/8in.)

HK$ 60,000 - 100,000 US$ 7,700 - 12,800

程濸(明)  硕果累累 扇面 水墨金笺 约0.7平尺 题识: 己酉九月写于阳夏十方禅院。白岳程沧。 钤印:「程沧」、「灈缨」 鉴藏印:「砚山心赏」 程沧,字元清、之清。安徽省歙县人(一作徽州 人)。平生工画山水,笔墨老到,树亦苍古。


329

329 FAN QI  (1616-1694) BIRDIE ON THE BRANCH painted in 1687 fan; ink and color on paper 17×48 cm. (6 3/4×18 7/8in.)

HK$ 60,000 - 100,000 US$ 7,700 - 12,800

樊圻  桃花小鸟 扇面 设色金笺 约0.7平尺

一六八七年作

题识: 丁卯夏日作。均翁先生。樊圻。 钤印:「会公」 鉴藏印:「筱酓鉴藏」 樊圻,字会公,江宁(今江苏省南京)人。擅 画山水、花卉、人物。为“金陵八家”之一。


330

330 YAO YUNZAI  (MING DYNASTY) LANDSCAPE mounted; ink and color on gold paper 18×53cm.  (7 1/8×7 1/8 in.)

HK$ 150,000 - 200,000 US$ 19,200 - 25,600

姚允在(明万曆)  闲居图  扇面 设色金笺 约0.9平尺 题识: 仿梅花道人笔意。允在。 钤印:「姚简叔印」、「允在」 姚允在,字简叔,会稽(今浙江绍兴)人。善山水,学荆浩、关 仝笔墨道劲,「应系笔墨遒劲之讹」思致不凡。小幅愈佳,但自 矜其画不多为人作。尝有人持多金至越购之者,竟不能得其一水 一石。周亮工从友人处得其小冊十二幅,皆自江南入北地,纪所 见名胜。王士祯最爱其秦淮一帧。为一时名流推重。


331

331 XIANG DEXIN (1563-?) BOATING fan; ink and color on gold paper 19×50 cm. (7 1/2×19 5/8in.)

HK$ 30,000 - 50,000 US$ 3,800 - 6,400

项德新  泛舟观瀑 扇面 设色金笺 约0.9平尺 题识: 项德新写扵读易堂。 钤印:「项氏德新」、「德新之印」 项德新,字复初、又新,浙江嘉兴人,项元汴的三儿 子,工山水,得荆关法,尤其擅长写生。 作品流传极 少,有人得其片纸,珍如拱璧。


332

332 CHENG GUN  (QING DYNASTY) OVERLOOKING THE RIVER fan; ink and color on gold paper 16.5×49.5cm. (6 1/2×19 1/2in.)

HK$ 60,000 - 100,000 US$ 7,700 - 12,800

成袞(清康熙)  江亭远眺 扇面 设色金笺 约0.7平尺 题识:壬寅九日画。淂龙山风雨图。为正口老弟 一笑。衮。 钤印:「成」、「公」 成衮,清直隶大名人,字鲁公。善画山水花鸟。


333

333 ZHU LING  (MING DYNASTY)  BOATING IN SUMMER painted in 1660 fan; ink and color on gold paper 16.4×49.5 cm. (6 1/2×19 1/2in.)

HK$ 60,000 - 80,000 US$ 7,700 - 10,300

朱陵(明崇祯)  夏日泛舟 扇面 设色金笺 约0.7平尺

一六六〇年作

题识: 庚子春日画似熙成辞兄。朱焌。 钤印:「易字德传」 朱陵,初名焌。字子望,一作望子,号亦巢,吴县(今江苏苏 州)人。与万寿祺(一六〇三―一六五二)友善。工山水,得 黄公望笔意。历代画史汇传收入明代。〈畊砚田斋笔记〉、 〈清晖赠言〉、〈画传编韵〉。


334

334 WANG WEILIE  (MING DYNASTY) SUMMER COTTAGE painted in 1615 mounted; ink on gold paper 16.5×49.5cm.  (6 1/2×19 1/2in.)

HK$ 38,000 - 48,000 US$ 4,900 - 6,200

王维烈(明崇祯)  夏日山居 镜心 设色金笺 约0.7平尺

一六一五年作

题识:乙卯寒舍画为明远老叔正,维烈。 钤印:「西渔」 王维烈,字无竞,吴郡(今江苏苏州)人, 游周之冕之门,明代苏州画家。泰昌元年 (一六二〇)作树石孔雀图。南京博物院藏有 其崇祯十三年(一六四〇)作寒雀争梅图。


335

335 DONG GAO  (1740-1818) LANDSCAPE AFTER DONG YUAN painted in 1792 mounted; ink on gold paper 16.5×49cm.  (6 1/2×19 1/4 in.)

HK$ 50,000 - 100,000 US$ 6,400 - 12,800

董诰  仿北苑山水 扇面 水墨金笺 约0.7平尺

一七九二年作

题识: 癸丑夏五月之望,拟吾家北苑法,蔗林董诰。 钤印:「蔗林」、「董诰之印」 董诰,书画家,号蔗林。精书法,善绘画,通晓军事。


336

336 DAI XI  (1801-1860) LANDSCAPE fan; ink on gold paper 17.5×50.5cm. (6 7/8×19 7/8in.)

HK$ 40,000 - 60,000 US$ 5,100 - 7,700

戴熙  空岩飞瀑 扇面 水墨金笺 约0.8平尺 题识:空岩飞瀑。稼堂大兄属。戴熙。 钤印:「戴熙」、「醇士」 说明: 上款人稼堂应为陆应谷。陆应谷(1804-1857),字树 嘉,一字稼堂,蒙自人,道光二年(1822)中举,十二年 (1833)参加壬辰恩科会试,中进士,因文学优良授翰林院 庶吉士,散馆,授翰林院编修。改官御史,先后兼过中和殿 监试官,乡试同考官。先后出任山西朔平知府,太原知府, 江西巡抚,河南巡抚。


337

337 BIAN SHOUMIN  (1684-1752) GEESE BY THE REED fan; ink on paper 18×53 cm. (7 1/8×20 7/8in.)

HK$ 60,000 - 80,000 US$ 7,700 - 10,300

边寿民  芦苇双雁  扇面 水墨金笺 约0.9平尺 题识: 双双辞塞北,两两下平沙。只道寒光少,芦花又雪花。苇间寿民。 钤印:「寿」、「民」 边寿民,字颐公,又字渐僧,清代著名画家。善花鸟、蔬果、山水, 尤以画芦雁驰名江淮,有「边芦雁」之称。


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338 CHEN SHU  (1612-1682) CHRYSANTHEMUM fan leaf; ink and color on paper 18×54 cm. (7 1/8×21 2/8 in.)

HK$ 50,000 - 80,000 US$ 6,400 - 10,300

陈舒  菊花图 扇面 设色纸本 约0.9平尺 题识: 白凤临黄雀,青鸾降玉溪。晚风斜日里,瑶瑟作莺啼。陈舒。 钤印:「陈舒之印」 陈舒,字原舒,一作元舒,号道山,浙江嘉善人,一作华亭(今上海市 松江)侨居江宁(今南京)雨花台下。顺治六年(1649)进士,官布政 使参议。书似苏轼,工花鸟、草虫,似不经意而多姿趣。康熙二十六年 (1687)尝作花鸟冊。尤长画荷,间作山水,疏秀闲冷。每画信手自题 多草书,极有韵致。著有<道山遗稿>。


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339 LI QING  (?-1853) NIGHT IN GUAN SHAN painted in 1844 fan; ink and color on paper 15×57.5 cm. (5 7/8×22 5/8in.)

HK$ 40,000 - 60,000 US$ 5,100 - 7,700

李庆  关山夜月图  扇面 设色云母笺 约0.8平尺

一八四四年作

题识: 道光甲辰冬十二月。仿郭河阳关山夜月图。写为天衢五兄大人正之,得余 弟李庆。 钤印:「得」、「余」 说明: 上款人「天衢五兄」应为冯元曦。冯元曦,冯登府父。<梅里志>载「少 间业于钱百泉太史、金樊圃学博。与里中诸子结文社,每一艺各树标帜, 耻为雷同剽窃之学。后游山左,与修泰山志。客淮,为谢蕴山观察所重。 戊午举于乡。性尚义好施,敦睦宗族,诗嗜东坡,自定稿千余首」。 李庆,字得余,江都(今江苏扬州)人。志熊侄孙。为人朴质重然诺。工 细笔青绿山水、界画楼阁,师趟大年,兼仿袁文涛、王竹里。即一扇一 条,有至十日乃成者。尝于扇上画万竿煙雨,双钩竹本,单笔竹叶,层层 细写,竟不止万计。


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340 GAO XIANG (1688-1753) LANDSCAPE IN REMOTE MOUNTAINS fan; ink and color on paper 18.5×51.5 cm. (7 1/4×20 1/4in.)

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

高翔  深山煙云 扇面 设色纸本 约0.9平尺 题识: 野性夙所欣,青山无垢氛。落花一夜雨,幽树满川云。鹿迹闲行 见,松香独坐闻。殷勤招白鸐,予亦离人群。甲戌四月廿七日晨, 西唐高翔。 钤印:「西堂高翔」 高翔,字凤岗,号西唐,又号犀堂、西堂、樨堂等,别号山林外 臣,擅画山水花卉,间作佛像人物。篆刻与汪士慎、丁敬齐名。又 与高凤翰、潘西凤、沈凤並称”四凤”。


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ZHA SHIBIAO (1615-1698) ROCK AND TREE BY THE RIVER

YE XIN  (QING DYNASTY)  LANDSCAPE AFTER MI FU

fan; ink on paper 16.5×47.5 cm. (6 1/2×18 3/4in.)

fan; ink and color on paper 17×52 cm. (6 3/4×20 1/2in.)

HK$ 8,000 - 12,000 US$ 1,000 - 1,500

HK$ 10,000 - 20,000 US$ 1,300 - 2,600

查士标  江岸木石图

叶欣(清康熙)  仿米家山水

扇面 水墨纸本 约0.7平尺

扇面 设色纸本 约0.8平尺

题识: 查士标。

题识: 丁酉八月写呈伯翁老先生。叶欣。

钤印:「二瞻」

钤印:「叶欣 」 鉴藏印:「毕泷鉴赏」

说明: 「毕泷鉴赏」为毕泷鉴藏印。毕泷,乾隆、嘉 庆年间人,字涧飞,号竹痴,江苏镇洋(今江 苏太仓)人。赵溶婿,秋帆制府毕沅之胞弟 (毕沅是乾隆年间的状元、大学者,生平亦喜 爱金石书画,家中收藏颇为丰富,曾购得〈清 明上河图〉。 叶欣,字荣木,华亭(今上海市松江)人,流寓江 苏金陵(今南京),书画家。善山水,学宋赵令穰 法,复师明姚允在之意,能独抒性灵。山水画 素以“工细幽淡”著称。


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HOU FANGYU (1618-1655) CALLIGRAPHY

LI HONGZHANG  (1823-1901) CALLIGRAPHY

fan; ink on paper 16.3×49 cm. (6 3/8×19 1/4in.)

fan; ink on paper 17.5×51cm. (6 7/8×20 1/8in.

HK$ 8,000 - 12,000 US$ 1,000 - 1,500

HK$ 8,000 - 12,000 US$ 1,000 - 1,500

侯方域  行书「容斋随笔」

李鸿章  行书范成大诗

扇面 水墨纸本 约0.7平尺

扇面 水墨纸本 约0.8平尺

题识: 襄再拜,宿来伏惟台候起居万福。闽中荔枝,唯陈家紫号为第 一,辄献左右,以伸野芹之诚,幸赐收纳,谨奉手状上闻不宣。 塏林东床拂署,侯方域。

题识: 应有人家往隔溪,绿阴亭午但闻鸡。松根当路龙筋瘦, 竹笋漫山凤尾齐。墨染深云犹似瘴,丝来小雨不成泥。 更无骑吹喧相逐,散诞闲身信马蹄。合肥李鸿章。

钤印:「侯方域印」、「朝宗」

钤印:「少荃」

侯方域,字朝宗,明朝归德府(今河南商丘)人,明末清初散文 家,散文三大家之一、明末“四公子”之一、复社领袖。


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XIAO CHEN (1656- ? ) REFINING DAN

CHENG JIASUI (1565-1643) BOATING

mounted; ink and color on paper 19×51cm.  (7 1/2×20 1/8in.)

painted in 1638 mounted; ink on paper 18×51.5cm. (7 1/8×20 1/4in.)

HK$ 15,000 - 25,000 US$ 1,900 - 3,200

萧晨  炼丹图 镜心 设色纸本 约0.9平尺 题识: 己酉冬杪,法元人意于邗上嘉树读书堂,萧晨。

HK$ 30,000 - 50,000 US$ 3,800 - 6,400

程嘉遂  泛舟图 镜心 水墨金笺 约0.8平尺

一六三八年作

钤印:「萧晨之印」

题识: 戊寅春日作。程嘉燧。

鉴藏印:「宫子行玉父欣赏」

钤印:「孟」·「阳」

说明: 「宫子行玉父欣赏」为宫本昂鉴藏印。宫本昂字子行、 紫珩、千里。室名延蝶仙馆,鉴藏家,道光至同治间 人,与廉南湖为亲戚,其兄玉甫,所藏扇面丰厚,端方 称"宇宙之奇观",后归廉氏。

鉴藏印:「合肥龚氏瞻麓斋藏」、「秘晋斋印」 说明: 1.「合肥龚氏瞻麓斋藏」、「秘晋斋印」为爱新觉罗·载治(18391880),室名秘晋斋,喜收藏,亦能书画。原为清乾隆帝第十一子成亲 王爱新觉罗·永瑆的曾孙。 2. 龚心钊(1870-1949),字怀希,号仲勉,安徽合肥人,寓居上海。 清末出任加拿大总领事,是清代著名的外交家。龚心钊平生笃好文物, 潜心研究,因此他收藏的文物,精品颇多。

萧晨,字灵曦,号中素,江苏扬州人。山水人物师法唐 宋。画雪推名手。


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348

347 WANG WU (1632-1690) PEACH BLOSSOM AND SWALLOW fan; ink and color on gold paper 16×50.5cm. (6 1/4×19 7/8in.)

HK$ 15,000 - 30,000 US$ 1,900 - 3,800

王武  桃花双燕 扇面 设色金笺 约0.7平尺 钤印:「武」、「勤中」 说明: LOT347-LOT349为同一藏家旧藏。

348 WANG XUEHAO (1754-1832) LANDSCAPE mounted; ink on paper 17.5×53.5cm. (6 7/8×21 1/8in.)

HK$ 5,000 - 8,000 US$ 600 - 1,000

王学浩  深山闲居 镜心 水墨纸本 约0.8平尺 题识: 辛卯七月仿元人意于山南老屋之易画轩。小竹世二 兄正之。七十八叟浩。 钤印:「王学浩印」、「椒畦」 说明: LOT347-LOT349为同一藏家旧藏。


349

349 QIAN ZAI (1708-1793) INK BAMBOO mounted; ink on paper 24.5×48cm. (9 5/8×18 7/8in.)

HK$ 8,000 - 10,000 US$ 1,000 - 1,300

钱载  墨竹图 镜心 水墨纸本 约1.1平尺

题识: 钱载写时年七十有八。 钤印:「钱载」、「万松居士」 、 「蘀石斋」 鉴藏印:「春雨所藏」、「明久所 藏」 说明: LOT347-LOT349为同一藏家旧藏。

350 HU GONGSHOU  (1823-1886) CALLIGRAPHY mounted; ink on gold paper 23.5×23cm.  (9 1/4×9 in.)

HK$ 5,000 - 10,000 US$ 600 - 1,300

胡公寿  书法圆光 镜心 水墨金笺 约0.5平尺 题识: 闻竹枝歌因效其声,癸亥五月书云林诗,即奉积卿仁一兄 鉴之,胡公寿。 钤印:「公寿」 胡公寿,华亭(今上海松江)人。初名远,号瘦鹤、小樵, 别号横云山民,以字行,寓上海。工画山水、兰竹、花 卉,书法出入于平原、北海间,独具体势,为海上画派代 表画家之一。

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351 LUO PIN  (1733-1799) SWEET-SCENTED OSMANTHUS haning scroll; ink and color on paper 64×35.5 cm. (25 1/4×14in.)

HK$ 100,000 - 150,000 US$ 12,800 - 19,200

罗聘  桂花香 立轴 设色纸本 约2.0平尺 题识: 两峰道人罗聘。 钤印:「罗聘」、「花之寺僧」、「两峰画 印」 题跋:1. 寄调〈瑶华〉丁未(1847)春 题,王素。钤印:「小梅又字逊之」 2. 古香能受秋风吹,亦复有藤缕络之。洞 门一似逢仙姬,身缠宝璎坠朱緌。其下何 物趺坐危,赤睛玉毫光陆离。长耳耸起分 两岐,视而孕焉䨲是儿。惟上有物扬清晖, 团团冰镜一尺围。人名为月非此谁,月中桂 满兔且肥。信哉有影乃在斯,历观画记从新 施。枉说重岩细菊斑,连眉十样更清妍。不 辞老圃秋容澹,要见花神景气偏。越被香浓 薫百和,柴桑人去已千年。醉吟不用江州白, 此日东篱得董仙。乙丑(1925)四月既望 罗振玉题。钤印:「罗振玉印」、「罗叔 言」 鉴藏印:「愙斋鉴藏书画」 说明: 「愙斋鉴藏书画」。为吴大澂鉴藏印。吴 大澂(1835-1902),初名大淳,字止敬, 又字清卿,号恒轩,晚号愙斋,江苏吴县 (今江苏苏州)人。清代官员、学者、金 石学家、书画家,民族英雄 。清同治七年 (1868年)进士。善画山水、花卉,精于 篆书。皆得力于金石鉴赏修养。

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352 WENG YU  (QING DYNASTY) THE NATURAL BEAUTY OF LANDSCAPE painted in 1812 hand scroll; ink and color on paper 32×183cm.  (12 5/8×12 5/8 in.)

HK$ 80,000 - 120,000 US$ 10,300 - 15,400

翁昱(清乾隆)  湖光山色  手卷 设色纸本 约5.3平尺

一八一二年

题识: 嘉庆壬申立秋前一日,写于东山别墅,时宿雨初晴,湖光山色,扑人眉宇, 率意涂抹,不计工拙也,少荃翁昱。 钤印:「旭」、「昇」 鉴藏印:「王镜明字心如鉴赏书画印」、「伯谦所见书画铭心真品」、「裴 伯谦审定书画印」 说明: 「裴伯谦审定书画印」、「伯谦所见书画铭心真品」为裴景福鉴藏印。裴 景福(1854-1924),字伯谦,又字安浦,号臆闇,安徽霍邱县新店人。光绪 十二年(1886年)进士。历任广东陆丰、番禺、潮阳、南海县令,因收集字画 古董,为时任两广总督岑春喧嫉恨,被迫暂避澳门。民国初年,任安徽省政 务长。晚年辞职回乡安居,以收藏书画、古董自娱。 翁昱,字旭升,江苏吴县人。翁同和祖辈,工书善画。著有<试律须知>。


353 WANG HUI  (1632-1717) CHILLING IN SUMMER mounted; ink and color on paper 30.5×39cm. (12 ×15 3/8in.) 无底价 NO RESERVE

王翚(傳)  夏日幽居 镜心 设色纸本 约1.1平尺 题识: 石谷王翚。 钤印:「石谷子」、「王翚之印」 鉴藏印:「海山仙馆珍藏书画印」

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354 XU BIN  (QING DYNASTY) AN ALBUM OF BLOWERS painted in 1737 album; ink and color on paper 23×30×14 cm. (9 ×11 3/4 in.×14)

HK$ 100,000 - 150,000 US$ 12,800 - 19,200

许滨(清乾隆)  十二花卉冊 冊页 设色纸本 一七三七年作 约0.6平尺(每幅) 题耑: 众妙能兼。改石题。钤印:「汪功硕」、「道同心赏」 题识: 1.折得滋兰佩可纫,谁能解此惜花心。几番为尔诗肠转,楚水湘云思不禁。许滨並拈旧作,乾隆丁巳 秋闰。钤印:「江门」 2.岁寒何幸得为朋,一种幽芳气自澄。已觉光凝珠树晓,分明清映玉壶冰。钤印:「滨」、「江门」 3.露华余粉晕,香艳上云髻。钤印:「谷阳许滨」 4.南阳小草。钤印:「江门」 5.应有人同爱,而无香与清。钤印:「江门」 6.小园多种此,本风来披拂。记砌上影也。钤印:「谷阳」 7.霜清香愈冷,秋老色尤佳。钤印:「许」、「滨」 8.冷红含韵淡秋痕,一种幽妍不可言。最是撩人清思处,踈煙秀雨古墙根。钤印:「江门」 9.一树月先碧,满湖风欲生。钤印:「许滨」 10.春来客馆花蒙密,只少当堦红叶翻。画出一枝差可意,赏心还忆锦香园。钤印:「许滨」 11.斜绕清溪流,幽映小窗北。不比绯桃花,着意匀颜色。钤印:「许滨」 12.珠帘卷出树如云,艳艳光分薝蔔清。才放过墙人早见,争开向夜朵偏明。影娥池上月初满,群玉 峰头雪正晴。我亦拟栽三十本,春风先葺草堂成。许滨並录旧作。钤印:「一角山房」 鉴藏印:「碧雨轩」、「埜珍赏」 说明: 题耑者汪功硕为汪膚敏。汪膚敏字公硕,号春泉,又号春泉居士。江都人。工书,祖欧阳询、褚 遂良。与程 (秋搓)、汪舸(可舟)齐名。扬州富商安岐慕膚敏廉介博雅之名,欲延入舘。膚敏 不就,安岐以请书戏文数款为由,即以膚敏所书戏文演奏,並款以酒宴,始得以延膚敏入室。相 见时,安岐恭迓道:“先生古君子,倾慕已久,请谅我相戏!”膚敏曾请金农作砚铭。〈冬心斋砚 铭〉中有〈春泉居士小玲珑研铭〉一则,当即冬心应膚敏所请之作。 许滨,字谷阳,号江门,江苏镇江丹徒人,为名画家玉几山人陈撰之婿,画入神品。善画人物、山 水,山水学王翚、宋玉骧,花鸟仿恽寿平,笔墨圆润,气韵秀雅。


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355

355 GONG ZIZHEN  (1792-1841) AN ALBUM OF SELF-COMPOSED POEMS painted in 1835 album; ink on gold-flecked paper 17×20 cm.×36 (6 3/4×7 7/8in.×36)

HK$ 280,000 - 350,000 US$ 35,900 - 44,900

龚自珍  自作诗冊 冊页 水墨洒金纸本 约0.3平尺(每幅)

一八三五年作

题识:(自作诗文略)岁在乙未年初秋,雨后微月録以甚惬意 也,龚自珍。 钤印:「龚自珍印」 鉴藏印:「大石斋珍藏书画之记」 说明: 「大石斋珍藏书画之记」为唐云藏印。唐云(1910-1993),字 侠尘,别号药城、药尘、药翁、老药、大石、大石翁,画室名 “大石斋”、“山雷轩”。生前曾担任中国美术家协会理事, 中国美术家协会上海分会副主席,中国画研究院院务委员,上 海中国画院副院长、代院长、名誉院长等职。


356 HONG LI  (1711-1799) CALLIGRAPHY IN CINNABAR mounted; ink on paper 24.4×13 cm. (9 5/8×5 1/8in.)

HK$ 40,000 - 60,000 US$ 5,100 - 7,700

弘历  朱批 镜心 朱砂纸本 约0.3平尺 题识: 伍龄安、介福俱著罚俸六个月。武桂著销去纪录一 次。其从前罚俸三个月之处仍注于纪录。 钤印:「吏部之印」 说明: 朱批所题到之人有。 1.伍龄安,雍正进士,官职礼部尚书。 2.介福,字受兹,号景庵,满洲旗人 。雍正癸丑进 士,改庶吉士,授检讨,官至吏部侍郎。有〈退思 斋诗〉、〈野园诗集〉、〈留都集〉、〈关中纪行 草〉、〈采江小草〉。 3.武柱,雍正进士,官职陕西道御史。

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357 HONG LI  (1711-1799) COMMENTS IN CINNABAR painted in 1795 mounted; ink on paper 25.5×26.5 cm. (10 ×10 3/8in.)

HK$ 40,000 - 60,000 US$ 5,100 - 7,700

弘历  朱批庆桂书 镜心 水墨纸本 约0.6平尺

一七九五年作

题识: 依议。六十年八月十七日。题:经筵讲官署工部尚书镶蓝旗满洲都统臣庆桂等谨题。为丞请乾隆伍拾玖年岁修隔隄水口工程钱粮 事。工科抄出河东道总督李奉翰等。题前事内开,据山东运河道,罗煐详称。蒙总河牌开,乾隆五十九年十一月十一日,准工部 咨都水司案。呈乾隆五十九年九月二十二日准河东。 钤印:「工部之印」 说明: 1.庆桂(1737-1816),章佳氏,字树斋,直隶省顺天府大兴县(今北京市)人,大学士尹继善第四子。历内阁学士、副都统、 参赞大臣、将军、都统,擢工部,调兵部尚书,署理甘肃总督。五十七年,击退廓尔喀入侵事平,予十五功臣。是年,赴浙江办 案。嘉庆四年(1799),调刑部尚书、协办大学士、入直军机,寻,授内大臣、文渊阁大学士,总理刑部事务。晋太子太师。 2. 李奉翰(?—1799)汉军正蓝旗人,清朝大臣,李宏之子。初捐赀授县丞,历官江苏苏松太道、江南河道总督、河东河道总 督、两江总督兼领南河事。 3.罗瑛。乾隆进士,任山东运河道。


358 DONG QICHANG  (1555-1636) CALLIGRAPHY haning scroll; ink on silk 141×38 cm. (55 1/2×15in.)

HK$ 200,000 - 250,000 US$ 25,600 - 32,100

董其昌  行书「潼关兰若」 立轴 水墨绢本 约4.8平尺 题识: 来去数经过,山边枕大河。乱飘春水阔,古寺夕阳多。蝶影下红药, 鸟声喧绿萝。故园归未得,徒咏采芝歌。其昌 。 钤印:「太史氏」、「董其昌」、「玄赏斋」 鉴藏印:「蛟川朱氏鉴藏金石书画得者宝之」

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题签

359 LIU YONG  (1719-1805) CALLIGRAPHY haning scroll; ink on gold-flecked paper 58×17 cm. (22 7/8×6 3/4in.)

HK$ 40,000 - 60,000 US$ 5,100 - 7,700

刘墉  行书诗句 立轴 水墨洒金纸本 约0.9平尺 题识: 菅茆作屋细家居,云碓风帘路不纡。坡侧杏花溪畔 柳,分明摩诘纲川图。此宗忠简公名训华道句也。嘉 庆五年仲春临于久安室,石菴。 钤印:「刘墉印信」 说明: 上海博物馆退赔作品。

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360 KANG YOUWEI (1858-1927) CALLIGRAPHIC COUPLETS haning scroll; ink on paper 144×38×2 cm. (56 3/4×15×2in.)

HK$ 180,000 - 220,000 US$ 23,100 - 28,200

康有为  行书五言诗 立轴 水墨纸本 约4.9平尺(每幅) 题识: 玉盘高承露,天马自行空。康有为。 钤印:「康有为印」、「维新百日出亡 十六年三周大地遍游遍四洲经三十一国行 六十万里」

360


361 XU TAOZHANG (1674-1738) CALLIGRAPHY COUPLETS haning scroll; ink on silk 167×36×2 cm. (65 3/4×14 1/8×2in.)

HK$ 100,000 - 150,000 US$ 12,800 - 19,200

徐陶璋  行书八言诗 立轴 水墨手绘福瑞库绢 约5.4平尺(每幅) 题识: 五福陈畴本於攸好,九如颂嘏厘此罄宜。恭介益峰老长 兄先生荣庆。弟赵吉庆、刘鳌兆、韩永瑞、马士华拜手 徐陶璋书。 钤印:「端揆」、「徐陶璋印」 徐陶璋,字端揆,号达夫,别署蘅圃。长洲(今江苏 苏州)人。康熙四十四年(1705年)中举,五十四年 (1715年)中状元,授翰林院修撰。康熙六十年,出任 分校礼部会试官。 说明: 上海博物馆退赔作品。 退赔签

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362 WENG FANGGANG  (1733-1818) CALLIGRAPHIC COUPLETS hagning scroll; ink on paper 160×32cm.×2 (63×12 5/8in.)×2

HK$ 30,000 - 50,000 US$ 3,800 - 6,400

翁方纲  行书七言联 立轴 水墨描龙笺本 约4.6平尺(每幅) 题识: 礼门义路森规矩,知水仁山俨画图。翁方纲。 钤印:「翁方纲」、「覃溪」、「复初斋」。 说明: 香港苏富比,2015年春拍LOT1294。

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题签

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HUANG SHEN  (1687-1770) READING IN GOTTAGE

WANG WU  (1632-1690) MANDARIN DUCKS

hanging scroll; ink and color on paper 188.5×94cm. (74 1/4×37in.)

hanging scroll; ink and color on paper 115.5x31cm. (45 3/8×12 1/8in.)

HK$ 50,000 - 80,000 US$ 6,400 - 10,300

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

黄慎  梁山读书图

王武(传)  鸳鸯

立轴 设色纸本 约15.9平尺

立轴 设色纸本 约3.2平尺

题签:黄慎深山读书图真蹟,瘿瓢子黄慎,闽人,雍正间布衣,工山水人物。 是图乃潮城康晓峰家藏之珍,气派雄伟,笔意纵横,真品也!一九七〇年明斋 重装补誌之。钤印:「杨作明」、「明斋藏」

题识: 度索山头驻彩霞,蓬莱宫阙即仙家。共传西苑千秋 实,已着东风一树花。临黄居寀大略,忘庵王武。 翁方纲。

款识: 采茶深入鹿麋群,自剪荷衣渍绿云。寄我峰头三十六,消烦多谢武夷君,囗囗瘿瓢 子写。 鉴藏印:「乐夫天命复奚疑」 说明: 杨作明旧藏。杨作明(1926-1984),广东潮州人,上世纪五十年代至七十年代 间在马来西亚从事进出口贸易。杨君热衷中国书画,除收藏名家书画、资助新 进艺术家,更自研习装裱。

钤印:「王武私印」


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365 CHEN YONG  (QING DYNASTY) LANDSCAPES mounted; ink on paper 26.5×29cm.×4 (10 3/8×11 3/8in.)×4

HK$ 12,000 - 22,000 US$ 1,500 - 2,800

陈镛(清)  仿古山水四帧 镜心 水墨纸本 约0.7平尺(每幅)

题识: 1.抱琴寻放友。仿董思翁意,陈镛。钤印:「渌睛」 2.古木幽篁。仿倪高士画法渌晴陈镛。钤印:「渌睛」、「陈镛之印」 3.万竿煙雨。拟石田翁笔意于寿石轩,渌晴。钤印:「陈镛之印」 4.听缺低流落涨痕,梵天凉逸日初昏。扁舟一掉埽何处,家在溪南黄叶 村。渌晴陈镛。钤印:「渌睛」、「陈镛之印」 陈镛。字少默、子鹤、渌晴,又号紫藿。山水法王原祁、王翚,得其 神趣。曾仕广东,官县丞,粤人以之与璞、鼎称“三陈”。其画帧可 典质得金,晚尤名重乡里。


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366 TONG YU  (1721-1782) PLUM BLOSSOM IN SNOW VIEW mounted; ink on paper 21×34.5cm.×4 (8 1/4×13 5/8in.)×4

HK$ 12,000 - 22,000 US$ 1,500 - 2,800

童钰  雪梅四帧 镜心 水墨纸本 约0.7平尺(每幅) 题识: 1.净绿园林过雨新,竹篱无复旧芳春,却从纸上探春色,墨淡香清也可人,二树。 钤印:「道童」、「听松书屋」 2.雪与寒梅树愈对新,梅逢积雪更争春,我从世外闲无事,长作评梅踏雪人,二 树。钤印:「二树」、「懒是真」。 3.隔影频翻蛱蝶新,蒙蒙长是雨中春,邻家不奈煙如此,惆怅袁丰宅里人,二树。 钤印:「童钰印」、「不只是我是梅花」。 4.老干元无世样新,疏枝偏占古时春,若教比作逃尘客,也是餐冰嚼雪人,二树。 钤印:「树道人书画」。 鉴藏印:「曾存定府行有恒堂」、「听松书屋」 说明: 1.「曾存定府行有恒堂」为载铨鉴藏印。载铨(1794-1854),乃清朝道光时期皇 族定郡王,斋号“行有恒堂”,是清高宗长子定安亲王永璜的曾孙,定端亲王奕绍 子,为第五代亲王。其人风雅,工诗,富收藏。「行有恒堂审定真迹」、「曾存定 府行有恒堂」等几方鉴藏印,多用于其收藏的重要书画作品上。 2.「听松书屋」为招曙东鉴藏印。招曙东,广东人。收藏书画甚富,为香港敏求精 舍早年会员之一。斋号「听松书屋」,后定居香港。 童钰 字璞岩,一字树,又字二如、二树,别号借庵、二树山人、树道人、梅道人、 梅痴、越树、栎树、树树居士、太平词客、白马山长,山阴(今浙江绍兴)人。


AN IMPORTANT COLLECTION FROM NORTH AMERICA(LOT367-368) 北美同一藏家珍藏中国古代书画(LOT367-368)

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367 WANG WENZHI  (1730-1802) CALLIGRAPHY album; ink on paper 28×32cm.×12  (11×12 5/8 in.×12)

HK$ 30,000 - 60,000 US$ 3,800 - 7,700

王文治  行书「东坡题跋」第四十一则 冊页 水墨纸本 约0.8平尺(每幅) 题识: 昔游忠州白鹤观,壁上高绝处有小诗,不知何人题也,诗云: 「仙人未必皆仙去,还在人间人不知,手把白髦从两鹿,相逢聊 问姓名谁?」文忠公用尖笔干墨,作方阔字,神采秀发,膏润无 穷。后人观之,如见其清眸丰颊,进趋裕如也。柳诚悬书,极力变 右军法,盖不欲与禊帖面目相似。所谓神奇化为臭腐,故离之耳。凡 人学书,以姿态取媚,鲜能解此。余于虞褚颜欧,皆曾仿佛十一。赵荣 禄枯树法郭熙李成,不知实从飞白结字中来也。文君眉峰点黛,不知 从董双蛾、远山衲带来也。知此省画法。云林山皆依侧边起势,不 用两边合成,此人所不晓。近来俗子点笔自是称米家山,深可笑也。 元晖睥睨千古,不让右丞。可容易凑泊,开后人护短迳路耶。文治。 钤印:「王文治印」、「曾经沧海」、「柿叶山房」

368 LIU YONG  (1719-1804) CALLIGRAPHY hand scroll; ink on paper 21×28.5cm  (8 1/4×11 1/4.) 21×28.×5 (8 1/4×11 1/4 in.×5)

HK$ 30,000 - 60,000 US$ 3,800 - 7,700

刘墉  行书临帖 手卷 朱砂纸本 约3.2平尺 题识:(文略)石菴。 鉴藏印:「吴」、「恕斋」


369 EMPEROR KANG XI (1654-1722) THE HEART SUTRA IN REGULAR SCRIPT painted in 1713 hanging scroll; ink on rib paper 28×26cm.×6  (11 ×10 1/4in.×6)

HK$ 1,800,000 - 2,600,000 US$ 230,800 - 333,300

康熙帝  楷书<般若波罗密多心经> 立轴 水墨罗纹笺 一七一三年作 约0.7平尺(每幅) 题识: 般若波罗密多心经:观自在菩萨,行深般若波罗蜜多时,照见五蕴皆空,度一切苦厄。舍利子,色不异空,空不异色,色即是空,空即是 色,受想行识,亦复如是。舍利子,是诸法空相,不生不灭,不垢不净,不增不减。是故空中无色,无受想行识,无眼耳鼻舌身意,无色 声香味触法,无眼界,乃至无意识界。无无明,亦无无明尽,乃至无老死,亦无老死尽。无苦集灭道,无智亦无得。以无所得故,菩提萨 埵,依般若波罗蜜多故,心无挂碍,无挂碍故,无有恐怖,远离颠倒梦想,究竟涅盘。三世诸佛,依般若波罗蜜多故,得阿耨多罗三藐三 菩提。故知般若波罗蜜多,是大神咒,是大明咒,是无上咒,是无等等咒,能除一切苦,真实不虚。故说般若波罗蜜多咒,即说咒曰: “揭谛揭谛,波罗揭谛,波罗僧揭谛,菩提萨婆诃。”般若波罗密多心经。康熙五十二年岁次。癸巳六月二十四,观瀑处望湧翠岩,沐手 书赐明学。 钤印:「体元」 说明: 上海博物馆退赔作品。



图左取自〈清代帝后玺印谱〉,图右取自本幅

图左为北京保利2018秋季拍卖会「药师瑠璃光如来本願功德经」,图右取自本幅

图左为故宫博物院藏〈般若波罗蜜多心经〉,图右取自本幅

图左为故宫博物院藏〈金刚般若波罗蜜经〉、〈般若波罗蜜多心经〉,图右取自本幅


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北京保利2018秋季拍卖会「药师瑠璃光如来本願功德经」成交价人民币3680万

故宫博物院藏 嘉庆帝御书「般若波罗蜜多心经」

本件作品宫廷罗纹笺材质


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心清闻妙香

避暑山庄湧翠岩冬景

避暑山庄湧翠岩夏景

抄写佛经,在佛教中被称为转经,由于这一行为直接为宣传佛教、 弘扬佛法做出了贡献,因此被认为是一种功德。康熙帝是一位文治 武功的帝王。从最早的康熙十九年「御笔」心经,至康熙六十一 年。几乎从未间断他的创作。此举逐渐成为祖制。清代其余皇帝也 循此制。康熙四十一年曾撰写「般若波罗蜜多心经」一部,为磁青 写本。康熙五十四年时,康熙又写了一部「般若波罗蜜多心经」, 为洒金笺,墨笔楷书。 写经用纸也颇为特别。多为清宫特制。较为常见的有开花纸、云 龙蜡笺、梅花玉版蜡笺和藏经纸、磁青笺、黑漆蜡笺、梅花玉版 蜡笺等。 此轴所用宫廷罗纹笺纸小楷撰写。前页用泥金勾绘观音大士坐像, 轴尾绘北方天王韦驮像。款署“康熙五十二年岁次癸巳六月二十四 日,观瀑处望湧翠岩沐手书赐明学”。该经字体工整端秀,绘写细 腻流畅。 满人奉佛教为国教,康熙虔诚供奉,以佛像为礼,相赠诸藩与大 臣。西北战事期间,曾命太子胤礽急铸金铜佛像,输往西北前线及 蒙古。沐香书经,既为功德修行,亦是养性功课。 佛经轴尾绘韦陀像,迄唐喻有护法镇国之用。唐代西南六昭犯唐, 攻城之际,韦陀形现城楼,六昭望之溃退,由此,韦陀奉为战神与 护国神。清廷帝王御笔绘观音与韦陀,意含皇帝乃兼具普济众生与 护法镇国当世转轮王。 据记载有款无印的「康熙心经」颇多,大概有200多件。而有款有 印的只见寥寥几件。如康熙五十四年五月洒金笺本墨笔书「心经」 两冊。此件款印皆有,颇为难得。 据「清圣祖实录」记载。康熙五十二年五月丙戌。上奉皇太后避暑 塞外。命皇三子和硕诚亲王允祉、皇八子多罗贝勒允禩、皇九子固


签条

369

善贝子允禟、皇十五子允禑、皇十六子允䘵、皇十七子允礼随驾。 自畅春园启行。接待西藏达赖等人请安进贡。六月十八日。科尔沁 多罗冰图郡王宜希班第,喀刺沁扎萨克葛勒尔来朝。二十日。奈曼 多罗达尔汉郡王垂忠来朝。至二十六日才有外事活动。应是再此不 忙之际完成创作。 这一年三月还是康熙帝六十大寿。诸蒙古王公为庆贺康熙帝六十寿 辰,上书“奏请”在承德避暑山庄外,围建一寺院作庆寿盛会之 所。康熙帝欣然“恩准”。康熙帝两次来避暑山庄。可见他对此地 的喜爱。此经也是心情大好时挥墨而成。 「心经」中提到的湧翠岩。位于避暑山庄梨树峪口。建于康熙 四十二年(1703年)。石罅泉源出山庄西北,淙淙潺潺,下为瀑 布。依岩为佛庐,隔林明殿三楹,东向。晨曦朝爽,空翠四合。绿 云楼西北,瀑布从山岩悬下,旁建殿三楹面东,康熙题额“湧翠 岩”;后殿三楹,额“自在天”,联:“松径飞花雨,莲台霭法 云”,内供三大士。乾隆时期,定为避暑山庄三十六景之三十四 景。 康熙对于避暑山庄湧翠岩这处景观甚是喜爱。其曾作诗「湧翠岩观 瀑赏白莲」。诗云:毕竟天然造化功,方能巧设古今同。喷云百尺 穿岩石,瀑水千层点药丛。波湧白莲承晓露,溪浮绿盖动香风。经 声似脱红尘外,泡影依稀宇宙中。 「心经」原为经折装冊。藏者应常挂在佛堂,遂改装成轴。这件 「心经」民国时流传到徐梦华手中。徐梦华(1900-1975),上 海川沙县人。毕业于上海美华书院。解放前经营五金行业,自任大 德五金号经理。生平爱好文物,闲暇之余出入上海古玩市场,集藏 古玩、书画两万余件。

退赔签

乾隆三十六景图之湧翠岩


370

370 WANG YUANQI(1642-1715) LANDSCAPE IN SPRING painted in 1708 hand scroll; ink and color on silk 42×255cm. (17×100 in.)

HK$ 1,200,000 - 2,200,000 US$ 153,800 - 282,100

王原祁  春岭松云 手卷 设色绢本 约9.6平尺

一七○八年作

题识: 春岭松云。康熙戊子春日,侍直畅春园之余摹大痴笔,就正梅翁老先生。自夏徂冬不 觉经年,长至前一日识。王原祁。 钤印:「王原祁印」、「麓台」 鉴藏印:「新安项芝房收藏书画私印」、「李佐贤藏书画印」、「静斋过眼」、 「惠孝同鉴赏章」 说明: 1.「新安项芝房收藏书画私印」为项源鉴藏印。项源,安徽歙县人,室名小天籁阁。 本幅“小天籁阁”印参见〈中国书画家印鉴款识•项源〉1印,1122页。〈萱晖堂书 画录〉(画)P203。复堂山水未之他见,此殆仅存硕果与。项芝房名源,鄂人,字 汉泉,号芝房,清乾嘉间搜集明清画以精、新、奇为准,自号小天籁阁。 2.「李佐贤藏书画印」为李佐贤鉴藏印。李佐贤(1807-1876),字仲敏,号竹朋, 山东利津县左家庄人。不仅是清代颇有影响力的古钱币学家、金石学家、收藏家、诗 人,而且是著名的书画鉴赏家。 3.「静斋过眼」为新间静村鉴藏印。新间静村(1889-1945),名劝太郎,字喜卿, 号静村。静冈人。篆刻初学足达畴村,复学于河井荃庐。存世〈静村印谱〉、〈静村 印集〉。亦善书法,喜收藏。 4.「惠孝同鉴赏章」为惠孝同鉴藏印。惠孝同(1902-1997),满族,原名惠均,字 孝同,号柘湖,别号松溪,北京人。1920年入中国画学研究会,师从金城。曾任中 国画学研究会研究员、湖社画会副会长、天津传习社社长,抗战期间任职于北平艺术 专科学校。1952年参加北京中国画研究会,1956年任北京画院艺术委员会常委、主 任常委,1964年任国子监国画补习学校校长,善青绿山水,亦善书法,並富收藏。


题签

370

按语:此卷〈春岭松云图〉乃王原祁于康熙戊子 (1708年),时年67岁所作,是其晚年成熟的作 品。王原祁受黄公望影响最深。作画喜用乾笔,先 用笔,后用墨,由淡向浓反复晕染,由疏向密,反 复皴擦,乾湿並用,画面显得浑然一体。此卷用色 境界高妙。绛翠斑驳,是浅绛和青绿手法的极致运 用与融合。用笔锋颖幻化,真率而意韵高古,生涩 之处见纯熟。画面中累见笔笔交叠,色色相浸之 处,全然不拘小节而直渲天然真趣。此时的王原祁 正在畅春园侍直。自畅春园落成之后,康熙帝每年 约有一半的时间在园内居住。可见其对此处的喜 爱。而王原祁也是侍直在此陪伴君王左右,可见其 的地位。其心情也是极为大好。


陈可忠先生珍藏书法专题(Lot371-Lot372) CALLIGRAPHY PRESERVED BY CHEN KEZHONG IN TAI WAN(Lot371-Lot372)

陈可忠(1898-1992),男,福建闽侯人,中国化学家,曾任国立编译馆馆长、国立中山大学校长、台湾清华大学校 长、国立台湾师范大学理学院院长。更是於担任期间恢复大学部,设核子工程、数学、物理和化学四个学系。陈氏是一位杰 出的科学家,也是一位伟大的教育家;他终身致力於推动科学研究,推展科学教育,发展大学教育,建树卓著,贡献卓越, 获得各界的敬重与推崇。此专题皆由家属友情提供,且所有收益将全数捐至“正觉教育基金会”功德无量。

371

371 HU SHI  (1891-1962) CALLIGRAPHY painted in 1960 mounted; ink on paper 52.5×85.5cm.  (20 5/8×33 5/8 in.)

HK$ 60,000 - 80,000 US$ 7,700 - 10,300

胡适  楷書「理未易察」 镜心 水墨纸本 约4.0平尺

一九六〇年作

题识: 理未易察,敬写南宋哲人吕祖谦的一句话,为母校四十九年校庆 记念,並预祝原子能实验馆的完成。胡适。四九,四,廿九。 钤印:「胡适之印」 说明: 胡适先生曾担任自1929年起,负责永久保管运用清华大学基金的 “中华教育文化基金董事会”(中基会) 的董事 (1929-1962年) 兼干 事长多年。


372 DAI JITAO  (1891-1949) CALLIGRAPHIC COUPLETS hanging scroll; ink on paper 123×16cm.×2 (48 3/8×6 1/4 in.×2)

HK$ 30,000 - 50,000 US$ 3,800 - 6,400

戴季陶  行书十五言联 立轴 水墨纸本 约1.8平尺(每幅) 题识: 青天白日的节义。自暗室屋漏中得来。旋乾转坤的经纶。从临深 履薄中採出。戴传贤书于二思别院。 钤印:「戴传贤」、「季陶」 说明: 戴季陶与陈可忠先生都曾任职国立中山大学校长, 与陈可忠先生关 系融洽私交非浅。


故情-楚戈先生书画专题(Lot373-Lot386) ARTWORKS PRESERVED BY CHU KO IN TAI WAN(Lot373-Lot386)

楚戈(1931-2011),1931年生于中国湖南,本名袁德星,1949年后定居台湾。楚戈是台湾艺文界的一个传奇,是集诗 人、画家、艺评家、史学家成就于一身的文人艺术家;长达30余年担任国立故宫博物院青铜器专家,以深厚的艺术文化内涵, 成为1970年后台湾现代艺术运动中主要的发言人,被尊称为「现代水墨艺术的革命家」;他从中国编绳文化的图腾融入书法 运笔创作,发展出独特的抽象水墨画风格,他常在画中书写诗句,读诗读画成了楚戈最耐人寻味的风格。曾参与新诗现代派运 动、五月画会、东方画会,活跃于文坛、艺坛与研究界,撰文鼓吹现代艺术运动,发表过数量丰富的艺术评论,结识许多艺文 人士,近半世纪以来一直是台湾现代艺术活动的重要人物。作品曾于中国各省、美国、加拿大、欧洲各国、日本、香港、韩国 展出,广为美术馆、国际藏家收藏。 适逢楚戈先生逝世十周年,承蒙家属的青睐与信任特意委托保利香港拍卖为楚戈先生梳整他与故宫文人来往及交流之作品因而命此专题「故 情」。此专题所有收益将全数捐赠至「正觉教育基金会」,为往后的文化教育上尽一份薄力,功德无量。

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TAI JINGNONG  (1902-1990) CALLIGRAPHY

TAI JINGNONG  (1902-1990) CALLIGRAPHY

painted in 1969 mounted; ink on paper 138×36cm.  (54 3/8×14 1/8 in.)

hanging scroll; ink on paper 74×32.5cm.  (29 1/8×12 3/4 in.)

无底价 NO RESERVE

台静农  行书节录「瓯香馆集」 镜心 水墨纸本 约4.5平尺

一九六九年作

无底价 NO RESERVE

台静农  行书「恽南田诗」 立轴 水墨纸本 约2.2平尺

题识: 霁色射林隙,沉煙散半壑。弦月摩重堂,微光送凉 幕。岑然夜窗虚,青灯伴孤室。彼美(期)不来,金 尊与谁酌。己酉十月,静者。

题识: 落叶无声秋影空,碧云吹坠半岩风;吟诗梦入红林 路,展卷身疑在梦中。不将螺黛染煙岚,醉染霜枝 兴正酣。燕市红尘藏不及,故将残墨到江南。壬子 秋仲,书南田诗,应楚戈兄俪赏。静农书龙坡里。

钤印:「澹台静农」

钤印:「歇脚盦」、「静农无咎」、「定慧」


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376 375

JIANG ZHAOSHEN  (1925-1996) CALLIGRAPHY

375

mounted; ink on satin 93×54cm.  (36 5/8×21 1/4 in.)

JIANG ZHAOSHEN  (1925-1996) CALLIGRAPHIC COUPLETS

无底价 NO RESERVE

painted in 1973 hanging scroll; ink on paper 131×34cm.  (51 5/8×13 3/8 in.×2) 无底价 NO RESERVE

江兆申  行书七言联 立轴 水墨纸本 一九七三年作 约4.0平尺(每幅) 题识: 搔痒不着讃无益,入木三分骂亦精。楚戈兄书学板桥,为文不轻 许与,癸丑同客三韩,偶书板桥此句聊,为方家佐酒,茮原江兆 申书。 钤印:「江兆申印」、「茮原近况」

江兆申  行书「倪云林诗」 镜心 水墨绫本 约4.5平尺 题识: 山斋听秋雨,高卧兴悠哉。谁饮荒池水,蜗耕石径苔。宝瑟芳尘 满,临尊讵忍开,长吟我有待,蹑屩子能来。兆申。 钤印:「江兆申」、「茮原」 楚戈先生因担任国立故宫博物院青铜器专家並与江兆申先生被 誉为故宫二宝。與江兆申的私交往来更是密切,时常是家中茶席间 的常客,两人论古谈今常常忘却时间。在此专题内的“江兆申-行 书七言联”更是曾悬挂於客厅中,字句中的妙趣也与他俩逝去让我 们保有更多的想像空间对号入座。


377 JIANG ZHAOSHEN  (1925-1996) CALLIGRAPHY painted in 1980 mounted; ink on paper 60×92cm.  (23 5/8×36 1/4 in.) 无底价 NO RESERVE

江兆申  行书「鹤蹲」 镜心 水墨纸本 约5.0平尺

一九八〇年作

题识: 鹤蹲。庚申试笔,江兆申。

377

378 ZHUANG YAN  (1920-1997) CALLIGRAPHY painted in 1951 hanging scroll; ink on paper 68×28cm.  (26 3/4×11 in.) 无底价 NO RESERVE

庄严  行草鲜於枢「老来幽事诗札」 立轴 水墨纸本 一九五一年作 约1.7平尺(每幅)

题跋

题识: 老来幽事尚相关。巧者何如拙者闲。写出诗家言外意。世间画史 漫如山。四十年六月,荘严。 钤印:「荘严尚严」 题跋: 向不好多自作书,亦不好参加展览,偶存此幅,专备庆付无法摆 脱之应酬。顷东海大学展毕,取回顾视所帖旧标签,当有产堂遗 墨,彦堂故云,每月抚此宛然。五十三(1964)年三月,六一翁 记於洞玉山堂。

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楚戈先生从小父亲就将他送入私塾读书。而楚戈的童年,虽适逢 中日战争,但在如此纷乱的时代环境中,他仍然保有学习的热情,广 读古文诗书与西方文学名著,也接触到了「芥子园画谱」和「古今名 人画谱」,体会到绘画的绝妙。进入国立故宫博物院工作后,一头栽 进中国古器物的世界里,成了中国古器物纹饰研究的专家,先后发表 了许多重要的论文,而其生平钜作「龙史」,即呈现出楚戈一生对古 器物研究的精华。同时又是一位杰出的艺术家,他创作最大的特色, 便是从线条出发,而他的艺术创作面貌多变,在绘画的领域中,楚戈 不但建立了自己的曲线美学,从中国结绳而治、万物起于一而终于一 的思想出发,不论是插画、水墨画、版画、油画、陶画或是雕塑等, 都能反映出他不以视觉的自然为模仿,而是以人文观念作为创作根源 的独特风格。从传统水墨可见其墨法的掌握“清荷”,书写中以古器 上的铭文加以自我想法及变化“对联”,于空灵时用画纸的天马行空 视觉诗“孔子周游列国”,文字学加以抽象的蜕变交织又再生“飞 翔”。于一九八一年个人第二次个展前,经医生证实他罹患严重的鼻 咽喉癌。在经历漫长三年的放射线治疗后病情逐日文定后他也发表了 “火鸟”一文,以纪念此生死之间的一段境遇。


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CHU KO  (1931-2011) CALLIGRAPHIC COUPLETS

CHU KO  (1931-2011) LOTUS IN INK

painted in 1983 hanging scroll; ink on paper 111×16cm.×2 (43 3/4×6 1/4 in.)×2

painted in 1981 mounted; ink on paper 72×41.5cm.  (28 3/8×16 3/8 in.)

无底价 NO RESERVE

无底价 NO RESERVE

楚戈  行书七言联

楚戈  墨荷

立轴 水墨纸本 一九八三年作 约1.6平尺(每幅)

镜心 水墨纸本 约2.7平尺

题识: 一帘花雨诗中画,半榻茶煙醉后禅。壬戌年春三月,湘阴楚戈书 於外双溪。

题识: 叶上初乾宿雨,水面清圆,一一风荷举。周邦彦词,辛酉秋楚戈 书。

钤印:「德星」、「楚戈」

钤印:「楚戈」

一九八一年作


如果说绘画风格得像商标一样有某种固定的型式,对我来说那很不好玩、很乏味,我情愿不要有什么固定风格。 甚至习惯性的用笔方式,也使我感到没趣。有时我以须撕毁那些带有积习性质的作品,来唤起我内心新的感受。 —楚戈

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381 CHU KO  (1931-2011) FIGURES mounted; ink and color on paper 34.5×75.5cm.  (13 5/8×29 3/4 in.) 无底价 NO RESERVE

楚戈  周游列国 镜心 设色纸本 约2.3平尺 题识: 孔子周游列国,知我者其天乎?西狩获麟,吾已矣乎?孔子 曰,吾道穷矣!楚戈书。 钤印:「楚戈」

382 CHU KO  (1931-2011) FREE TO FLY painted in 1985 mounted; ink and color on paper 38×47.5cm.  (15×18 3/4 in.) 无底价 NO RESERVE

楚戈  飞翔 镜心 设色纸本 约1.6平尺

一九八五年作

题识: 飞翔。楚戈。一九八五。 钤印:「楚」

对于这些鸟禽主题的作品,楚戈自述说: 这次画了不少禽鸟,飞在空中的鸟更可以依己 意来画,只画鸟飞行的样子,不必考虑是什么 鸟,而背景有画成红色一如日暮,也可满染蓝 色,一如青空。

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384

OU HAONIAN  (B.1935) PROSPEROUS YEAR

HSIAO-CHIN (B.1935) UNTITLED

mounted; ink and color on paper 40×59.5cm.  (15 3/4×23 3/8 in.)

mounted; ink and color on paper 38.5×54cm.  (15 1/8×21 1/4 in.)

无底价 NO RESERVE

无底价 NO RESERVE

欧豪年  丰年

萧勤  无题(版画)

镜心 设色纸本 约2.1平尺

镜心 设色纸本 约1.9平尺

题识: 豪年戏墨。

题识: 楚戈兄请正之,萧勤。P.d.A

钤印:「欧」、「怡志养神」


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YU ZHONGLIN  (1925-1985) CHRYSANTHEMUM AND BIRDIES

YU ZHONGLIN  (1925-1985) MAGPIES ON THE BRANCH

painted in 1970 mounted; ink and color on silk 140×48cm.  (55 1/8×18 7/8 in.)

painted in 1970 mounted; ink and color on silk 140×48cm.  (55 1/8×18 7/8 in.)

无底价 NO RESERVE

无底价 NO RESERVE

喻仲林  菊花翠鸟

喻仲林  喜上眉梢

镜心 设色绢本 约6.0平尺

镜心 设色绢本 约6.0平尺

一九七〇年作

一九七〇年作

题识: 时在庚戌之夏,山左喻仲林写於台湾客次。

题识: 庚戌年初夏,山左喻仲林写於台湾。

钤印:「俞鈢」、「仲林」

钤印:「山左俞氏」、「仲林私印」


387

387 YU ZHONGLIN  (1925-1985) SETTING OFF FROM A PINE TREE painted in 1982 mounted; ink and color on paper 68×132cm.  (26 3/4×52in.)

HK$ 60,000 - 80,000 US$ 7,700 - 10,300

喻仲林  松泉鹤舞 镜心 设色纸本 约8.1平尺

一九八二年作

题识: 壬戌年夏六月,山左喻仲林画。 钤印:「喻仲林」、「清泉郡」 出版:<喻仲林花鸟画冊>,页151,皇冠出版社, 一九八五年七月。


台湾私人收藏中国书画作品(Lot388-Lot399) PRIVATE COLLECTIONS FROM TAIWAN(Lot388-Lot399)

388

388 WU YONGXIANG  (1913-1970) LANDSCAPE painted in 1952 mounted; ink on paper 30×230cm.  (11 3/4×90 1/2 in.) 无底价 NO RESERVE

吴咏香  煙云叠嶂 镜心 水墨纸本 约6.2平尺

一九五二年作

题识: 静仁老伯大人八秩大庆,壬辰七月吴咏香画祝。 钤印:「吴咏香」 来源:此作與Lot495為台湾同一藏家珍藏。 说明:上款人静仁老伯为许世英。许世英(1873-1964),字静仁, 号俊人,安徽省秋浦县(今东至县)人。曾任中华民国国务总理。

389 ZHANG DAQIAN, HU CHONGXIAN THE HIBISCUS mounted; photograph 45×30cm.  (17 3/4×11 3/4 in.) 无底价 NO RESERVE

张大千、胡崇贤  芙蓉花发 镜心 银盐相片 约1.2平尺 题识: 崇贤。 钤印:「姑苏胡氏」 题跋:芙蓉花发满江红,人道芙蓉胜妾容。昨日妾从堤上 过,如保人不看芙蓉。此诗极有味,已不记为谁所作,漫书其 与花相发也,爰。钤印:「张爰之印」、「大千居士」

389


390

390 LANG JINGSHAN  (1892-1995) HAN SHAN TEMPLE painted in 1992 mounted; silver salt photo works 36×55.5cm.  (14 1/8×21 7/8 in.) 无底价 NO RESERVE

郎静山  夜遊寒山寺 镜心 银盐相片 约1.8平尺

一九九二年作

题识: 月落乌啼霜满天,江枫渔火对愁眠。姑苏城外寒山寺,夜半钟 声到客船。壬申百零一叟静山集锦。 钤印:「郎静山」


391

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391

392

YU YOUREN  (1879-1964) CALLIGRAPHY

DONG ZUOBIN  (1895-1963) CALLIGRAPHY

hanging scroll; ink on paper 44.5×28.5cm.  (17 1/2×11 1/4 in.)

painted in 1963 hanging scroll; ink on paper 96×22cm.  (37 3/4×8 5/8 in.)

无底价 NO RESERVE

于右任  草书五言诗 立轴 水墨纸本 约1.1平尺 题识: 检书烧烛短,看剑引杯长。目寒老弟同志,于右任。 钤印:「右任」 说明:上款人目寒为张目寒。张目寒(19021980),安徽霍丘人。号雪盦。著有〈雪庵随 笔〉。曾参加过北伐军,后追随国民党元老于右任, 得到重用为重要幕僚,很快被提拔为国民党中央执行 委员、监察院议事科长。在京沪解放前,张目寒随于 右任至台湾,是张大千的义弟。

无底价 NO RESERVE

董作宾  甲骨文书法 立轴 水墨纸本 约1.9平尺

一九六三年作

题识: 风片片,雨丝丝,一日相望十二时。奚事春来人不至,花 前又见燕归迟。〈捣练子〉,集甲骨字一则,子平仁兄先 生大雅正字,癸卯岁正月廿五日,写於台北里庽之平庐, 董作宾。 钤印:「董作宾」、「彦堂」


393 WANG ZHEN  (1867-1938) FISHING BY THE WILLOW TREE hanging scroll; ink and color on paper 104×49.5cm.  (41×19 1/2 in.) 无底价 NO RESERVE

王震  清溪绿柳添渔兴 立轴 设色纸本 约4.6平尺 诗堂: 清溪绿柳添渔兴,王震。钤印:「王震长寿」、 「一亭日利」、「海云楼」

393


394 ZHANG QIAN  (1853-1926) CALLIGRAPHIC COUPLETS hanging scroll; ink on paper 169.5×39cm.×2 (66 3/4×15 3/8 in.×2) 无底价 NO RESERVE

张謇  行书七言联 立轴 水墨纸本 约5.9平尺(每幅) 题识: 持赠敢齐青玉案,风流合在紫微天。荫庐一兄,张謇。 钤印:「通州张謇之印」

394


395 PU ZUO  (1918-2001) PINE TREE AND EAGLE hanging scroll; ink and color on paper 124×59cm.  (48 7/8×23 1/4 in.) 无底价 NO RESERVE

溥佐  松鹰图 立轴 设色纸本 约6.6平尺 题识: 爱新觉罗溥佐写。 钤印:「溥佐印信长寿」

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397

YI DA'AN  (1874-1941) ORCHID IN INK

TIAN SHIGUANG  (1916-1999) BIRDS RESTING ON THE RED PLUM BLOSSOM TREE

painted in 1926 mounted; ink on paper 50.5×32cm.  (19 7/8×12 5/8 in.) 无底价 NO RESERVE

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

易大厂  墨兰 镜心 水墨纸本 约1.5平尺

painted in 1997 hanging scroll; ink and color on paper 66.5×41.5cm.  (26 1/8×16 3/8 in.)

一九二六年作

题识: 空谷幽香漫赏音,墨池飞雨护根深。湘山湘水悄 骚怒,谁识春风处士心。丙寅七月大厂居士。 钤印:「易大厂」、「大厂居士」

田世光  梅花小鸟 立轴 设色纸本 约2.5平尺

一九九七年作

题识: 八十二叟田世光。 钤印:「田世光」、「公炜」


398

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398

399

WANG BOGONG  (18611921 ) CALLIGRAPHY

WU ZISHEN  (1893-1972) VIEWING THE PINE TREE

hanging scroll; ink on silk 66.5×41.5cm.  (26 1/8×16 3/8 in.)

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

王伯恭  草书「答友人」诗 立轴 水墨绢本 约2.5平尺 题识: 贤女委顿积日,治此,为忧悬。惟心,今 已极佳,足下勿复忧念。有信来,数附 书知闻,以解其忧。洽白,辱告承问, 洽故尔劣劣。冀以复叙,还今不具。王 洽再拜。久不临帖加以天寒手僵,固宜 有求无合。 钤印:「臣王伯恭」

hanging scroll; ink and color on paper 99×34.5cm.  (39 ×13 3/4 in.)

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

吴子深  观松 立轴 设色纸本 约3.1平尺 题识: 苍松日暮还行雨,老树春深更着花。 子深吴华源。 钤印:「子深书画」、「清气轩主」


) Lot400-409

( Lot400-409 ) ARTWORKS PRESERVED BY CHAN LIU ART MUSEUM

長流美術館珍藏書畫專題(

1973年,“长流画廊”创立於台湾台北。2003年后扩大转型,陆续於台北、桃园两 处建立美术馆,並分化出艺术拍卖、艺术鉴定顾问、基金会等相关企业。长流机构主要创 办人黄承志,乃台湾重要前辈画家黄鸥波之子,本身亦为当代权威书画鉴定家兼收藏家, 藏品以华人古今艺术珍玩最为丰富,尤有诸多中国历代大师珍贵作品,並以其独到的艺术 目光及品味,领导长流从事研究鉴定与推广等专业顾问服务。长流机构为台湾艺术产业发 展思进,为提供艺术爱好者展览及艺市新讯,长流躬历艺界,御守四十余载,与无数艺术 家、收藏家、拍卖公司等交游良好,多次提供馆藏於海内外各展览、博览会,举办艺文活 动百千场,成为艺术产业的重要枢纽。此次於2021年全球疫情肆虐的时段友情提供本场书 画专题更表现对香港保利拍卖的信心及对市场的远见。

本专辑长流美术馆出版书影


400

400 DING YANYONG  (1902-1978) DRAMA FIGURES painted in 1978 hanging scroll; ink and color on paper 69×44cm.  (27 1/8×17 3/8 in.)

HK$ 30,000 - 50,000 US$ 3,800 - 6,400

丁衍庸  粉墨登场 立轴 设色纸本 约2.7平尺

一九七八年作

题识: 粉墨登场,猴儿作将相。戊午丁衍庸写。 钤印:「虎肖形」 出版:<百年华人绘画—彩墨专冊 >,页151, 长流美术馆出版,二〇一六年六月


张大千摹<龙女礼佛图>

孙云生此幅〈龙女礼佛图〉题材出自於老师张大千所临 摹於敦煌莫高窟唐人壁画〈法华经—提婆品〉。说的是龙女 有一珠,价值三千大千世界,珠献给佛祖的故事。自1941 年张大千赴敦煌,全身心投入对石窟壁画与塑像的艺术研究 与考察工作的敦煌之行,使大千人物画的水平飞速提高。文 献记载在张大千先生长达六十余年的创作生涯中,留下了 大量的粉本遗产。这些粉本,时间由早期的敦煌临摹底本到 后期的创作线稿;题材涉及人物、花鸟、山水以及敦煌佛像 等。此外,还有许多课徒示范粉本,总结对比各种线条或皴 法,附带技法提要的题跋。这些珍贵的资料一直由跟随张大 千四十七年的弟子孙云生保存而鲜有面世。图中所绘龙女跪 地匍伏参拜佛祖,采用白描手法勾勒线条,极为潇洒准确, 比例恰当,形态可鞠,其人物衣褶线条勾勒细谨,劲健有 力,笔墨交代极清晰,充满盛唐风韵,从其可见学生传承老 师之精随。

401 SUN YUNSHENG  (1918-2000) DRAGON LADY WORSHIPING THE BUDDHA painted in 1967 hanging scroll; ink and color on silk 74×35cm.  (29 1/8×13 3/4 in.)

HK$ 60,000 - 80,000 US$ 7,700 - 10,300

孙云生  龙女礼佛图 立轴 设色绢本 约2.3平尺

一九六七年作

题识: 龙女礼佛图。丁未秋月,寗河清信弟子孙云生敬造。 钤印:「孙家瑞」、「云生」

401


此作绘於1942年,即是黄君璧任教重庆国立中 央大学艺术系时期,校址即是重庆柏溪,无论是对於 历史或地理上,此地都有着特殊的意义,柏溪是沙坪 坝上游嘉陵江旁的一个隐蔽山村,距中央大学校本部 25公里。此作构图庄严,传统在双钩技法上更是发挥 得淋离尽致,由平涂、统染、分染、提染、至覆勒后 画上水线按古老循序技法─修饰完成更凸显黄君璧深 厚的拟古功力。

402 HUANG JUNBI  (1898-1991) BIRDIES ON THE TREE painted in 1942 hanging scroll; ink and color on paper 87×30cm.  (34 1/4×11 3/4 in.)

HK$ 120,000 - 140,000 US$ 15,400 - 17,900

黄君璧  红叶翠鸟 立轴 设色纸本 约2.3平尺

一九四二年作

题识: 伯廷先生方家雅正,壬午春,黄君璧写於柏溪山中。 钤印:「南海黄氏」、「君璧」

402


403 HUANG JUNBI  (1898-1991) THE GRAND CASCADE IN YOSEMITE mounted; ink on paper 136×69cm.  (53 1/2×27 1/8 in.)

HK$ 500,000 - 800,000 US$ 64,100 - 102,600

黄君璧  风瀑 镜心 水墨纸本 约8.4平尺 题识: 风瀑。美国加州幽深密地写生。黄君璧。 钤印:「黄君璧印」、「君翁」、「白云堂」 展览: 1. 「渡海三家—张大千、溥心畬、黄君璧彩墨精华特展」,台湾,长流美 术馆2010.12.08-2011.01.30 2. 「2019千山万水爱相随展(艺术治疗)展」,台湾,长流美术馆 2019.03.20-2019.04.07 出版: 1. <百年华人绘画—彩墨专冊>,页103,长流美术馆出版,二〇一六年 六月 2. <五千年巅峰—中国近现代彩墨名家精选>,页97,长流美术馆出版, 二〇一一年六月 3. <渡海三家—张大千/溥心畬/黄君璧彩墨精华特展>,页291,长流美术 馆出版,二〇一〇年十二月 “白云”和“飞瀑”是黄君璧先生运用最多的题材,他在台湾的居所就 取名为“白云堂”。他主张洋为中用,因有西画基础,所以画面极有透视 感,景深很远,层次丰富 。 早期逸秀、中期苍健、晚期雄壮。早期的瀑布 以线条为主,据说作画从不打稿,但线条流畅,一气呵成,绝无败笔。中期 的瀑布变成涌动状,听似有声;画云则云随风动。70岁时,他遍访世界三 大瀑布,归来后一改画风,所画瀑布具立体的滚动感,在台湾一时轰动,非 大师的魄力和功底不可为也。“风瀑”亦是当时於美国旅游后所创作之精 品,其结构谨严,点画森然,自成机杼,善取山川云水之生意,所作大瀑布 汹涌奔腾,如顷银河,气势撼人。


403


404

404 LIN FENGMIAN  (1900-1991) VIEWS IN JIANG NAN mounted; ink and color on paper 55×94cm.  (21 5/8×37 in.)

HK$ 700,000 - 800,000 US$ 89,700 - 102,600

林风眠  江南风光 镜心 设色纸本 约4.7平尺 题识: 俊铭同志正画。林风眠。 钤印:「林风暝印」


405

405 ZHUANG YAN  (1899-1980) CALLIGRAPHY painted in 1967 hanging scroll; ink on gold-flecked paper 64.5×32.5cm.×4  (25 3/8×12 3/4 in.×4)

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

庄严  楷书「陶渊明诗」四屏 立轴 水墨洒金纸本 约1.9平尺(每幅)

一九六七年作

题识: 1.结庐在人境,而无车马喧。问君何能尔?心远地自偏。采菊东篱下,悠然见南 山。山气日夕佳,飞鸟相与还。此中有真意,欲辨已忘言。 2.在昔曾远遊,直至东海隅。道路迥且长,风波阻中途。此行谁使然?似为饥所 驱。倾身营一饱,少许便有余。恐此非名计,息驾归闲居。 3.秋菊有佳色,裛露掇其英。泛此忘忧物,远我遗世情。一觞虽独尽,杯尽壶自 倾。日入群动息,归鸟趋林鸣。啸傲东轩下,聊复得此生。 4.衰荣无定在,彼此更共之。邵生瓜田中,宁似东陵时。 寒暑有代谢,人道每如 兹。达人解其会,逝将不复疑。丁未仲春,庄严书陶诗。 钤印:「庄严慕陵长寿」、「慕陵」、「秋梦盦」 展览:「时间的刻度:台湾美术战后五十年作品展」,台湾, 长流美术馆,2003年 出版:<时间的刻度—台湾美术战后五十年作品展>,页120,长流美术馆出版, 二〇〇三年三月


406 WU HUFAN  (1894-1968) CALLIGAPHIC COUPLETS hanging scroll; ink on paper 133×33cm×2  (52 3/8×13 in.×2)

HK$ 80,000 - 100,000 US$ 10,300 - 12,800

吴湖帆  行书七言联 立轴 水墨纸本 约4.0平尺(每幅) 题识: 才华舒展临风锦,意气昂藏出岫云。治平先 生,吴湖帆。 钤印:「吴湖帆印」、「倩宜书印」

406


407 ZHANG DAQIAN  (1899-1983) CYMBIDIUM hanging scroll; ink and color on paper 142×36cm.  (55 7/8×14 1/8 in.)

HK$ 300,000 - 500,000 US$ 38,500 - 64,100

张大千  春兰 立轴 设色纸本 约4.6平尺 题识: 绿云无复一緺柔,剪却尘根万缕愁。散髪鬓鬙偏有致,祇怜抛 却,玉搔头断。大千居士戏为之也。 钤印:「张爰之印」、「大千」、「大千豪髪」、「大千好梦」 展览: 「一代宗师 ——张大千120周年纪念」,台湾,长流美术馆, 2019.06.01-2019.07.14


409

408

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409

ZHANG DAQIAN  ,HU CHONGXIAN LOTUS IN THE SUNSHINE

GUO DAWEI  (1918-2003) LOVELY CHICKENS

mounted; ink on gold-flecked paper/photograph 诗堂: 14.8×25.5cm. (5 7/8×10 in.) 照片: 35.4×27.5cm. (13 7/8×10 7/8 in.)

hanging scroll; ink on paper 32×35.5cm.  (12 5/8×14 in.)

HK$ 30,000 - 50,000 US$ 3,800 - 6,400

张大千、胡崇贤  神光离合 镜心 水墨洒金纸本/银盐相纸 诗堂: 约0.3平尺 照片: 约0.8平尺 诗堂: 神光离合。崇贤摄此,真如洛浦仙资,令人神移目眩也。 汝德道兄当宝之毋失,六十八年己未夏日,弟爰。 钤印:「张大千长年大吉又日利」 展览: 1 . 「江山万里——张大千艺术展」,北京,中国美术馆 , 2014.01.20-2014.03.03 2. 「一代宗师——张大千120周年纪念展」,台湾,长流美 术馆 ,2019.06.01-2019.07.14 出版: 1. <江山万里——张大千艺术展>,页188,长流美术馆, 二〇一四年一月 2. <登峰造极——张大千逝世三十周年纪念精选>, 页159,长流美术馆,二〇一三年七月

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

郭大维  稚鸡憨态 立轴 水墨纸本 约1.0平尺 题识: 大维。 钤印:「郭大维」 题跋: 此小幅乃大维弟子所画,可喜可喜,九十二白石题。 钤印:「白石题跋」 展览:「收藏家指定展」,台湾,长流美术馆,2018.12.02-2019.01.27


411

411 SHEN PENG  (B.1931) CALLIGRAPHY mounted; ink on paper 67×44cm.  (26 3/8×17 3/8 in.)

HK$ 60,000 - 120,000 US$ 7,700 - 15,400

沈鹏  行书杜甫诗 镜心 水墨纸本 约2.7平尺

410

410 SHEN PENG  (B.1931) CALLIGRAPHY hanging scroll; ink on paper 132×65cm.  (52×25 5/8 in.)

HK$ 150,000 - 250,000 US$ 19,200 - 32,100

沈鹏  草书王维诗 立轴 水墨纸本 约7.7平尺 题识: 荆溪白石出,天寒红叶稀。山路元无雨,空翠湿人衣。王维诗,沈鹏。 钤印:「沈鹏」、「介居」、「介居主」、「春华秋实」 说明:据藏家所述,作品由直接得自艺术家本人。

题识: 昔闻洞庭水,今上岳阳楼。吴楚东南坼,乾坤日夜浮。亲朋无一 字,老病有孤舟。戎马关山北,凭轩涕泗流。杜甫诗,沈鹏。 钤印:「沈鹏」、「介居主」 说明:据藏家所述,作品由直接得自艺术家本人。


渡海名家書畫作品专题(Lot412-434) FOUR MASTERS ACROSS THE TAIWAN STRAIT(Lot412-434)

1949年,南京国民政府迁台后,于右任、溥儒、张大千、黄君璧四位名家都辗转离开大陆,来到台湾生活,为台湾画坛 灌注了新养分的同时带来了极为重大的影响,被並称为「渡海四家」。其中水墨大师黄君璧和溥儒分别于台湾师范大学担任 艺术系主任及教授之职,而张大千和于右任亦于稍晚来到宝岛。

于右任书法专题 一生戎马文心,赤肝忠胆注笔端 于右任一生戎马,政事繁多,流离去台后,依然匆匆不暇。他对书法却仍钟情不二,殚思竭力。其早期工行楷,以魏碑 为基础,取舍变革,並参入篆、隶、草法,开拓了险劲峭拔的书势。中年以后主攻行草,其草书朴拙而有奇趣。用笔使转, 初观似觉率易生涩,细品方觉笔力千钧。他的草书很少作连绵体势,这是得力章草与怀素「千字文」之故。字与字相互顾 盼,行间血脉不断,整幅作品弥漫着浑沦的元气。 1932年他在上海创立标准草书社,总结归纳草书书写规律,穷四年之功,集众人之智,〈标准草书〉于1936年7月在 汉文正楷书局出版。为了推广标准草书,于右任于1941年还创办了〈草书月刊〉,第一期刊登了于右任〈标准草书序〉、刘 延涛〈中国文字之演进——篆-隶-草〉、〈由历代草书作家之地位事业窥论草书之隆替〉、〈历代草书能书人名〉。此刊至 1948年前后共出了六期,于右任分别发表了〈太和本急就章跋〉、〈临标准草书千字文自序〉、〈标准草书与建国〉等重要 论文,引领草书创作和研究思想的潮流。在于右任的倡导下,周伯敏、李祥麟、胡公石、刘延涛、李超哉诸人追随于右任左 右,形成一个打破千年帖派草书藩篱的“碑派”草书流派。 此次上拍的四件于右任书法作品,均属于其晚年成熟期的作品。一九五八年,于右任曾作〈基隆道中〉诗一首,这是 他入台的第十个年头。此时监察院这个中央一级机关,远不如台湾省的下属办事机构,于右任的检察院长一职也仅是一个高 帽,成为于右任的累赘。到检察院也批阅文件,也仅是例行公事。不管怎样复杂纷纭的公文,到他手里都只批是、行、商、 阅、存、发中的一个字。签名用“右任”二字,共计三个字。此时的于右任寄情于诗词、书法,日读〈四朝学案〉,以遣案 牍劳形之苦。在笔墨诗书面前,世间风云却如过眼煙云。这种心境从他的书法中完全可以看出。于右任此时期的书法恬淡天 真,质朴自然。不求雕饰,只求平淡质拙。他写给儿子的「草字歌」:“起笔不停滞,落笔不作势,纯任知然,自迅速,自 美丽,吾有志焉而不逮。”晚年的于右任喜写长卷或小冊或立轴送亲友门生,内容多为名言警句,唐诗宋词,自作诗。 「后赤壁赋」一首,书于检察院专用笺纸。书法几无锋芒,用笔圆润,章法率意随性,线条含蓄绵韧,运笔如枝叶的自 长生长,毫无人为之意。如果说「基隆道中」一作中,还略带仗剑拥书之豪气,那么「后赤壁赋」冊,则堪称仙风道骨,不 惹尘埃。 在于右任的诗文中,还能看到他虽然寄情诗书,但心怀天下的情怀。他早在三原和西安读书时就立下了报国为民之志。 后来他兴学办报,追随孙中山先生肇造共和,是他用世之志的实现。于右任去台后所作「鸡鸣曲」、「基隆道中」等,引用 台湾民歌“福州鸡鸣,基隆可听”以抒怀,望云树,思故乡,恋家乡,念亲友,一往情深,催人泪下。骨肉亲朋,相隔一 水,鸡犬之声相闻而老死不相往来,岂人情之常乎? 「江行千里·其七」 “怀家千里意,报国一生心”一句,发自肺腑,情绪深沈。心中的万千结,却只能用笔下数点墨来 表达。他还曾作「满江红」词,有“看马前开遍自由花,天散香”,“待短时告庙紫金山,祈宪章”之句,曾几何时,希望 化为泡影,去台后多思大陆,缅怀故人。 历代书论都强调作品不但要有精妙的笔墨技巧与形体,而且要有闪光的内在精神和灵魂,通过作品透射出艺术的独有 精神魅力。于右任的书法博大宽厚,气势恢宏,令人鼓舞。自古诗书一体两面,他的诗文,饱含家国情怀,思乡之苦,深沈 激昂。他将一生戎马文心,赤肝忠胆注于笔端,得正大、雄迈、磊落、浑朴之气象。此次的于右任专题,均属其晚年出神入 化,炉火纯青之作。福田赳夫曾这样评价于右任的草书:“通过他的笔墨将自己的个性、气质、才能及修养等在读者面前展 现得淋漓尽致”是“名副其实的上乘之作”,“观赏于先生的书法作品就仿佛超脱了尘世,在仙境翱翔”,“书法界还有谁 能像他那样将世态的变迁,人生的冷暖融入书法作品呢?”


412

412 YU YOUREN  (1879-1964) CALLIGRAPHY mounted; ink on paper 69×19.5cm.×4 (27 1/8×7 5/8 in.×4)

HK$ 200,000 - 220,000 US$ 25,600 - 28,200

于右任  草书「基隆道中」 镜心 水墨纸本 约1.2 平尺(每幅) 题识: 云兴沧海雨凄凄,港口阴晴更不齐。百世流传三尺剑,万家辛苦一张犁。鸡鸣故 国天将晓(谁云福州鸡鸣,基隆可听),春到穷檐路未迷。宿愿犹存觅好句,希 夷大笑石桥西。国明老弟正,于右任。基隆道中。 钤印:「右任」 说明:美国私人珍藏


413 YU YOUREN  (1879-1964) CALLIGRAPHY mounted; ink on paper 29×22cm.×10  (11 3/8×8 5/8 in.×10)

HK$ 350,000 - 550,000 US$ 44,900 - 70,500

于右任

草书「后赤壁赋」

镜心 水墨纸本 约0.6平尺(每幅) 题识: 是岁十月之望,步自雪堂,将归于临皋。二客从予,过黄泥之阪。霜露既 降,木叶尽脱。人影在地,仰见明月。顾而乐之。已而叹曰: 有客无酒, 有酒无肴,月白风清,如此良夜何!”客曰:“今者薄暮,举网得 鱼,巨口细鳞,状如松江之鲈。顾安所得酒乎?归而谋诸妇,妇曰: “我有斗酒,藏之久矣,以待子不时之需。”于是携酒与鱼,复游于 赤壁之下。江流有声,断岸千尺;山高月小,水落石出。曾日月之几 何,而江山不可复识矣。予乃摄衣而上,履谗岩,披蒙茸,踞虎豹, 登虬龙,攀栖鹘之危巢,俯冯夷之幽宫。盖二客不能从焉。划然长 啸,草木震动,山鸣谷应,风起水涌。予亦悄然而悲,肃然而恐,凛 乎其不可留也。反而登舟,放乎中流,听其所止而休焉。时夜将半, 四顾寂寥。适有孤鹤,横江东来。翅如车轮,玄裳缟衣,戛然长鸣, 掠予舟而西也。须臾客去,予亦就睡。梦一道士,羽衣蹁跹,过临皋 之下,揖予而言曰:“赤壁之游乎乐乎?”问其姓名,俯而不答。 “呜呼!噫嘻!我知之矣。畴昔之夜,飞鸣而过我者,非子也邪?” 道士顾笑,予亦惊寤。开户视之,不见其处。于右任。 钤印:「右任」 说明:美国私人珍藏


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415

414

415

YU YOUREN  (1879-1964) CALLIGRAPHY

YU YOUREN  (1879-1964) CALLIGRAPHY

hanging scroll; ink on paper 134.5×33cm.  (53×13 in.)

hanging scroll; ink on paper 135.5×30cm.  (53 3/8×11 3/4 in.)

HK$ 45,000 - 65,000 US$ 5,800 - 8,300

HK$ 30,000 - 50,000 US$ 3,800 - 6,400

于右任  草书「出师颂」

于右任

立轴 水墨纸本 约4.0平尺

立轴 水墨纸本 约3.7平尺

题识: 西戎不顺,东夷构逆。乃命上将,授以雄戟。桓桓上将,实天所 启。允文允武,明诗阅礼。石禾先生正,于右任。

题识: 煙雨濛濛湿,云涛渺渺深。怀家千里意,报国一生心。于右任。

钤印:「右任」 说明:美国私人珍藏

草书「江行千里·其七」

钤印:「右任」 说明:美国私人珍藏


417

416

416

417

YU YOUREN  (1879-1964) CALLIGRAPHY

YU YOUREN  (1879-1964) CALLIGRAPHIC COUPLETS

hanging scroll; ink on paper 135.5×33cm.  (53 3/8×13 in.)

mounted; ink on paper 151×40cm.×2 (59 1/2×15 3/4 in.×2)

HK$ 55,000 - 65,000 US$ 7,100 - 8,300

HK$ 250,000 - 350,000 US$ 32,100 - 44,900

于右任  草书「题玄武禅师屋壁」杜甫诗

于右任  草书五言联

立轴 水墨纸本 约4.0平尺

镜心 水墨纸本 约5.4平尺(每幅)

题识: 何年顾虎头,满壁画沧州。赤日石林气,青天江海流。锡飞常近 鹤,杯度不惊鸥。似得庐山路,真随惠远游。骥昌先生,少陵题 题玄武禅师屋壁,于右任。

题识: 高山仰豪气,深宅养灵根。于右任。

钤印:「右任」

钤印:「关中于氏」


418

418 HUANG JUNBI  (1898-1991) LANDSCAPES OF FOUR SEASONS mounted; ink and color on paper calligraphy: 31×31cm.×4  (12 1/4 ×12 1/4 in.×4) painting: 35×35cm.×4  (13 3/4 ×13 3/4 in.×4)

HK$ 150,000 - 250,000 US$ 19,200 - 32,100

黄君璧  四季山水 镜心 设色纸本 诗堂:约0.9平尺(每幅);画心:约1.1平尺(每幅) 题识: 1.雨后溪声吼似雷。丁卯夏日画於白云堂,九十老人黄君璧。 诗堂:古木阴阴路径回,雨深山径长苍苔。不嫌寂寞无车马,时有 幽人独往来。丁卯仲夏,九十老人君璧。钤印:「黄君璧」、「君 翁」、「白云堂」


2.荷亭清夏。己未春画於白云堂,黄君璧。诗堂:花近高楼伤客心,万方 多难此登临。锦江春色来天地,玉垒浮云变古今。写少陵句,番禺叶公 超。钤印:「公超长寿」 3.秋山话古。己未初春,君翁黄君璧。 诗堂:肠断春江欲尽头,杖藜徐步立芳洲。颠狂柳絮随风舞,轻薄桃花逐 水流。杜少陵句,番禺叶公超。钤印:「公超长寿」、「番禺叶氏」 4.雪霁归舟。己未冬日,八十二叟黄君璧。 诗堂:北极朝廷终不改,西山寇盗莫相侵。 可怜后主还祠庙,日暮聊为 梁父吟。少陵句,辛酉仲夏於友多闻斋叶公超。钤印:「公超长寿」、 「番禺叶氏」


419

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HUANG JUNBI  (1898-1991) INTO THE CLOUDS

HUANG JUNBI  (1898-1991) VIEWING THE WATERFALL

painted in 1976 mounted; ink on paper 61×86cm.  (24 ×33 7/8 in.)

painted in 1976 mounted; ink on paper 89×52.5cm.  (35 ×20 5/8 in.)

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

黄君璧  白云深处

黄君璧  观瀑图

镜心 水墨纸本 约4.7平尺

镜心 水墨纸本 约4.2平尺

一九七六年作

一九七六年作

题识: 夹岸秋深旧草堂,溪声淼淼树苍苍。白云远处烽煙里,且 向丹青忆故乡。丙辰春日画於白云堂,君翁黄君璧。

题识: 岩泉飞百丈,顷刻下重霄。多少机心者,闲观意也消。丙辰春日 画於白云堂,君翁黄君璧

钤印:「黄君璧印」、「君翁」

钤印:「黄君璧印」、君翁」、白云堂」


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421 HUANG JUNBI  (1898-1991) BAMBOO IN INK painted in 1976 mounted; ink on paper 34×95cm.  (13 3/8×37 3/8 in.)

HK$ 10,000 - 20,000 US$ 1,300 - 2,600

黄君璧  墨竹 镜心 水墨纸本 约2.9平尺

一九七六年作

题识: 不是相依君子竹,清风安得近来多。丙辰除夕画於白云堂,黄 君璧。 钤印:「黄君璧」、「君翁」、「白云堂」

422 HUANG JUNBI  (1898-1991) AUSPICIOUS ARTICLES painted in 1977 mounted; ink and color on paper calligraphy:28.5x26cm.  (11 1/8×10 1/4 in.) painting:36.5x36.5cm.  (14 3/8×14 3/8 in.)

HK$ 10,000 - 20,000 US$ 1,300 - 2,600

黄君璧  岁朝清供 镜心 设色纸本 一九七七年作 诗堂:约0.7平尺;画心:约1.2平尺 诗堂: 气含风露满深秋,真味由来胜庶羞。若使孔融曾见此,品题当不 到元修。夏文产诗,君翁黄君璧。钤印:「黄君璧印」、「君 翁」 题识: 岁朝清供。丁巳新春,画於白云堂,黄君璧。 钤印:「黄君璧印」、「君翁」、「白云堂」

422


423 PU RU  (1896-1963) VISITING FRIENDS IN A SNOWY NIGHT painted in 1950 hanging scroll; ink and color on paper 102×34cm.  (40 1/8×13 3/8 in.)

HK$ 100,000 - 200,000 US$ 12,800 - 25,600

溥儒  雪夜访友图 立轴 设色纸本 约3.1平尺 题识: 雪岭云千迭,风林人迹稀。山僧行脚处,寒远水田衣。心畲。 钤印:「荒寒」、「旧王孙」、「溥儒」、「袌冰卧雪」

423


424 PU RU  (1896-1963) CALLIGRAPHIC COUPLETS hanging scroll; ink on paper 71×11.2cm.×2  (28×4 3/8 in.×2)

HK$ 120,000 - 240,000 US$ 15,400 - 30,800

溥儒  楷书七言联 立轴 水墨手绘福瑞纸本 约0.7平尺(每幅) 题识: 据梧高阁心双鸟,洗砚清潭共一僧。西山逸士溥儒。 钤印:「溥儒之印」、「心畬」

424


425 PU RU  (1896-1963) CALLIGRAPHIC COUPLETS painted in 1945 hanging scroll; ink on paper 65.5×12cm.×2  (25 3/4×4 3/4 in.×2)

HK$ 150,000 - 250,000 US$ 19,200 - 32,100

溥儒  楷书七言联 立轴 水墨描云纸本 约0.7平尺(每幅)

一九四五年作

题识: 树暗小巢藏巧妇,渠荒蒲䒺长慈姑。蓬门未 识绮罗香,拟托良媒益自伤。谁爱风流高格 调,共怜时世俭。梳妆敢将十指夸,纤巧不 把双眉斗画长。乙酉秋月,西山逸士溥儒。 钤印:「溥儒之印」、「心畬」

425


426

426 PU RU  (1896-1963) HORSES

溥儒  双骏图 镜心 设色纸本 约1.6平尺

一九五〇年作

painted in 1950 mounted; ink and color on paper 27.5×63.5cm.  (10 7/8×25 in.)

题识: 双骏真龙种,西来自泥洼,长鸣思苜 蓿,落日玉关斜。庚寅秋夜,心畲。

HK$ 60,000 - 80,000 US$ 7,700 - 10,300

钤印:「溥儒」

427 PU RU  (1896-1963) POEM mounted; ink on paper 31.5×44cm.  (12 3/8×17 3/8 in.) 无底价 NO RESERVE

溥儒  行书自作诗 镜心 水墨纸本 约1.2平尺 题识: 苹叶蔆花覆曲池,不堪惆怅暮春 时。绿荫已合莓苔长,摇落残红辞 故枝。半亩荒园蕨菜肥,黄昏风雨 送春归。垂杨浣落花如雪,浅水池 塘蝶尚飞。列峰岩巉近斗牛,汤谷 郁热蒸松楸。天遥似照蒸山月,夜 照桑干漫水流。昔作记游诗多绝 名,题壁偶书之。心畲。 钤印:「旧王孙」、「溥儒」 来源:台湾同一藏家珍藏

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428 ZHANG DAQIAN  (1899-1963) LADY BY THE BAMBOO painted in 1939 mounted; ink on paper 79×40.5cm.  (31 1/8×16 in.)

HK$ 250,000 - 350,000 US$ 32,100 - 44,900

张大千  修竹仕女 镜心 水墨纸本 约2.9平尺

一九三九年作

题识: 寒天翠袖照明霞,倚竹竛竮日又斜。 瘦到骨时 香到骨,祗因薄命是梅花。己卯十一月,大千 张爰。 钤印:「张爰」、「大千大利」、「大风 堂」、「摩登戒体」 张大千三十年代的仕女取法于明清诸家,如 陈洪绶、唐寅、吴伟等,衣纹线条流畅,纤眉细 目,樱桃小口,柳肩蛮腰。此画中人物神情面貌 清新秀丽,裙摆衣带用笔极为爽利,人物造型温 婉娴静,清雅小巧,是典型早年人物用笔特点, 与从敦煌归来后丰腴饱满,雍容华贵的仕女形象 相比,别有一番韵味。

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〈秋兴泛舟图〉绘制于1976年,年初张大千由美返台时,决定正式申请移居台湾。1月 底在台湾国立历史博物馆隆重举办<张大千先生归国画展>,並获颁赠“艺坛宗师”匾额。 大千此时饱经事变、人画皆老,经年游历与多国定居使其胸罗万象,加上落叶归根的感慨, 使他迎来又一个创作的高峰期。同年他在送赠友人画作中题道:病后返国,故人握手,神为 之爽,胜服良药。 考1944年刊行的〈大风堂书画录〉其中有赵文敏「秋江垂钓图」。绢本设色。高三尺 一寸、宽一尺;右上方行书五行,即张大千此作题识中诗句,且分别早在1938年以及1967 年已籍此各创作过一幅,布局类似,唯设色、景物稍有不同。 然而此幅与前作们相比不同之处,在于画面布局大胆,落笔从容潇洒。自右至左,瀑布 山泉似从云雾中倾泻而下,寥寥数笔画出水纹,信笔落墨但细心勾勒形成芦苇洲,留白处变 成了可供高士泛舟垂钓的湖泊。占据画面近乎二分之一的山峰矗立于正中,使用淡墨皴擦、 敷色清润不失稳重;赭石轻染山顶与山脊营造日暮光晕,又施以朱膘、朱砂点染出山崖林间 的秋色;远处还有两间屋舍隐于山中,高士与童子皆神情闲适、尽兴之后把家还。此作整体 设色俊逸、意境深远,是张氏“外师造化,中得心源”的完美体现,题诗或是文敏之诗,但 作画之人心安处即吾家,心境显然大不相同。


429 ZHANG DAQIAN  (1899-1983) BOATING IN AUTUMN painted in 1976 mounted; ink and color on paper 90.5×45cm.  (35 5/8×17 3/4 in.)

HK$ 1,000,000 - 1,800,000 US$ 128,200 - 230,800

张大千  秋兴泛舟图 镜心 设色纸本 约3.7平尺

一九七六年作

题识: 石岸能高野水落,江日未堕江枫明。无人笑取 玄真子,船尾秋风日日生。六十五年八月,爰 翁。 钤印:「张爰之印」「大千居士」「丙辰」 「三千大千」

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这幅大尺幅的〈芭蕉修竹〉完成于丙午(1966)年。正是大千居士泼墨与泼彩极为成熟之 时,这一年他先后在巴西与香港等地办展,画家虽囿于眼疾,但创作热情空前高涨,而且画作数量 与质量都有保障,亦创作出许多登峰造极的作品。 细读款识不难发现,大千先生在洋洋洒洒写下明朝大诗人沈周的诗文——“题蕉”时,或因兴 致高涨,不小心在第一句末尾漏掉了一个“丛”字,因而完整的诗文应是“惯见闲庭碧玉丛,春风 吹过即秋风。老夫都把荣枯事,却寄萧萧数叶中。” 写毕,大千先生不仅将”丛“字补写在了诗 文的最末尾,更在接下来的款识中道出了自己的失误,自嘲”得意忘形而不觉屐齿之折”。笔者阅 读时,更觉与这位大师拉近了时间与空间上的距离,似乎更亲切地感受到了这位“东西南北之人” 的天真烂漫。更值得一提的是,大千先生落款时极少落有“南场老子”之款,这与圣人老子在艺术 上“超以象外,得其寰中”的主张不无关联。而这正是大千居士在一九五七年被诊断出眼疾,却坚 持作画,开创泼墨泼彩画法並进入艺术探索新境界时极为追崇的。因而“南场老子”的落款,更反 映出张大千追求“大象无形”,並用抽象的绘画来表现传统哲学的精髓。 大千先生的大写意花鸟画的最大特点莫过于其生机勃勃与雅俗共赏的特质:描绘主体的代表 物象便是荷花,芭蕉等等。描绘这类阔叶植物是十分考验画家功力的。大千先生的画风工写结合, 将重彩与水墨融为一体,用笔遒劲却不失活力与灵气。他曾说过:“画花卉用笔,要活泼而不是草 率,要有活力而自然。”因而在这幅高达六尺的大呎幅描绘蕉叶的作品中,数叶芭蕉和一杆修竹都 尽力地向天空伸展,郁郁葱葱,生机盎然。大千居士的笔法以写意与大面积的渲染为主,同时用细 笔勾勒出叶筋,並利用墨的浓淡来表现叶的层次和饱满茂盛、娇艳欲滴的状态,几株芭蕉亭亭玉直 且高逸挺拔,与一株新竹相得益彰,更显盎然生气。 芭蕉与修竹在古代文人画中往往都是品格脱俗,谦谦君子的象征,他们的组合亦被人称作“双 清”。传说唐代大书法家怀素买不起纸张,便在自家后院种植芭蕉,用蕉叶练字,被传为美谈。许 多文人画中亦有高士或仕女以蕉叶写字的场面,因而蕉叶也成为文人士大夫托物感怀的媒介。宋代 著名词人石孝友曾在〈眼儿媚·愁云淡淡雨潇潇〉中写道“愁云淡淡雨潇潇,暮暮复朝朝。别来应 是,眉峰翠减,腕玉香销。小轩独坐相思处,情绪好无聊。一丛萱草,几竿修竹,数叶芭蕉。” 似是正应了这幅作品中的情景,虽无人物,画家却通过意象表达了一种“老夫都把荣枯事,却寄萧 萧数叶中” 的生动情境。


430 ZHANG DAQIAN  (1899-1983) CHINESE BANANA AND BAMBOO painted in 1966 hanging scroll; ink and color on paper 186×64cm.  (73 1/4×25 1/4 in.)

HK$ 1,200,000 - 2,000,000 US$ 153,800 - 256,400

张大千  芭蕉修竹 立轴 设色纸本 约10.7平尺

一九六六年作

题识: 惯见闲庭碧玉丛,春风吹过即秋风。老夫都把荣枯 事,却寄萧萧数叶中。偶读石田翁诗,信摹拈弄遂 落一字,得意忘形不觉屐齿之折,毋乃为大方所笑 耶?南场老子爰付与娴如。丙午春日。 钤印:「大千居士」、「八德园」、「下里巴人」

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張大千自1957年中罹患目疾,遍尋名醫,期間創作不減,多有寫意精品。1959年6月至7月短暫在台灣逗留觀光,買了一本八大山人的小冊 頁,滿心歡喜回到巴西八德園繼續休養。在巴西也不妨礙他與全世界的友人書信鴻雁,往來不斷。 大千早年力戰古人,盡得精髓。畫高士都有其獨特的範式,即以石濤的人物為本,參以張風和唐人的形相,面龐大多為橢圓形,豐滿圓潤, 眉目清秀,三髻秀須,上結髮或束巾,神情悠閒瀟灑。 此作高士觀瀑,以曾氏的詩意為題,取景角度甚為用心。張氏以中鋒勾斫寫出險要山勢,堅硬且稜角分明的山壁為瀑布的氣勢磅礡打下堅實基 礎,如「飛流直下三千尺」以流暢的線條表現出瀑布的動感。高士只露出四分臉,但從其肢體語言可以看出,一手撐地、一手扶膝,怡然自得, 他此時是多麼地愜意。松樹虯根長在山崖間,松針茂密如蓋,正好給高士休息納涼之地。 大千的高仕畫既有古意,又有現代式的審美價值,賦予高仕畫以時代的內涵。

431 YU YOUREN  (1879-1964) CALLIGRAPHY hanging scroll; ink on paper 67×35.5cm.  (26 3/8×14 in.)

HK$ 120,000 - 150,000 US$ 15,400 - 19,200

于右任  草书七言诗 立轴 水墨纸本 约2.1平尺 题识: 客久浑忘岁月迁,炎州十八度新年。屠苏后饮增惭感,爆 竹频喧沸海天。世事疲当有时复,吾生困不更人怜。岭梅 逢与传消息,父老相期早凯旋。今可老弟五十二年元旦名 作也。爱而录之以赠。于右任。 钤印:「右任」 說明:上款人今可老弟为曾今可。

432 ZHANG DAQIAN  (1899-1983) VIEWING THE CASCADE painted in 1959 hanging scroll; ink on paper 71×48cm.  (28×18 7/8 in.)

HK$ 500,000 - 800,000 US$ 64,100 - 102,600

张大千  高仕观瀑图 立轴 水墨纸本 约3.1平尺

一九五九年作

题识: 今可诗家有古松观瀑名句,为台湾诸公所称,嘱为写图。 予方病目腕不强,愧未能得其仿佛也。己亥之秋,蜀人张 大千爰。 钤印:「张爰之印」 說明:上款人今可诗家为曾今可 (1901一1971),系「国际 桂冠诗人」。早年就读江西省立第四中学。1919年夏,任 赣南学生联合会总干事,后留学日本入早稻田大学政治经 济系。1957年,与于右任创设「中国文艺界联谊会」,任 秘书长、副会长。1964年当选「国际桂冠诗人」兼「国际 桂冠诗人协会」中国代表。

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大千畫荷經歷了三個時期:早期師古人,由石 濤、八大、徐渭入手;中期集古人之大成,直抒己 意;晚期創造的潑墨潑彩法使荷花脫離物態,神韻 天成。此幅荷花作於一九五三年,筆墨恣肆張揚, 尤其勾連左右整幅的一支荷梗與一大片荷葉,更飛 揚跋扈,盡顯風力,極具視覺震撼力。畫中荷葉則 兼以乾筆、渴筆,或氣象氤氳、豐潤嬌嫩,或遺形 取意、意氣風發,將其筆下所謂風荷與晴荷、枯荷 與豐荷和諧地統一於一幅之中,極為生動傳神,充 滿盎然意趣,以此表達出對受畫者的贊譽。

433 ZHANG DAQIAN  (1899-1983) LOTUS POND painted in 1953 mounted; ink and color on paper 78.5×49.5cm.  (30 7/8×19 1/2 in.)

HK$ 600,000 - 800,000 US$ 76,900 - 102,600

张大千  清荷 镜心 设色纸本 约3.5平尺

一九五三年作

题识: 朱帘过雨黄月生,绡衣初试五铢轻。稍怜翠珮红 妆句,不称江妃出浴情。癸巳夏日,大千居士 爰。 钤印:「张爰」、「大千居士」

434 ZHANG DAQIAN  (1899-1983) DHARMA IN RED GARMENT hagning scroll; ink and color on paper 95×39cm.  (37 3/8×15 3/8 in.)

HK$ 200,000 - 400,000 US$ 25,600 - 51,300

张大千  红衣达摩 立轴 设色纸本 约3.3平尺 题识: 眉粗齿缺髮鬅鬆,道是西来鼻祖翁。一花五叶传 天下,直指人心在镜中。佛弟子弘筏大千敬造。 钤印:「张爰之印」、「大千居士」、「戊 午」、「摩耶精舍」、「大风堂」

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考丁羲元先生编撰之<任伯年年谱>,任氏其父任鹤声:“读书不苟仕 宦,设临街肆,且读且贾。善画,尤善写真术。”任伯年天资聪颖、自幼 耳濡目染,九岁便开始正式习画。任氏虽生长于太平军与清军交战冲突最 甚的年代与地区,甚至被太平军拉去当了一年的拉伕,其父也在战乱中丧 生。但世间的战乱疾苦、亲人的生离死别,並没有磨灭他对生活与艺术创 作的热情。 他由同治四年(1865)便以绘画作为主业,收到胡公寿的邀请,于 三十岁(1869)来到上海定居鬻画,足见其绘画水准已得到当时艺术圈的 认可。次年(1870)经胡公寿介绍与虚谷订交,受其影响,是年秋创作了 许多花鸟画。随后数年,任氏遍摹师友们所藏由宋至明末清初之名迹,画 艺日趋成熟,于沪上声名鹊起,索画订单纷至沓来。 作品中的物象都是传统题材寓意吉祥的代表,公鸡表示诸事大吉,鸡 冠花因“冠”与“官”谐音意指仕途升官,石头有坚固、稳定之意,所有 题材加诸一体,其意思不言而喻。既是当时画家春风得意心情之写照,也 是对未来美好生活的寄许。 此幅作于同治甲戌年(1874),以没骨法写就。任氏正值盛年,公鸡 的形态神完气足、昂首挺胸地站在画面的正前方,鸡冠花昂然挺拔、花开 正盛;设色艳丽而不媚俗,后方的山石与书法长题相得益彰,稳固住整个 画面布局。画家对事物观察入微、绘画技法不拘泥于古人,公鸡的翎毛、 山石通过墨色深浅变化表现出阴阳向背,鸡冠花与绿叶既抓住其形又写出 其神、生动自然,正如清恽南田之理念“为古人重开生面”、 “重写生, 求逸气”, 此为任氏壮年时期不可多得之精品。

435 REN BONIAN  (1840-1895) ROOSTER painted in 1874 hanging scroll; ink and color on paper 102.5×31cm.  (40 3/8×12 1/4 in.)

HK$ 180,000 - 220,000 US$ 23,100 - 28,100

任伯年  冠上加冠 立轴 设色纸本 约2.9平尺

一八七四年作

题识: 同治甲戌春二月上浣,伯年任颐写於黄歇浦上客次。 钤印:「任颐私印」 出版:<中国书画名品编目-虚谷.任伯年.吴昌硕三家书画选萃>,图版 20,株式会社大冢巧艺新社,二〇一〇年十一月。 著录:Chinese Paintings Ming Er Tsing XV-XIX Centuries-from the Mu-fei Collections, Item No.55, City of Paris, Cernuschi Museum, June, 1967. 展览:Chinese Paintings Ming Er Tsing XV-XIX Centuries-from the Mu-fei Collections, City of Paris, Cernuschi Museum, June-August, 1967. 来源:郑德坤旧藏。郑德坤(1907-2001),著名考古学家。福建厦门 人,毕业于燕京大学,哈佛大学考古学博士。先后执教于厦门大学、华 西协和大学、剑桥大学、香港中文大学。历任担任香港中文大学艺术系 客座教授、文学院院长、副校长、中国考古艺术研究中心主任、中国文 化研究所所长等学术职务。剑桥大学有其斋号「木扉」图书馆,典藏书 籍颇丰。

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海上风华—海派名家作品专题(Lot435-Lot438) ARTWORKS BY IMPORTANT ARTISTS IN SHANG HAI(Lot435-438)

19世纪中叶,当时上海已隐隐超越北京,成为近代中国经济、文化中心,吸引了全国各地画家云集沪上,逐渐形成「海上画派」。当时寓居 上海的名画家有虚谷、任熊、任熏、任伯年、吴昌硕等人,他们大都家境中落或平民出身,以鬻画为业,创作题材丰富,画面清新通俗,深受市 民阶层的欢迎,与以北京为中心的正统宫廷画派形成鲜明的对比。他们本身注重学识与品格修养,在绘画技法与风格上承唐宋传统技艺,吸取明 清陈淳、徐渭、陈洪绶、八大山人、石涛和「扬州八怪」等诸家之长,又受清代金石学的影响,瀟灑放縱又雄厚古樸,同时注重借鑑各式各样民 間藝術、从中汲取诸多养分,對中國傳統绘畫進行大膽的改革与創新,兼具文人内涵与观赏实用性,达到雅俗共赏之境界。 海上画派的影响深远,民国初年至新中国成立后,有张善孖张大千昆仲的大风堂、黄宾虹、谢稚柳、陈佩秋、程十髪等人才辈出,至今兴盛 不衰,持续为中国现代美术史谱写华美篇章。

436 WU CHANGSHUO, WANG ZHEN BUDDHA hanging scroll; ink and color on paper 118×50cm.  (46 1/2×19 5/8 in.)

HK$ 250,000 - 350,000 US$ 32,100 - 44,900

吴昌硕、王震  无量寿佛 立轴 设色纸本 约5.3平尺 钤印:「我佛」 题跋:无量寿佛。甲寅冬仲,一亭画佛,吴昌 硕篆四字。钤印:「昌硕」、「聋」

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437 WU CHANGSHUO  (1844-1927) CALLIGRAPHY album; ink on paper 22×25.5cm.×12  (8 5/8×10 in.×12)

HK$ 350,000 - 450,000 US$ 44,900 - 57,700

吴昌硕  行书自作诗 冊页 水墨纸本 约0.5平尺(每幅) 题识: 1.「感遇」 丈夫不得志,天地复何有。世界蜗庐中,何处容腐朽。 悲衷向谁陈,乌乌空自咎。兵燹十余年,学业荒善久。 谋生信所拙,事事居人后。亲朋猝见面,喜一憎八九。 何事且蹉跎,庸庸一株守。因之情性癖,去家独昂首。 带剑走吴门,扬帆过京口。所得尽风流,结交无老丑。 古鼎拓陶陵,残碑访岣嵝。有时挥羊毫,泼墨几盈斗。 有时凿金石,寸铁如敝帚。诗酒盛夙缘,风月常携手。 乃有伧父流,憎我命不偶。不务致青云,竞说江湖走。 江湖非所宜,母乃颜之厚。我怀素淡泊,不锢玉不剖。 面目任人憎,礼貌任人苟。吾生直如此,满眼皆荒薮。 说罢心凄然,且尽壶中酒。 2.「过独松关」 古木参天不磴盘,南朝半壁叹偏安。空怜王气余荒垒, 犹有风云连远峦。自古武臣言战易,从来残局独支难。 即今四海澂清日,地险何须问守官。 3.「湖滨小劫图为树卿宗叔题」 压地阵云黑,连村燹火红。天心胡太酷,人事竟无功。 援救军何在,东南路已穷。吴山七十二,恸哭起悲风。 钲鼓喧湖上,仓皇尽室逃。几人余虎口,一命□鸿毛。 冰雪漫漫阻,烽煙莽莽高。临流还脱险,生死信天操。 天道有时复,湖山长此青。别来人故故,相对梦惺惺。 流寓当年境,传家旧日经。披图一回首,十万痛生灵。 我亦遭兵燹,余生劫后存。荒郊曾洒泪,野葬一招魂。 骨肉来浮寄,田园废旧村。不堪身世盛,此境怅同论。 4.「即景」 湖上归来旧有家,登楼不见好云遮。麦苗青泛连畦水, 罂粟红堆十里霞。海内奇荒悲铁泪[丁丑(1877)戊寅 (1878)间河南大饥,刊铁泪图劝赈],吴中淫雨病春 花。山民何处为生计,已过清明未采茶。 5.「宿晓觉寺」 寒月一庭霜,安禅卧石床。遥泉入清狂,落叶响长廊。 灯使前朝火,邻舂隔岁粮。老僧知梵字,聊(以)与老 卢仓。「过栖真寺」佛殿耸煙鬟,楼台溪壑间。经声散 修竹,云气没禅关。暗水空潭响,飞禽落照还。招提如 可宿,我欲饱看山。 6.「过西禅僧舍」 桃城东去西禅古,劫灰飞尽无连宇。寥寥僧舍隔溪斜, 数椽聊避深秋雨。荒煙蔓草尽云中,庭树森森无故主。 年来老衲颇经营,禅房花木看丛生。出林明月依人久, 闭户山客入枕清。山僧引我入禅关,徘徊竞日不思还。 月明紫阁旋回壑,日落云房半隐山。头陀几辈曾相识, 纷纷来问山城客。呼童煮茗更焚香,惭愧风尘减颜色。 我亦萧然物外人,思从灵嶽问迷津。那得知音共携手, 一澂林泉清浄因。 7.「纪难诗」 遍地潢池起,於今竟莫逃。逢争界牌出,营指石歧高 (界牌,地名;石岐,山名)。昏黑见烽火,猩红认战袍。 邻封沦滔尽,谁与建旌旄。乡愚明大义,宁死不虚生。 贼势如焚火,民心亦背城。持将篯镈器,御比虎狼兵。 杀气腾昏晓,隆隆战鼓声。百里阵云开,长驱大队来。 红旗喧战鼓,白日闭尘埃。一炬尽焦土,几家沈劫灰。 何方堪避地,有路是泉台。荒窜入穷谷,终年隐姓名。 潜身疑有术,御贼若无兵。遍地惊烽火,凭天断死生。 古来同历劫,歇作不平鸣。狂贼何方至,逢人但举刀。

号啕阻风雨,昏黑尽奔逃。入谷疑无路,攀崖恐未高。 桃源更何处,僵卧伏蓬蒿。风雪草堂低,嗷嗷倍苦凄。 有家若悬盘,纵饭亦充泥。惨色疑为鬼,□穷大类羝。 空山鲜薇蕨,何处着夷商。苍生欲履难,造物岂无因。 异病来灾沴,全身信鬼神。招魂哀弱弟,埋骨痛慈亲。 独子谁怜恤,依依向四邻。五载离乡孙,逢人失故吾。 道旁尸掩仰,草际血模糊。月黑野狐出,天阴怨鬼呼。 西风满怀涙,惨惨聴啼鸟。骨肉余生几,追随父与儿。 流离真锁尾,徼幸出艰危。弓冶延新泽,杯卷动旧悲。 残书三五尺,喜下仲舒帷。痛定还思痛,嗟予歇晏安。 青毡犹坐守,黄卷未抛残。梦里无家别,身前行路难。 吟诗多苦调,泪洒北风酸。 8.「自题持卷独行图」 踨迹频年类雪鸿,一帆云散一帆风。瓜洲星火是淞水, 多少生涯在卷中。 9.「即事」 野火连天百草摧,平原落日鸟飞回。将军军令如山重, 猎骑翻从市林来。 10.「坐翁同六泉词丈」 孏散无如我,柴扉置不扄。窻虚云堕白,林抹雨来青。 词客瘦於竹,梅花疎到屏。眼前好消息,鹤梦欲摧醒。 11.「西州六泉山人」 铜岭关头独往还,六泉门径久萧闲。春萝补屋宜藏月, 红叶漫天坐看山。两地牵怀儿女小,一身行迹鬓毛斑。 劝君莫动思乡念,来共芜园屋数间。 12.「题画」 高阁云与亭,若崖险而峻。山各共空蒙,云影浑无定。 亭深秋气凉,雨余松色净。幽人何处来,携琴入萝径。 13.「秋兴」 木落雁飞高,霜寒虫雨细。卷帘月自明,爱此新秋味。 14.「茅屋」 茅屋四隅幽,新篁看影活。晓来山雨多,秋煙生一抹。 15.「送施子明先生北上」 先生西湖居,情性迂且踈。睡起日当午,饭罢钟鸣初。 不梳顶上发,不检床头书。悠悠湖上水,泛泛狎鸥凫。 轻舟荡兰桨,弄水摘英渠。堤畔自行吟,陶然乐有余。 落落殊寡交,清游独感具。癸酉领乡荐,秋风光□闾。 得志在行道,岂为簪组娱。鸿鹄举千里,骅骝开长途。 屈伸信有时,穷通亦何殊。君志舒抱负,爵禄徒区区。 送君苕水上,惜别意何如。 录近作以应振甫六弟之属,即请正之。吴俊。 鈐印:「阿倉」 鑒藏印: 「沱」、「十髪」、「圓賞廔」、 「平 子」、「梅影書屋」、 「愙齋鑒藏」、「南山」 題簽:吳昌碩詩集,吳門南山翁題簽。鈐印:「漫漶不 清」 说明:振甫仁弟应为吴氏夫人的六弟施为(字振甫,号 石墨),施氏是当地的名门望族,书香门第,家中藏书 颇丰。吴氏在施家长住过一段时间,博览群书、增广交 友,与施为气味相投,十分友善。


437



解读吴昌硕「行书自作诗」

吴昌硕,本名俊、俊卿,初字香圃,中年后改字昌硕。 本作品落款“吴俊”,亦是其早期款识的特征。 「行书自作诗」严格说来应该属于行草风格。事实上, 行草夹杂正是吴昌硕的书风之一。吴昌硕虽然对篆、隶、 楷、行均很擅长,但其行草书是成熟最早的,运用也最为广 泛,在信札、诗稿、书画落款和题跋中使用最多。该自作诗 中的行草风格,明显受帖学影响,尚看不到明显的金石味道 (碑学特征)。这些行草,体式精美、风格俊秀,有行云流 水、兔起鹘落之势。作者执笔如有神助、行笔迅疾、收笔磊 落、挥洒自如,起承转合纯任自然,毫无矫揉造之感。用墨 也非常精当,富有浓淡乾湿变化,显得自然和谐。 吴昌硕早年这种带有几分秀气的字体,与其中晚年以后 的老辣风格相差很大,我们姑且称之为“帖行书”。如果将 这些行草与其早年的行楷作品进行比较,会发现二者在风格 上有异曲同工之妙,均洋溢着一种俊美之风。 这套冊页,洋洋洒洒近两千言,落款中虽然没有明确书 写时间,但从诗文内容可知应作于30多岁的早年时期。吴昌 硕的行草书,对王铎、黄庭坚、米芾、欧阳询、黄道周、邓 石如、赵之谦等人的作品均有借鉴。30多岁的时候,正是他 致力于研习黄庭坚书法的时期。这些冊页中的行草字体左低 右高,整体上向右上微微倾斜,隐约有黄庭坚书风遗韵,满 纸散发着浓郁的书卷气息。 在行草章法上,吴昌硕比较注重字与字之间的连属与 呼应关系,並保持一定的行距。吴昌硕主张“以气贯注书 画”,其行草线条富有弹性和力度,略有楷书笔意,更具行 草章法。这在「行书自作诗」中也体现的非常明显,虽然笔 笔相连、字字呼应,但章法鲜明,毫无杂乱堆砌之感,呈现 出“随心所欲不逾矩”的自由状态。 吴昌硕主张“以天为徒”,得天地之灵气,“以古为 徒”,得古人之灵气。其书法总能给人一种“一以贯之”的 畅快淋漓感。这套冊页虽然尺寸不大,却也气势恢宏,有排 山倒海之势,可谓以小见大,从中可窥见其早期行草书风的 特征。


438

438 XIE ZHILIU  (1910-1997) CALLIGRAPHY IN MEMORY OF ZHOU ENLAI painted in 1977 hand scroll; ink on paper 30×505cm.  (11 3/4×198 7/8 in.)

HK$ 500,000 - 800,000 US$ 64,100 - 102,600

谢稚柳  草书「悼周总理诗」 手卷 水墨纸本 约13.6平尺

题签

一九七七年作


438

题签: 谢稚柳草书卷。庚辰岁末业煌装裱。 题识: 一月八日周总理逝世一周年,连日夜观悼念电视,哀感作歌。天沉沉, 地冥冥。愁云迷白日,悲风雕绿蘅。巨星晓损一月八,大树飘零九洲 哭。长怀遗爱在人民,尽瘁一生功盖国。却笑蚍蜉同朝菌,晦朔不知未 为促。繁花如雪气如霜,惜别灵车泪万行。哀思年年无日忘,煌煌业绩 歌未央。江河大地飞骨香,山高高兮水流长。一九七七年二月十三日, 业煌同志属为书此一卷,壮暮生稚柳。 钤印:「谢稚柳」、「壮暮生」 来源:瑞秀楼珍藏,Collection of Ruey Hsiu Lou 出版: 1.〈海派代表书家系列作品集•谢稚柳〉,页124—130,上海书画出版 社。 2.〈纪念谢稚柳百年诞辰暨海上已故名家书法作品集〉,页22—23,上 海书法家协会。 3.〈三宁斋藏近现代名家书画•书法卷〉,页161—163,天津人民美术 出版社。 说明:上款人为尚业煌。尚业煌(1919-2002),上海博物馆研究员, 中国古陶瓷研究会会员,长期从事文物鉴定工作。


香江撷珍—香港重要藏家私人珍藏书画作品(Lot439-450) A SELECTION OF TREASURES PRESERVED BY IMPORTANT PRIVATE COLLECTORS IN HONG KONG(Lot439-450)

439

439 BAI JIAO  (1907-1969) CALLIGRAPHY, ORCHID IN INK hagning scroll; ink on paper 画:71×45cm.  (28×17 3/4 in.) 书:81.5×47.5cm.  (32 1/8×18 3/4 in.) 无底价 NO RESERVE

白蕉  书法墨兰两帧 立轴 水墨纸本 画:约2.9平尺 书:约3.5平尺 题识: 书:白头遗恨在,青竹几人登。回首追含笑,劳歌局寝兴。年华纷已矣, 世故莽相仍。刺史诸侯贵,郎官列宿应。潘安云阁远,黄霸喜书增。乳赞 号攀石,饥鼯诉落藤。药囊亲道士,灰劫问胡僧。白蕉。 画:亦欲作雄飞,而不落甘雌伏。眼前无可看,岱思在空谷。怀琴先生雅 属,云闲居士白蕉。 钤印:「江左白蕉之印」、「云闲」、「白蕉私印」


440

441

440

441

ZHU LESAN  (1902-1984) AUSPICIOUS OBJECTS

DONG SHOUPING  (1904-1997) SNOW-COVERED LANDSCAPE

painted in 1943 hagning scroll; ink and color on paper 95×50.5cm.  (37 3/8×19 7/8 in.)

painted in 1960 hagning scroll; ink and color on paper 115.5×39cm.  (45 1/2×15 3/8 in.)

无底价 NO RESERVE

HK$ 15,000 - 30,000 US$ 1,900 - 3,800

诸乐三  吉祥花卉

董寿平  雪景松树

立轴 设色纸本 约4.3平尺

立轴 设色纸本 约4.1平尺

一九四三年作

一九六〇年作

题识: 神仙富贵寿而康,多子多孙聚一堂,清供岁朝谁享 得,满床笏坐郭阳。癸未秋月,余携友人赴皖南涯 县?友长庚携宣城纸嘱余画此图以应。诸乐三並记。

题识: 峨眉晴雪。辛丑冬日,董寿平写。

钤印:「诸乐三印」、「乐三之印」

鉴藏印:「周氏湘云家藏书画珍品印章」、「浙堇戴氏家藏书画 秘玩印」

钤印:「寿平」、「董氏」


442

442 ZHAO SHAO'ANG  (1905-1998) CALLIGRAPHY "GOOD FORTUNE" mounted; ink on gold-flecked paper 48.5×31.5cm.  (19 1/8×12 3/8 in.)

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

赵少昂  草书「福」 镜心 水墨洒金笺 约1.4平尺 题识: 福,少昂。 钤印:「赵」、「少昂」


443

443 ZHAO SHAO'ANG  (1905-1998) CALLIGRAPHY "LONGEVITY" mounted; ink on gold-flecked paper 47.5×32.5cm.  (18 3/4×12 3/4 in.)

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

赵少昂  草书「寿」 镜心 水墨洒金笺 约1.4平尺 题识: 寿,少昂。 钤印:「赵」


444 ZHAO ZHICHEN  (1781-1852) AUSPICIOUS OBJECTS hanging scroll; ink and color on paper 124.5×37.5cm.  (49 ×14 3/4 in.)

HK$ 22,000 - 40,000 US$ 2,800 - 5,100

赵之琛  百古岁朝 立轴 设色纸本 约4.2平尺 题识: 问梅世兄属,赵之琛。 钤印:「赵次闲印」 鉴藏印:「阿閦鞞室供养」、「谢刚国印」、「慈舟秘玩」 来源:北京文物商店旧藏

444


445 QI GONG  (1912-2005) CALLIGRAPHY hagning scroll; ink on paper 67.5×33.5cm.  (26 5/8×13 1/4 in.)

HK$ 50,000 - 80,000 US$ 6,400 - 10,300

启功  行书「王安石诗」 立轴 水墨纸本 约2.0平尺

445

题识: 随月出山去,寻云相伴归。春晨花上露,芳气着人衣。 启功。 钤印:「元白」、「启功私印」 题跋: 1.一九七八年深秋,予与吴景达同游黄山得杂诗三十六首,旋赴 北京。重晤于省吾、张政烺两前辈及启功、胡厚宣、李学勤、裘 锡圭诸公,曾以拙诗请教。今春景章吾兄出示此轴,有随月出 山去,花落着衣之句。颇与。曩昔黄山诗境相契,率而题此。 一九八一年,棪斋。钤印:「李棪」、「古稀今不希」 2.启功法书闲逸遒隽、洒落多致为世所称。景璋先生出此属题, 爰志数语归之。庚申三月朱庸斋于广州。钤印:「庸斋」、「朱 奂」 3.此帧为启功先生近岁病起后作,意趣闲适,尤可赏耳。李曲斋 观並题。钤印:「李曲」、「曲斋」


446

446 YA MING  (1924-2002) CLOUDY DAY IN JIANG NAN hagning scroll; ink and color on paper 69.5×46cm.  (27 3/8×18 1/8 in.)

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

亚明  江南云 立轴 设色纸本 约2.9平尺 题识: 江南云。景章同志属,己未秋月写于南京沙砚斋亚明急就。 钤印:「亚明画印」、「七十年代」


447

447 YA MING  (1924-2002) AUTUMN VIEW IN QI XIA MOUNTAIN painted in 1981 hanging scroll; ink and color on paper 68×67cm.  (26 3/4×26 3/8 in.)

HK$ 50,000 - 80,000 US$ 6,400 - 10,300

亚明  棲棲霞高秋 立轴 设色纸本 约4.1平尺

一九八一年作

题识: 棲霞高秋图。允中同志指教,辛酉初夏写于南京沙砚居,亚明。 钤印:「亚明近作」、「允中为」、「张允中」、「沙砚居」、「八十年代」 说明:上款人允中为张允中。张允中(1919-2020),企业家、新加坡太平船 务(PIL)创办人、爱国华侨。


1961年6月到9月,傅抱石先后到长春、吉林、延边、长白山、哈尔滨、镜泊湖、沈阳、抚顺、鞍山、大连等地写生,然后 渡海由青岛回到北京。这趟东北之行,极大的激发了他内心深处的豪情壮志,天池瀑布和镜泊瀑布所带给他的震撼,让他直呼 此行“兹游奇绝冠平生”,更是将他的观瀑题材作品带到一个全新境界。 画中看似寥寥几笔随意点染出的远处瀑布,云雾缭绕,但亭子前的水流汹湧湍急,足以让人想象出瀑布应当是如何气势磅 礡。山石用如椽巨笔散锋横扫,势挟风雷;飞瀑则著墨不多,以墨写石,留白而成水流。画面的焦点在山涧之上的亭子里有两 高士正在高谈阔论。细看之下,一位正慵懒地趴在栏杆上,似在观鱼;另一位则挺直腰杆,蓄势待发;二人像极春秋时期庄子 与惠子的辩论——子非鱼焉知鱼之乐焉?又似苏轼与张怀民彻夜闲谈,但少闲人如画中二人尔。 他善于将多年来积攒的历史文化知识结合诗词意境,加上独特的抱石皴技法,创造出属于自己的精神家园与山水画意境。 意境是山水画的灵魂,傅氏始终是把创造意境美作为主要任务的。他善于运用“欲显故隐”、“欲露故藏”的艺术手法来 寄意、造境。整个作品有收有放,大胆落墨,细心收拾,在笔墨、立意和造境方面均保持很高的水准。所以,他的画意境隽 永,如老窖陈酿,醇香醉人。

448 FU BAOSHI  (1904-1965) VIEWING THE WATERFALL painted in 1963 hanging scroll; ink and color on paper calligraphy: 22×65.5cm.  (8 5/8×25 3/4in.)  painting: 90×65.5cm.  (35 3/8×25 3/4in.)

HK$ 2,000,000 - 4,000,000 US$ 256,400 - 512,800

傅抱石  溪亭观瀑 立轴 设色纸本 一九六三年作 诗堂:约1.3平尺;画: 约5.3平尺 诗堂:傅抱石先生真迹神品。己卯中秋,鲁慕迅拜观於鹏城。钤印:「鲁」、「慕迅」 题识: 一九六三年癸卯四月初一日,傅抱石金陵並記。 钤印:「抱石之印」、「其命维新」、「癸卯」 鉴藏印:「千家驹藏」 说明: 1.「千家驹藏」为千家驹鉴藏印。千家驹(1909—2002),中国经济学家。浙江武义人。笔名钱 磊。毕业于北京大学经济系。曾任北京大学讲师,广西大学教授,香港达德学院教授,北京交通 大学教授。主编过〈中国农村〉〈经济通讯〉。 2.作诗堂者为鲁慕迅。鲁慕迅(b.1928年),又名鲁立,河南汝州人,曾任中国美术家协会理事。


448


449

449 XU BEIHONG  (1895-1954) CALLIGRAPHY mounted; ink on paper 30×85cm.  (11 3/4×33 1/2in.)

HK$ 180,000 - 300,000 US$ 23,100 - 38,500

徐悲鸿  行书「六合」 镜心 水墨纸本 约2.3平尺 题识: 六合。文希先生正,悲鸿。 钤印:「悲鸿」 鉴藏印:「陈氏文希」、「文希珍藏」 说明:上款人文希先生即陈文希。陈文希(1906-1992),广东揭 阳人。新加坡“国宝级”艺术家,其作品被英国牛津博物馆、德 国科隆博物馆、新加坡国家博物馆、新加坡大学、南洋大学、北 京中国美术馆、台北市立美术馆、香港艺术中心等典藏或展出。


450

450 HUANG ZHOU  (1925-1997) SPRING ON THE GOBI DESERT painted in 1978 hagning scroll; ink and color on paper 50×82cm.  (19 5/8×32 1/4 in.)

HK$ 200,000 - 400,000 US$ 25,600 - 51,300

黃胄  春风绿上戈壁滩 立轴 设色纸本 约3.7平尺

一九七八年作

题识: 春风绿上戈壁滩。黃胄戊午年作于病中。 钤印:「黃胄」、「五十以后之作」、「黃胄画」 说明:原藏家于八十年代购置于北京画店(广东省文物商店题签)

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451

451 SHI LU  (1919-1982) RED PLUM BLOSSOM painted in 1972 hagning scroll; ink and color on paper 101×68.5cm.  (39 3/4×27 in.)

1972年石鲁在长安家里养病,是其晚年稍

HK$ 100,000 - 200,000 US$ 12,800 - 25,600

许多个人风格鲜明的水墨作品。作品纯以水墨与

石鲁  朱梅 立轴 设色纸本 约6.2平尺

一九七二年作

能安心创作的一年,同时创作出〈雪弄华峰〉等 硃砂写就,画家巧用墨色变化表现霜雪覆盖之下 树枝的阴阳向背,硃砂点出的朵朵梅花娇艳欲 滴生机勃勃,昂然向上。梅花中“枝横”、“影

题识: 独傲霜雪。壬子秋日写于长安,石鲁。

斜”、“曳疏”、“傲霜”的特点,画家在此作

钤印:「石鲁」

之物,亦表明艺术家的创作与生活态度。

来源:法国私人藏家珍藏。

中都展现得淋漓尽致。“独傲霜雪”既点明画中


452

452 LI KERAN  (1907-1989) HERDING mounted; ink and color on paper 67.5×46cm.  (26 5/8×18 1/8 in.)

HK$ 100,000 - 200,000 US$ 12,800 - 25,600

李可染  放牧图

此幅应是李氏于五六十年代创作 的牧牛作品,牧童怡然自得坐在树干

镜心 设色纸本 约2.8平尺

上吹笛,衣服草帽都斜挂一旁,享受

题识: 可染画。

静温顺,仿佛随着笛声摇头晃脑,令

钤印:「李」、「陈言务去」 来源:法国私人藏家珍藏。

在树荫下的凉爽,水牛憨态可掬、安 人忍笑不禁,营造出一种田园中美好 夏日悠闲氛围。


由本作款识,“伊藤仁弟清属,丁丑元旦制于旧京”,我们可明确知悉两点:其一,本作为齐白石为日本人伊藤氏所作 (伊藤为雄);其二,本作创作于农历丁丑(1937)伊始,或为牛年开岁写牛之作。进而探究此作,我们不妨先由后者所及 的年份著眼,概述齐白石自来京至全面抗战之间的轨迹与影响力:     据〈年谱〉〈小传〉等可知,齐白石自五出五归之后,为避兵乱,于1917年定居北京,而后又往返于保定(识曹锟)、 湘潭;至1922年6月,陈师曾携其作品于日本参加〈中日联合绘画展〉,遂于东瀛声名鹊起;1927年,受时任校长林风眠之 聘请,任教于国立北平艺专中国画科;1928年,印行〈白石诗草〉〈借山吟馆诗草〉(手稿影印本);1933年,印行〈白 石诗草〉(八卷铅印本),进而诗名显赫于时;1936年3月,应川军军阀王瓒绪之邀,携眷入川,至9月返平,是时于各地 已具画名;1937年,平津沦陷,抗日军兴,其辞艺专之职,拒赴伪任。     经如上梳理,我们不难得出一个共识,自1922年至1937年,齐白石于诗、书、画各艺,先于日本,而至中国,已经被社 会各界所认可。再回溯本文最初提及的上款人“伊藤”,我们也就不难发现,其或许是齐白石在1922至1937年这十余年间的重 要宾朋。至于所谓的“重要”,不妨以如今市场中的几件齐白石致伊藤信札数例,以为管窥:     “四尺四幅交来,足转呈润金收到。此后,如承介绍,请按润格为幸。此上伊藤仁弟”     “又画润百元,亦收,只是前二月廿四日,去四尺二张(少年带虫一张、虾一张),尚未收润(弟之请画之来片尚 在),请查账部便知。”     “润金如数收到。五尺四张,四尺十张之画,亦交来人手也。请查收,此上伊藤仁弟。”     “邮局收条及三画润金收上。何日可来借山闲话也?伊藤仁弟。” 二人往来甚频繁,此不一一。但在与选例同批次释出的大部分齐白石与伊藤的往来信函中,我们不难发现,“润金”仿佛是 他们之间永恒的共同话题。如果在今日的语境里,唤伊藤为齐白石的“经纪人”,当是不为过的。而二人在经纪人与艺术家 之余,仿佛又有更深一层的“交谊”,这一点同样可于往来信札中查证:     “伊藤仁弟鉴:四尺画润收到。承赠食物,义不容辞。深谢深谢。往后不必客气也。”     “伊藤仁弟鉴:今有友人欲南行,南方多暖气(南方不用外套),现有外套出售,其价廉,介绍送来弟处一看,如合 意,则留之。(如弟不要,可推荐他人为嘉。)”     “伊藤先生鉴:请代买锁!”     “伊藤仁弟鉴:伊东牙医院内,之接生者(妇人当产生时,接小孩者),头年在借山接生产一次,谢金二十一圆。此时 又欲请伊(伊东医院之接生者)来借山一行,仍旧二十一圆。伊若愿意,请吾弟介绍,即日先来认门也(未当生时,先来一 看,谓之认门)。”     诚然,抛下这“二十一圆”的通货膨胀不论,遇锱铢必较如白石山翁者,还能与之往还经年而未交恶,甚至能在牛年开 岁得此〈柳牛〉佳构,且叹这关系维护不易罢了。


453 QI BAISHI  (1864-1957) BUFFALO UNDER THE WILLOW TREE hanging scroll; ink and color on paper 137×34.5cm.  (53 7/8×13 5/8 in.)

HK$ 3,500,000 - 5,500,000 US$ 448,700 - 705,100

齐白石  柳牛图 立轴 设色纸本 约4.3平尺 题识: 伊藤仁弟清属。丁丑元旦制于旧京。齐璜。 钤印:「白石」 来源:香港苏富比,二○○五年十月,中国书画拍卖,编号994 说明:上款人「伊藤」为伊藤为雄(1895-1984),上世纪二、三十 年代任职于日本横滨正金银行北京、大连、煙台等地支行。日本横滨 银行成立于一八七九年,由于享受日本政府优惠政策,海外业务得到 极大扩展,在一八九三年到一九四五年间,相继在中国开设分支机构 三十四家。伊藤在华期间,与京城艺文界颇为熟稔,尤与齐白石交 善,白石赠其画作、往来书札近年陆续释出,可大致勾勒二人交往。 伊藤可谓日本侵华战争爆发之前,白石的外籍友好之一,为其打点画 作在日经营、存款、乃至家庭琐事,而白石赠其画作,如〈不倒翁〉 〈柴耙〉和〈菊花鸡〉连屏皆倾力为之,毫不马虎。

453


454 QI BAISHI  (1864-1957) PROPICIOUS PEACHES painted in 1934 hagning scroll; ink and color on paper 93×32.5cm.  (36 5/8×12 3/4 in.)

HK$ 600,000 - 1,000,000 US$ 76,900 - 128,200

齐白石  寿桃 立轴 设色纸本 约2.7平尺

一九三四年作

题识: 甲戌冬十月之初,为迪生弟尊太夫人寿。齐璜。 钤印:「老木」 说明:吴迪生即吴炎,字迪生,民国年间著名竹刻家。又精书画、治 印,为齐白石的最为锺爱的入室弟子之一。

中国古代有千年寿桃之说,亦即说天上仙桃“三千年一开花、三千年一 结果”,是世间凡人梦寐以求的长寿之果。 考〈湖社月刊〉第八十五冊,其中画界琐闻记载:“北平印社主人吴迪 生,夏曆十月初七,为其母作七十寿,征集书画斗方,假中山公园水榭,邀 请书画名家茶点聚会、间赏菊花,闻到会者百余人云。” 齐白石画的桃子既吸取了民间的审美情趣,同时融进了文人画家的笔 意,善用西洋红加以发挥创造。他借西汉东方朔食仙桃而长生不老的典故, 以画赠贺锺爱弟子的母亲古稀之寿,寄托长寿美好的祝愿。


454


455 QI BAISHI  (1864-1957) REED CATKINS AND CRABS hagning scroll; ink on paper 133×33cm.  (52 3/8×13 in.)

HK$ 500,000 - 800,000 US$ 64,100 - 102,600

齐白石  芦花螃蟹 立轴 水墨纸本 约4.0平尺 题识: 齐白石。 钤印:「齐大」 出版:〈二十世纪美术作品档案-齐白石卷2〉,页170,河北教育出版 社,二〇一三年十二月

画蟹体现出画家对日常生活的细致观察,用了几十年的苦工不断完善 画法,由五十几岁至七十几岁才将蟹壳定型,甚至在饭桌上吃蟹时会突然 停下筷子,敛气凝神、若有所思。等家人询问时他才脱口而出说:蟹腿扁 而鼓,有棱有角,並非滚圆,吾辈画蟹当留意。


455


456

456 ZHANG DING  (1917-2011) CALLIGRAPHY painted in 2006 mounted; ink on paper 70.5×46.4cm.  (27 3/4×18 1/4 in.)

HK$ 25,000 - 50,000 US$ 3,200 - 6,400

张仃  隶书「禅影静」 镜心 水墨纸本 约2.9平尺

二〇〇六年作

题识: 禅影静。丙戌清和月,辽西九十叟它山张仃于京华。 钤印:「它洞」、「张仃」 说明:附张仃美术馆收藏证书。


张仃(1917-2010),号它山,辽宁 黑山人。中国现代艺术家、教育家、清华 大学教授、原中央工艺美术学院院长,中 国人民政治协商会议会徽的设计者,中华 人民共和国国徽设计提议者之一。曾参与 负责设计动画美术片〈哪咤闹海〉以及鸡 年生肖邮票。

457 ZHANG DING  (1917-2012) CALLIGRAPHIC COUPLETS painted in 2006 mounted; ink on paper 137.7×68.8cm.  (54 1/4×27 1/8 in.)

HK$ 30,000 - 50,000 US$ 3,800 - 6,400

张仃  隶书五言联 镜心 水墨纸本 约8.5平尺

二〇〇六年作

题识: 鹊乳先春草,莺啼过落花。丙戌芳岁,辽西 九十叟它山张仃于京华。 钤印:「它洞」、「张仃」 说明:附张仃美术馆收藏证书。

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459

CHEN SHUREN  (1884-1948) CALLIGRAPHY

GAO JIANFU, FANG RENDING BIRDIE ON THE BRANCH

painted in 1935 hanging scroll; ink on paper 136.5×33.5cm.  (53 3/4×13 1/4 in.)

painted in 1941 hanging scroll; ink and color on paper 66.5×33cm.  (26 1/8×13 in.)

HK$ 8,000 - 10,000 US$ 1,000 - 1,300

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

陈树人  行书七言诗 立轴 水墨纸本 约4.1平尺

一九三五年作

题识: 暖风卅里走轻车,如海春光可有涯。不许心魂 不陶醉,环淩一路看桃花。环淩路看桃花作, 广淮先生雅属並两正,廿四年春陈树人。 钤印:「树人之印」、「师定君」

高剑父,方人定  秋林小鸟 立轴 设色纸本 约2.0平尺

一九四一年作

题识: 三十年元旦,方人定写鸟,剑父补树並题。 钤印:「剑父」、「番禺高仑」


折衷中外,融合古今——岭南画派作品专辑(Lot458-473) A SELECTION OF ARTWORKS BY LING NAN SCHOOL ARTISTS(Lot458-473)

「岭南派」之所以在中国现代美术史上,产生广泛的影响,受到进步人士的支持肯定,主要因为它在新旧交替的历史时期,代表了先进的艺 术思潮。 它揭起的艺术革命旗帜,主张以新的科学观点对因袭、停滞的旧中国画来一番改造。它主张打破门户之见,大胆吸收外来的养料,使具有 千百年古老传统的中国画重获新生;它反对尊古卑今的保守观念,强调紧跟时代的步伐,创造出能够反映现实生活和时代精神的新中国画;它强 调这种新中国画不是为了表现自我而只满足个人的陶醉与欣赏,也不是狭义的为少数人服务的,而是为了更多人能接受它,即为了时代的需要而 追求一种大众化的、雅俗共赏的美的艺术。 ——关山月

题签

460

460 ZHAO SHAO'ANG  (1905-1988) MONKEY UNDER THE MOONLIGHT painted in 1937 hanging scroll; ink and color on paper 92×59cm.  (36 1/4×23 1/4 in.)

HK$ 80,000 - 100,000 US$ 10,300 - 12,800

赵少昂  月夜猕猴图 立轴 设色纸本 约4.9平尺

一九三七年作

题识: 何漆园吾兄过苑属制此帧为以应之。丁丑冬寒,少昂。 钤印:「赵少昂」 说明:上款人何漆园吾兄为何漆园(1899-1970),名家访,字渭贤。广东顺德人。 1920年入广州美学馆,师从高奇峰习画。精通文辞、书法、音律;善画山水、走兽、花 鸟、人物,尤擅联屏巨幅,气势雄伟。与赵少昂、张坤仪、叶少秉、何漆园、容漱石、黄 少强、周一峰等,並称为天风七子。


461

462

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YANG SHANSHEN  (1913-2004) CALLIGRAPHIC COUPLETS

YANG SHANSHEN  (1913-2004) RESTING ON THE TREE

painted in 1989 haning scroll; ink on paper 134×33.5cm.×2  (52 3/4×13 1/4 in.)×2

painted in 1991 mounted; ink and color on paper 156×48cm.  (61 3/8×18 7/8 in.)

HK$ 25,000 - 45,000 US$ 3,200 - 5,800

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

杨善深  行书五言联

杨善深  双禽图

立轴 水墨纸本 一九八九年作 约4.0平尺(每幅)

镜心 设色纸本 约6.7平尺

题识: 倚阑吟夜月,卷幔挹春风。己巳杨善深书。

题识: 辛未冬十二月,善深。

钤印:「善深长寿」

钤印:「杨」

一九九一年作


463 ZHAO SHAO'ANG  (1905-1998) PINE TREE COVERED IN SNOW mounted; ink and color on paper 128×56cm.  (50 3/8×22 in.)

HK$ 80,000 - 100,000 US$ 10,300 - 12,800

赵少昂  雪松小鸟 镜心 设色纸本 约6.5平尺 题识: 少昂。 钤印:「少昂」

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464 ZHAO SHAO'ANG  (1905-1998) FISHES IN THE POND painted in 1985 haning scroll; ink and color on paper 96×47.5cm.  (37 3/4×18 3/4 in.)

HK$ 160,000 - 200,000 US$ 20,500 - 25,600

赵少昂  柳荫双鱼 立轴 设色纸本 约4.1平尺

一九八五年作

题识: 落花流水共徘徊。乙丑春三月,赵少昂。 钤印:「少昂」、「赵」

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465 YANG SHANSHEN  (1913-2004) RESTING ON THE BRANCH painted in 1998 hanging scroll; ink and color on paper 137×34.5cm.  (53 7/8×13 5/8 in.)

HK$ 100,000 - 120,000 US$ 12,800 - 15,400

杨善深  双栖 立轴 设色纸本 约4.3平尺

一九九八年作

题识: 戊寅冬十二月,善深于春风草堂。 钤印:「祥心」 鉴藏印:「陈书枢收藏印」

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HUANG HUANWU  (1906-1985) CHIRPING

HUANG HUANWU  (1906-1985) GOURD AND GRASSHOPPER

painted in 1974 mounted; ink and color on paper 93×49cm.  (36 5/8×19 1/4 in.)

mounted; ink and color on paper 99×52cm.  (39×20 1/2 in.)

HK$ 60,000 - 80,000 US$ 7,700 - 10,300

黄幻吾  香妃翠鸟 镜心 设色纸本 约4.1平尺

一九七四年作

题识: 岭南黄罕幻吾时年六十有九于上海。 钤印:「广东新会县人」

HK$ 50,000 - 80,000 US$ 6,400 - 10,300

黄幻吾  葫芦蚱蜢 镜心 设色纸本 约4.6平尺 题识: 岭南黄罕幻吾並题于南天楼。 钤印:「黄罕」、「广东新会县人」


468 HUANG HUANWU  (1906-1985) BIRDS RESTING ON A KAPOK mounted; ink and color on paper 137×70cm.  (53 7/8×27 1/2 in.)

HK$ 180,000 - 250,000 US$ 23,100 - 32,100

黄幻吾  木棉翠鸟 镜心 设色纸本 约8.6平尺 题识: 岭南黄罕幻吾于海上寓斋。 钤印:「幻吾」、「新会黄罕」

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题签 题签

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GUAN SHANYUE  (1912-2000) OVERLOOKING THE MOUNTAIN

WANG XUETAO  (1903-1982) POMEGRANATE AND ROOSTER

hanging scroll; ink and color on paper 89×29cm.  (35×11 3/8 in.)

hanging scroll; ink and color on paper 108.5×33cm.  (42 3/4×13 in.)

HK$ 10,000 - 20,000 US$ 1,300 - 2,600

HK$ 10,000 - 20,000 US$ 1,300 - 2,600

关山月  河山揽胜

王雪涛  雄鸡图

立轴 设色纸本 约2.3平尺

立轴 设色纸本 约3.2平尺

题签:关山月河山揽胜图。一九六八年明斋 藏。钤印:「杨作明」

题签:王雪涛石榴雄鸡。一九七八年明斋重装。 钤印:「明斋珍藏」

题识: 关山月。

题识: 雪涛画。

钤印:「关山月」

钤印:「王涛之印」

来源:南洋「明斎」珍藏,與Lot363為同一 藏家。

鉴藏印:「明斋珍藏」 来源:南洋「明斎」珍藏,與Lot363為同一藏家。


471 LIN YONG  (B.1942) LEAN ON THE TREE painted in 1987 hanging scroll; ink and color on paper 138×69.5cm.  (54 3/8×27 3/8 in.)

HK$ 200,000 - 400,000 US$ 25,600 - 51,300

林墉  临风杪秋树 立轴 设色纸本 约8.6平尺

一九八七年作

题识: 临风杪秋树,对酒长年人。醉貌如霜叶,虽红 不是春。丁卯林墉。 钤印:「林墉」

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472 ZHOU YANSHENG  (B.1942) A SENSE OF SPRING painted in 2006 mounted; ink and color on paper 68×133cm.  (26 3/4×52 3/8 in.)

HK$ 80,000 - 100,000 US$ 10,300 - 12,800

周彦生  春风得意 镜心 设色纸本 约8.1平尺

二〇〇六年作

题识: 春风得意。丙戌岁阳春,写于小瀛洲艺术村,彦生。 钤印:「彦生」


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杨之光  归牧图

YANG ZHIGUANG  (1930-2016) HERDING

镜心 设色纸本 约2.5平尺

painted in 1988 mounted; ink and color on paper 43×65.5cm.  (16 7/8×25 3/4 in.)

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

一九八八年作

题识: 牧归。戊辰夏,忆写甘南藏族生活小景于新加 坡。之光。 钤印:「杨之光作」

474 SONG WENZHI LANDSCAPE painted in 1990 mounted; ink and color gold paper 37.5×45cm.  (14 3/4×17 3/4 in.)

HK$ 80,000 - 100,000 US$ 10,300 - 12,800

宋文治  山村清远图 镜心 设色金笺纸本 约1.5平尺

二九九〇年作

题识: 山村清远图。庚午六月写春山晓霭之景。文 治。 钤印:「文治」、「宋灏之印」

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蜕故孳新——现当代水墨的变革与守望     黄人〈<清文汇>序〉:“有一代之政教风尚,则有一代之学术思想,蜕故孳新,瞬息不可复省,而有为之摄影 者曰史,而有为之留声者曰文。”     历史是由时代的革新和发展不断推进的,而艺术作为时代的回音和倒影,同样不可避免的处于不断的蜕变之 中。革新和守望永远是艺术史的两个母体。中国古代水墨史,从张吴顾陆,到荆关董巨,无不以变革著称,开创了 人物与山水传统的先河,经过多代人的不断延展,最终造就了中古水墨文化悠久的传统和严谨的章法。 直到二十世纪,传统的水墨语境已经无法满足艺术家们的探索和开拓,而历史剧变和文化交融正好给面临衰微的水 墨传统带来了新的方向。穷则变,变则通,通则久,现代水墨从此走上历史舞台。

先驱——调和中西 二十世纪初期,随着清政府统治的衰亡,西学东渐成为时代主流。在艺术领域,传统与现代的论争带来了中西 文化的快速交融。以林风眠、吴冠中为代表的的艺术家兼学东西,成为水墨现代转型的第一批先驱者和探索者。 “西方艺术上之所短,正是东方艺术之所长,东方艺术之所短,正是西方艺术之所长。短长相补,世界新艺术 之产生,正在目前,惟视吾人努力之方针耳。”林风眠早年留法归国后,对艺术的东西之道有敏感的认知和远见。 终其一生投身于艺术教育、艺术运动和艺术创作之中,都一直秉承调和中西的道路。特别是其风景画,引入明暗对 比的西画理论,通过对色彩表现形式的探索,摆脱了传统水墨山水画的表达局限,开创了一种新的极具现代性的水 墨风景画形式。 丁衍庸同样早年留日,成为马蒂斯和野兽派的追随者,回国后折转多地从事艺术教育和创作,最终定居香港。 在此过程中,丁衍庸在朱耷、徐渭等中国古代艺术家作品中发现了同样的反叛精神和审美趣味,从此走上中西融合 的道路,开始转为创作水墨,独树一帜。 呈启——文化守望 二十世纪三四十年代,随着林风眠、丁衍庸等艺术先驱投身教育,现代艺术和现代水墨的思想在他们的推广下 逐渐完善。经历了六七十年代的社会动荡,新的艺术浪潮被重新激活,新的一轮学习西方融合西方的时代潮流中, 自我身份认同问题开始显现。艺术家们开始思考在这个时代如何重新与自己东方的文化背景和思想维度达成和解, 水墨成为他们探索的方向。 吴冠中师承林风眠,在继承林风眠精神衣钵的同时,在现代水墨领域完成了一次传统和当代的双向探索。传统 书法的抽象性和符号化,传统绘画的气韵论和留白法,被巧妙的运用在其水墨画中,创造了一种全新的东方式的当 代性。 黄永玉则走了一条与吴冠中截然不同却又殊途同归的艺术道路。作为一名中国古典文化和传统礼制的守望者, 他从另一个维度看待了民族与世界,传统与当代的辩证关系。针砭时弊和借古讽今凝练成为其独特的创作宗旨,并 从耳熟能详的民间传说与国学典故中塑造出黄氏独特的幽默形象,赋予其作品强烈的个人审美趣味。 多元——兼容并济 随着时代的推移,新时代的水墨变革中,界限逐渐模糊,题材逐渐多元。蜕故孳新是艺术发展史的本质。兼容 并济,海纳百川在当代水墨中得到了很好的体现。 无论是何百里师承岭南,精研宋元,在泼墨泼彩上自成一家;还是樊鸿宾继承国画“没骨”传统,在色彩融合 表现方面的尝试,都展现了中国艺术家对新时代水墨不同的探索和突围。而水松石山房主人(Hugh Moss)从藏 入画,浸淫东方艺术和文化多年的他,通过水墨的的方式呈现出独特的古趣和禅意;管伟邦先生以都市人凝视的经 验重新演绎传统笔墨和对山川灵性的追求。 东学西渐开始作为西学东渐的补充,共同担负东西文化交流和融合的重任。也许,这就是新时代水墨的时代宿 命。守望传统,开拓创新。


王良福先生私人珍藏中国书画作品(Lot475-480) PAINTINGS AND CALLIGRAPHY PRESERVED BY MR. WANG LIANGFU(Lot475-480)

王良福先生系香港资深藏家。其中国书画收藏以吴冠中,林风眠等为主,林风眠寓居香港时期创作的绝大部分精品均被其收入囊中。

475 CHENG SHIFA  (1921-2007) BEST WISHES painted in 1993 mounted; ink on paper 69.5×43.5cm.  (27 3/8×17 1/8 in.)

HK$ 15,000 - 30,000 US$ 1,900 - 3,800

程十髪  祝君平安 镜心 水墨纸本 约2.7平尺

一九九三年作

题识: 老友王良福赠以一颗竹,祝君多添寿身健多快 乐。癸酉冬仲,程十髪漫笔于三釜书屋。 钤印:「十髪」、「程潼」、「勿老草」

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476 WANG GEYI  (1897-1988) CALLIGRAPHY mounted; ink on gold-flecked paper 63.5×59.5cm.  (25×23 3/8 in.)

HK$ 12,000 - 16,000 US$ 1,500 - 2,100

王个簃  篆书「福」 镜心 水墨洒金纸本 约3.4平尺 题识: 福。良福先生雅正,王个簃时年八十有七岁。 钤印:「启之」、「个簃」


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477 ZHU QIZHAN  (1892-1996) CALLIGRAPHY mounted; ink on gold-flecked paper 63.5×59cm.  (25×23 1/4 in.)

HK$ 12,000 - 16,000 US$ 1,500 - 2,100

朱屺瞻  行书「福」 镜心 水墨洒金纸本 约3.4平尺 题识: 福。良福先生正,朱屺瞻。 钤印:「屺瞻笔」


林风眠几乎没有画过传统山水,他画的是西画意义的风景 画。因东方与西方对山水画同样要求对画面空间的经营布置,然 而自印象派崛起与推广普及,西方对于画中描绘景物的时间变化 也注意运用色彩进行表现。中国传统水墨画受着色原料的限制, 背景的描绘多为留白或统一染色,但林氏的锐意革新冲破桎梏, 将其所学光和色、焦点透视的特征完美融入接近黄金分割的方形 宣纸,变西方传统风景画的写实性,为中国艺术的写意性,追求 和中国精神传统相接连的意境。     此幅<秋林>画家描绘出这样场景,正值初秋时节,我们循着 画面近处小溪的潺潺流水往里探险寻觅,只见两三间黑瓦白墙的 屋舍安静地坐落在高大茂密的树林之中,门前有落叶铺地,预示 着秋天的金色、红色树木恰好分立两侧,定睛望四周一看,其余 树木参差错落,有些还未被秋色染透,树枝上还挂着些许翠绿。 我们极目远眺,通过一层又一层高大苍莽的松林与秋景,远处壮 阔的山在煙云迷蒙中若隐若现,添多一分静谧淡泊的意味。     同样是画秋天,在他笔中的自然生命都充满色彩、充满热 情、充满力量,不因传统束缚、个人际遇消沉、感怀萧瑟,而是 充满着阳刚喜悦的丰实。


478

478 LIN FENGMIAN  (1900-1991) AUTUMN WOODS mounted; ink and color on paper 67x68.5cm.  (26 3/8×27 in.)

HK$ 1,000,000 - 1,800,000 US$ 128,200 - 230,800

林风眠  秋林 镜心 设色纸本 约4.1平尺 款识: 林风眠。 钤印:「林风暝印」


自上世纪六十年代起,吴冠中就经常跑去宜兴、绍兴写生, 尤爱当中的四座小镇: 甪直、朱家角、柯桥、乌镇。八十年代起, 吴冠中获邀出国涉足三大洲,国内风景名胜遍布足迹,此幅应为 中国内地的乡镇写生之佳构。     此幅作品题于1986年,恰逢吴冠中应邀参加香港中文大学举 办的〈当代中国会绘画〉展览以及研讨会。当时收藏家王良福先 生在港积极推广恩师林风眠的作品以及艺术理念,与吴冠中对于 水墨艺术的创作方法进行深入交流,该作品在此期间直接得自艺 术家。作品中山石的线条为典型的银灰色勾勒,粗厚的颜料作为 画面的主要骨架,一条蜿蜒看不到尽头的石板阶梯,稀疏的行人 由下至上顺势将经典黑瓦白墙的民居呈现在画面的正中央,房前 花团锦簇、近山松柏参差、远山略施青黛,瀑布与底下的水池遥 相呼应,令整个画面更为灵动。     吴冠中结合了幼时的故乡记忆以及长期对景写生打下的基 础,奠定他描绘中国乡镇的银灰色主基调,通过黑、白、灰三种 色调,令观者觉得处处都似江南,却也是记忆中的故乡。


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479 WU GUANZHONG  (1919-2010) THE SKETCH FROM NATURE mounted; ink and color on paper 69×70cm.  (27 1/8×27 1/2 in.)

HK$ 1,000,000 - 1,500,000 US$ 127,800 - 192,300

吴冠中  写生山水 镜心 设色纸本 约4.3平尺 题识: 良福先生留念。一九八六年,吴冠中。 钤印:「冠中写生」、「荼」、「八十年代」


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480 HAN WU  (B.1936) CALLIGRAPHY AND OPERA FIGURES album; ink and color on paper 45×33.5cm.×24  (17 3/4×13 1/4 in.)×24

HK$ 50,000 - 80,000 US$ 6,400 - 10,200

韩伍  戲曲人物书画对题 冊页 设色纸本 约1.4平尺(每幅) 题识: 1.宇宙鋒。己卯二月,韓伍題。秦二世朝中右丞相趙高之女艷 容,下嫁左丞相之子匡扶,左丞相匡洪不願屈附趙高,因命人 盜取二世贈予匡洪之寶劍宇宙鋒,以行刺秦王為名陷害匡家。 匡府家僮趙忠幫取匡扶逃走,趙艷容則返回故里。一日秦二世 夜間走訪趙高,燈火之下見趙艷容貌美,意欲納為妃子,艷容 執意不從,金殿裝瘋逃出災禍。宇宙鋒為梅蘭芳先生之代表 作,唱腔與表演俱達藝術高峰,當前舞台上常演者眾, 修本 金殿二折。己卯年春月,韓伍畫並識於申城。己卯年之春月, 韓伍。 鈐印:「韓」、「伍」、「韓伍之印」、「韓伍印」(二次) 2.霸王别姬。秦朝灭亡后,楚汉相争,战火连年不休。汉王刘 邦拜韩信为帅,起兵伐楚。韩信命李左车诈降,楚霸王项羽 在李左车之鼓励下,不顾部将及爱妃虞姬的劝阻,执意发兵攻 汉,中计被困垓下。韩信又派人在四周大唱楚歌,使楚军军心 涣散。项羽自知大势已去,慷慨悲歌;虞姬则舞剑歌为项王解 闷。虞姬为了不连累项羽,拔剑自刎;项羽兵败自刎于乌江。 己卯年之小春于灯前,韩伍。己卯二月,韩伍。 钤印:「韩伍」(二次)、「韩伍之印」、「偶得天趣」 3 . 大闹 天宫。京剧作品 曾 名安 天 会 , 出 自 清 宫廷 大 戏 升 平 宝 筏,流行于昆班和徽班中,后被吸收为京剧上演。剧目在近代 戏曲舞台上,由杨小楼之演出最为精彩。五十年代,李少春 整理演出此剧,名曰闹天宫。描写西王母设蟠桃宴,悟空乃偷 食蟠桃御酒,又入兜率宫盗食老君金丹,径返花果山。玉皇大 帝遣天王李靖率天兵天将往擒悟空,反被悟空击败。七十年代 末,中国京剧院又恢复了孙悟空大闹灵霄殿等情节,在国内外 演出均受欢迎。己卯年小春试作于春申江之侧畔,韩伍灯下並 识。己卯春元,韩伍。 钤印:「韩伍之印」、「韩伍」 4.艳阳楼。京剧艳阳一名拿高登,系传统武生戏,系清末民国 初年杨小楼先生之代表作。故事述说宋代权臣高俅(逑应为 俅)之子高登,倚仗其父之势力称霸南阳城,横行不法。清 明节高登赴蟠桃胜会演习拳棒,恰遇梁山好汉徐宁之子徐世英 徐佩珠兄妹携母扫墓。高登见佩珠貌美,将其抢回府中。梁山 好汉花荣之子花逢春、秦明之子秦仁、呼延灼之子呼延豹协助 世英,寅夜潜入高府,合力救出徐佩珠,杀死高登。剧中由武 生脸扮演高登,几次上马之舞蹈,醉态及武打皆别具一格,甚 有观赏之价值。己卯之早春日,韩伍于春申江之畔。京剧艳阳 天。戊寅之秋月,韩伍。 钤印:「韩」、「伍」、「偶得天趣」、「韩伍」 5.长生殿。云想衣裳花想容,春风拂栏露华浓。若非群玉山头 见,会向瑶台月下逢。一枝红艳露凝香,云雨巫山枉断肠。借 问汉宫谁得似,可怜飞燕倚新妆。名花倾国两相欢,长得君王 带笑看。解释春风无限意,沉香亭北倚阑杆。己卯小春,试写 京剧长恨歌长生殿印象並录李清(应为青)莲清平乐。韩伍。 昆剧长生殿。己卯年之春,韩伍。 钤印:「韩伍之印」、「韩伍」(二次)、「墨戏」 6.水淹七军。又名水淹庞德。故事源出三国演义,刘备自立为 汉中王,命关羽进军襄阳樊城。曹操以于禁为帅,庞为先锋, 统帅七军迎敌。庞统骁勇善战,关羽马失前蹄,几为所败,则 鸣金收兵。关羽回营夜观兵书,揣摩对策。夜观敌营适值江水 猛涨,关羽趁机开闸,水淹曹军。此剧是清代戏曲舞台上出现 众多关公戏之一,着重表现关公之大将风度和谋略。他与周仓 相互配合的舞蹈动作构成具有雕塑感之舞台画面,描绘了关羽

威严肃穆之神态。观陈唱腔高亢激越,水战武打繁重。剧中于 禁妒贤嫉能、贪生怕死恰与宁死不屈之庞德形成对照。光绪年 间,徽班艺人王鸿寿将此剧传入京剧婺剧湘川汉滇晋豫各地 方剧种亦皆移植也。己卯年元月韩伍于春雨时分灯前。己卯二 月,韩伍。 钤印:「韩伍」(二次)、「偶得天趣」 7.将相和。韩伍。将相和源出史记廉颇蔺相如列传及东周列国 志小说,五十年代由翁偶虹于旧本基础上改编而成,收入戏曲 选与中国地方戏曲集成。岁在己卯春元並识。将相和描写战国 蔺相如因完璧归赵、渑池赴会有功,被封为赵国丞相。上将军 廉颇居功自傲、屡次寻衅,蔺相如以国事为重、始终忍让。后 经上大夫虞卿劝解,廉颇愧悔负荆至相府请罪,将相和好,同 心辅国。改编本对廉颇蔺相如故事的思想性有所提高了,相如 献策,赵王用贤,完璧归赵,渑池赴会,长街挡道,酒楼释 疑,廉颇悔过,负荆请罪等主要场子表现了团结御侮的主题。 摘自中国大百科全书戏曲冊。将相和。己卯年立春月,韩伍。 钤印:「韩伍印」、「韩」、「伍」、「韩伍」(二次) 8.断太后。 宋代赵恒在位,李妃生下太子赵禛。刘妃与内侍 郭槐定计用外国进贡之狸猫剥去皮尾偷换下太子。诬李妃打入 冷宫。刘妃火焚冷宫,李妃被内侍陈琳救出险境流落于赵州 桥。二十年后赵禛即位,某日派遣龙图阁学士包拯至陈州放 粮,在天齐庙包拯遇一瞎眼乞婆告状,经盘问,方知瞎婆竟是 当今皇帝的亲生母亲李太后。包拯回京再请赵禛观花灯时,借 机说出李太后之冤情,迎接李太后还朝。李后痛斥赵禛,加封 包拯。断太后系花脸老旦,並重之唱工戏。花脸辽元浑厚,老 旦亦有重点唱段,二者相互衬托,十分动听。己卯年春二月韩 伍写之。断太后观剧印象。己卯年春月韩伍。 钤印:「韩伍印」、「韩伍」 9.击鼓骂曹。己卯春月韩伍。传统京剧击鼓骂曹。故事源出于 三国演义。曹操府中欲招一贤能之士,说降刘表,由大夫孔融 推荐义士弥衡。某日曹操大宴群僚,命弥击鼓取乐,弥不悦, 乃赤身露体于堂下借击鼓之机大骂曹操。此剧系须生唱工戏。 历代各派谭余马言皆善此剧,且各具特色。剧本表现弥衡不惧 权势,正气凌然的英雄精神。剧作紧凑激昂,唱做並重则是长 期流传之原因。己卯年春元,韩伍舞台写生。 钤印:「伍」、「韩」、「伍」、「韩伍」 10.打渔杀家。己卯年春月韩伍于申城之西隅。原名庆顶珠。 据留春阁小史听春新咏记载,嘉庆十五年前,大顺宁部等戏班 已演出此剧。作品描写梁山好汉萧恩于起义失败后与女儿萧桂 英打渔为生。因不堪土豪丁自燮之欺压,官府告状反遭责打。 萧恩气愤难忍便以献珠为名杀了丁府之一家。萧恩自刎,桂英 流落江湖与花荣之子花逢春结为夫妇,街头卖戏艺为生。故此 剧又名双大头艺。清末时演出最多,深受广大民众之喜爱。打 渔杀家,己卯年春韩伍。钤印:「伍」、「韩伍」、「韩伍」 11.野猪林。京剧野猪林写林冲被逼上梁山故事之剧本。最早 有明嘉庆年李开先宝剑记传奇。万历时经陈与郊增删润色改写 成宝刀记传奇。三十年代清逸居士溥绪又改编为心神庙亦名英 雄血泪图。一九五零年代经李少春重新改编易名野猪林。收入 中国地方戏曲集成北京市卷。野猪林,描述北宋东京八十万 禁军教头林冲携妻子张氏,至东岳庙逛会。遇落发为僧的鲁 智深,倒拔垂杨柳结为金兰。太尉高登之子高登见张氏貌美与 富安陆谦定计欲侮辱张氏未成。陆谦施计诓林冲带刀入白虎堂 以擅入军机重地之罪发配沧州遭解差谋害,在野猪林得鲁智深 之搭救。己卯年之春二月韩伍。並识于申城之西隅。京剧野猪 林,己卯春夜,韩伍。 钤印:「韩伍」、「韩伍之印」、「韩伍」 12.钟馗嫁妹。清代曲家张大复,心其着有天下乐一折,述说 钟馗嫁妹之情节。书生杜平爱恋钟馗之妹,因杜平之仁义,许 而嫁之。此剧原为架子花脸应工,后发展成武生常演之剧目。 近代则有高盛麟、励慧良多演此剧,反复加工,日益完美,已 成为深受欢迎之剧目。岁在己卯年春节前,韩伍。京剧嫁妹。 戊寅岁尾,捡旧稿写此。韩伍。 钤印:「韩伍之印」(二次)、「墨戏」


482

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482

DING YANYONG  (1902-1978) DRAMA FIGURES

DING YANYONG  (1902-1978) RESTING ON THE ROCK

painted in 1976 hagning scroll; ink and color on paper 95.5×37cm.  (37 5/8×14 5/8 in.)

painted in 1978 hanging scroll; ink and color on paper 104×34cm.  (41×13 3/8 in.)

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

HK$ 30,000 - 50,000 US$ 3,800 - 6,400

丁衍庸  霸王别姬

丁衍庸  情谊坚固

立轴 设色纸本 约3.2平尺

立轴 设色纸本 约3.2平尺

一九七六年作

题识: 项王何必为天子,钜鹿一战古今无。丙辰长夏,爱玛女史教正, 丁衍庸写。 钤印:「丁虎」

一九七八年作

题识: 定贤仁弟清玩,戊午丁衍庸。 钤印:「虎肖形」


483 DING YANYONG  (1902-1978) MYNA ON THE WILLOW BRANCH hanging scroll; ink on paper 100×34.5cm.  (39 3/8×13 5/8 in.)

HK$ 30,000 - 50,000 US$ 3,800 - 6,400

丁衍庸  柳树八哥 立轴 水墨纸本 约3.1平尺 题识: 丁衍庸写。 钤印:「叔旦」

483


HK$ 60,000 - 100,000 US$ 7,700 - 12,800

painted in 1978 mounted; ink and color on paper 69×137cm.  (27 1/8×53 7/8 in.)

DING YANYONG  (1902-1978) LOTUS POND

484

484

一九七八年作

钤印:「叔虎之鈢」

题识: 荷池佳色。戊午丁衍庸。

镜心 设色纸本 约8.5平尺

丁衍庸  荷池佳色


485 HUANG YONGYU  LI KUI CHANTING THE POEMS painted in 1981 hanging scroll; ink and color on paper 138×70cm.  (54 3/8×27 1/2 in.)

HK$ 150,000 - 250,000 US$ 19,200 - 32,100

黄永玉  铁牛吟诗图 立轴 设色纸本 约8.7平尺

一九八一年作

题识: 铁牛吟诗图,黄永玉辛酉春。 钤印:「黄永玉」 说明:陈迹先生旧藏

485


486 HUGH MOSS (B.1943) EMANCIPATED POWER painted in 2015 hanging scroll; ink on and warter-colour on cloud-dragon paper 83×78cm.  (32 5/8×30 3/4in.)

HK$ 80,000 - 150,000 US$ 10,300 - 19,200

水松石山房主人  天龍解脫 立軸 設色紙本 約5.8平尺 题识: The Hermit of Riven Valley was an albino, small, pale and compelling with features that suggested his forebears, perhaps he himself, had come from far to the West long ago. His home was pleasantly positioned so as to accommodate the seasons and I visited him for extended stays on several occasions. He was known for his companions, a rather disconsolate dragon and an eagle that looked, and acted, as if it had been around for as long as he had. The latter came and went as it pleased, as did the hermit, and often returned with a tasty treat to share; I never did see the dragon, although I heard it several times and frequently witnessed the outcome of its presence which the hermit preferred to invoke alone, in his unusually regularly watered orchard and vegetable garden. I suspect this handy aid to farming was responsible for the excellent plum wine that he made, which was always strong, rich and potent. Before I left him for the last time I carved for him and his companions a sceptre to represent the three of them broken free from the Dusty World, to symbolize which I used some discarded links from a broken old chain I found on the road to his valley instead of a tassel. Inscribed by the Master of the Water, Pine and Stone Retreat at the Garden at the Edge of the Universe while a single idle cloud measures the horizon and my spirits are lifted by the first sunny day of the year 2015. 钤印:「水松石山房」、 「山外山樵」 出版:Beyond the Stage of Time, Volume II: Staff Masters and Stone Fools, 2020, P227 来源:得自艺术家本人、澄览堂收藏 水松石山房中國當代水墨的重要推手之一,收藏家、古董商和學者,並在水墨繪畫 創作上探索出一條自己的路徑。他的作品以文房清玩和自然山水為題材,體現了他對文 房藝術的深刻瞭解,也展現了他學貫中西的藝術涵養。其作品位置經營,題識文字、用 印與留白深諳傳統文人格調,他對設色,紋理與質地的探索又另立新標。因襲傳統中國 古風的同時,又顯露西方理性的哲思與美學,闡釋了他獨特文化背景下對於中國文化的 智識與凝思。 此幅畫作中,藝術家以其獨創形似漢字行草,實為其母語英文的書法記載他於歷史 暢遊時的一段軼事,圖中權杖乃解放山中神秘隱士之禮。


题签

486


487

487 FAN HONGBIN  (B.1960) FLAMINGOS painted in 2020 mounted; ink and color on paper 60×181cm.  (23 5/8×71 1/4 in.)

HK$ 320,000 - 420,000 US$ 41,000 - 53,800

樊鸿宾  火烈鸟 镜心 设色纸本 约9.8平尺

二〇二〇年作

题识: 庚子,鸿宾。 钤印:「石子鸿宾」

火烈鸟的寓意是自由洒脱、美丽、优雅、有活力。它们的羽毛主 要为朱红色,从远处看就像是一团烈火在燃烧。它们一生只有一个配 偶。所以火烈鸟象征着忠贞、自由的爱情。     同传说中的凤凰一样,火烈鸟是经烈火焚烧后从灰烬中重生的神 鸟。集体舞蹈是烈火焚烧场面的重温,一池湖水被映照得通体红透, 是一团团灼燃的生命之火,而群体腾空则是长生不灭意志的显示。 传说中,火烈鸟待羽翼丰满后,会一直往南飞,不停的飞,只为让天 火将自己的羽毛点燃,尖利的喙成为锋利的刃,火光迸现,全身都被 耀眼的光焰所笼罩。     画面中,正是以既写实又象征主义的手法,用异常明亮的光与 色,捕捉到了一群火烈鸟腾空而起的那一瞬间,一只,两只,无数 只……自由地起飞,耀眼的羽翼,光,仿佛被无限夸大了,它们的身 姿虔诚坚毅,又单纯欢乐,呈现出一种圣洁的仪式感。底下,如梦境 一般的星空,又仿佛一片烈焰蒸腾的火海……     整个主题既表达了“爱情”这一永恒的主题,也是对于火烈鸟传 说中“长生不灭”不屈意志的致敬。

The symbolic meaning of flamingo is freedom, beauty, elegance, and vitality. Their feathers are a brilliant vermilion color; and, from a distance, they are like splashes of burning fire. Also, because they have only one spouse in their lifetime; therefore they are used as symbols for eternal love and dedication to one’s spouse. It is believed that flamingos are divine, similar to phoenixes, in that they rise from their ashes after being burned by fire. The collective dance they do together is a ritual symbolic revisit of the rebirth and rising from ashes. The shadows of the dancing birds shimmer on the lake surface like the reflection of fires. After the dance, they take off to the air collectively, the act of their flight is regarded as a manifestation of their immortality and unyielding will. According to legend, when a flamingo is fully grown, it will head south and fly non-stop until its feathers are stricken and ignited by fire. When a flamingo is on fire, Its beak becomes a blade and its entire body is shrouded with flames dazzling in the sky. In the painting “Ode to the Flamingos,” the artist Fan Hong Bin used both figurative and symbolic languages with the combination of his unique colour palette to capture the moment of a group of flamingos taking flight-the result is an extraordinary picture bespoke romance, freedom, life and light. The dazzling wings and light seem to have been exaggerated infinitely. Their pious and firm postures, and simple joy, present a sense of holy ritual. Below, the starry sky, like a dream, is like a sea of flames... The whole theme not only expresses the eternal theme of "love", but also pays tribute to the unyielding will of "eternal life" in the flamingo legend. This painting unites colours, images, and spirituality in perfect harmony - providing the audience of the painting a profound visual poetic experience.


488 FAN HONGBIN  (B.1960) BODHISATTVA painted in 2018 mounted; ink and color on paper 138×68cm.  (54 3/8×26 3/4 in.)

HK$ 220,000 - 320,000 US$ 28,200 - 41,000

樊鸿宾  飞天菩萨 镜心 设色纸本 约8.4平尺

二〇一八年作

题识: 戊戌,鸿宾。 钤印:「鸿宾」、「石子」、「道 法自然」、「上善若水」、「如 意」、「心自闲」

488


489

489 HE BAILI  (B.1945) LANDSCAPE IN SPLASHED-INK mounted; ink and color on paper 45×45cm.  (17 3/4×17 3/4 in.)

HK$ 80,000 - 100,000 US$ 10,300 - 12,800

何百里  远近双溪鸣夏谷 镜心 设色纸本 约1.8平尺 题识: 百里。 钤印:「自在轩」、「何氏」、「何家山水」


490 KOON WAI BONG (B.1974) BAMBOO mounted; ink and color on paper 123×64cm.  (48 3/8×25 1/4 in.)

HK$ 80,000 - 150,000 US$ 10,300 - 19,200

管伟邦  猗猗修竹 镜心 设色纸本 约7.1平尺 鈐印:「管」、「偉邦」、「舉目 堂」、「邦」、「思齐」 说明:作品由藏家直接得自艺术家 本人 管氏旨在探索笔墨和中国美学的 无限可能,以都市人凝视的经验重新 演绎传统笔墨和对山川灵性的追求。 常常以框架划分看似连续的画面,配 合切割式大量留白的构图,以另一角 度诠释元明以来经典再造的创作模 式,透过框架式凝视经验,彷如在计 算器、手机屏幕观看自然一般,透视 现代人心灵渴望自然却与自然一框之 隔的状态,打破传统水墨观看方式。 竹叶交错,画面清丽,恬静舒适,不 忍离去。 1974年生于香港,于香港中文 大学取得文学学士及艺术硕士,并于 皇家墨尔本理工大学修毕艺术博士学 位。

490


491 LUO YANLONG  (B. 1988) LANDSCAPE IN AUTUMN mounted; ink and color on silk 93.5×28.5cm.  (36 3/4×11 1/4 in.)

HK$ 50,000 - 80,000 US$ 6,400 - 10,300

罗艳龙  云峰秋霁 镜心 设色绢本 约2.4平尺 题识: 艳龙。 钤印:「罗」、「艳龙」

巨嶂式的山川充滿了整幅畫面,水墨自然流 淌的痕跡使得畫面更具生發性,正可謂「不入窠 臼」。 畫面中常有的傳統山水畫元素被去掉,山 石多以幾何形體構成。使畫面在傳統圖式與當代構 成之間不斷切換,作品的意境被明顯帶入到一種看 似「真實」的虛幻世界。 作品對於敷色的把握也在傳統淺降為主的色調 基礎上增加了調動情緒的紅色。在符號性的水口與 雲氣表達上看,它好似一幅傳統的北宋格調山水畫 作品。作品在反覆潑染與精心收拾之中建造了一座 屬於自己的「艮岳」。 1988年出生於河南,2006-2013年就讀於西 安美術學院中國畫山水專業,師從李才根教授並獲 碩士學位,現定居泉州。

491


492

493

492

493

RICHARD HO MAN-WUI  (B.1946) CALLIGRAPHY

WANG XIJING  (B.1946) LADY

painted in 2013 mounted; ink on paper 39×122cm.  (15 3/8×48 in.)

painted in 1998 mounted; ink and color on paper 69.5×137cm.  (27 3/8×53 7/8 in.)

HK$ 40,000 - 60,000 US$ 5,100 - 7,700

HK$ 10,000 - 50,000 US$ 1,300 - 6,400

何文汇  行书「文在中也」

王西京  日暮倚修竹

镜心 水墨纸本 约4.3平尺

镜心 设色纸本 约8.6平尺

二〇一三年作

一九九八年作

题识: 文在中也。癸巳文汇。

题识: 日暮倚修竹。唐人诗意,己卯初秋长安静然斋主人,王西京。

钤印:「文汇」

钤印:「西京之鈢」、「静然斋」、「写意」


494

495

494

495

YANG SHANSHEN  (1913-2004) CALLIGRAPHIC COUPLETS

DONG ZUOBIN  (1895-1963) CALLIGRAPHIC COUPLETS

haning scroll; ink on paper 93×22cm.×2  (36 5/8×8 5/8 in.)×2

haning scroll; ink on paper 128×17cm.×2  (50 3/8×6 3/4 in.)×2

HK$ 10,000 - 20,000 US$ 1,300 - 2,600

无底价 NO RESERVE

杨善深  行书五言联

董作宾  甲骨文十四言联

立轴 水墨纸本 约1.8平尺(每幅)

立轴 水墨纸本 约2.0平尺(每幅)

题识: 甘从千日醉,耻与万人同。善深。

题识: 世事多艰,安问饮食衣服宫室车马。游观自乐,乃有山 川草木鸟兽鱼虫。世英尊兄雅教,集殷墟甲骨文字,中 华民国四十四年五月卅一日写于东京都。董作宾。

钤印:「善深」

钤印:「董作宾」、「彦堂」 来源:此作與Lot388為台湾同一藏家珍藏。


496

497

496

497

CHEN BAOCHEN  (1848-1935) CALLIGRAPHIC COUPLETS

WANG FU'AN  (1879-1960) CALLIGRAPHIC COUPLETS

painted in 1924 mounted; ink on paper 133.5×32.5cm.×2  (52 1/2×12 3/4 in.)×2

painted in 1944 mounted; ink on paper 100.5×23cm.×2  (39 5/8×9 in.×2)

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

HK$ 20,000 - 40,000 US$ 2,600 - 5,100

陈宝琛  行书龙门对

王福厂  隸书十一言联

镜心 水墨纸本 一九二四年作 约3.9平尺(每幅)

镜心 水墨纸本 约2.1平尺

题识: 星斗烂文章,痛饮何言醉,拥诗兵驱笔阵,风雨生呼吸,羁怀顿 扫闲,挥谈尘襞唫笺。甲子仲秋于沧趣楼,听水老人陈宝琛。

题识: 六龙乘风碧海间,汉阙灵种,双凤扶辇白云下,秦楼机心。雪 斋先生法家之属即希正腕,阏逢涒滩季秋之月,福厂王禔。

钤印:「宝琛私印」、「陈伯潜」

钤印:「王禔之印」、「持默居士」

一九四四年作


498

499

498

499

ZHENG XIAOXU  (1860-1938) CALLIGRAPHY

LUO ZHENYU  (1866-1940) PINE TREE

hanging scroll; ink on paper 148×39cm.  (58 1/4×15 3/8 in.)

painted in 1921 haning scroll; ink and color on silk 67×24 cm. (26 3/8×9 1/2in.)

HK$ 25,000 - 45,000 US$ 3,200 - 5,800

郑孝胥  行书七言詩 立轴 水墨纸本 约5.2平尺 题识: 不校校书比校勤,几尘风叶埽缤纷,误书细勘原无误, 安得陈编尽属君。顾澖苹取邢子才语为思适斋,孝胥。 钤印:「郑孝胥印」、「苏戡」

HK$ 30,000 - 50,000 US$ 3,800 - 6,400

罗振玉  松长青 立轴 设色绢本 约1.4平尺

一九二一年作

题识: 辛酉夏五雨窓戏作,松翁罗振玉。 钤印:「罗振玉印」 说明:文物商店旧藏。


500 LIANG SICHENG  (1901-1972) ARCHITECTURAL DESIGN DRAFT mounted; ink on paper KUAN-YIN KE:36.5×42cm.  (14 3/8×16 1/2 in.) TSU-SHIH TA:42.5×30.5cm.  (16 3/4×12 in.)

HK$ 40,000 - 60,000 US$ 5,100 - 7,700

梁思成  手绘建筑设计稿 镜心 水墨纸本 观音阁:约1.4平尺

祖师塔:约1.2平尺

题识: 1.独乐寺观音阁平面图,梁思成测绘,仅供社内参考,同仁 不得外传,林徽因。钤印:「徽因」 2.梁思成测绘。钤印:「梁押」 3.佛光寺祖师塔平面图,梁思成测绘,仅供社内参考,同仁 不得外传,林徽因。钤印:「徽因」 4.梁思成测绘。钤印:「梁押」

500


501

501 CAI YUANPEI, HUANG ZHONGYU BIRDS AND FLOWERS painted in 1916 hand scroll; ink and color on silk 引首:25.5×82.5 cm. (10 ×32 1/2in.) 畫:25.5×356.5 cm. (10 ×140 3/8in.) 題跋:25.5×112 cm. (10 ×44 1/8 in.)

HK$ 80,000 - 120,000 US$ 10,300 - 15,400


501

蔡元培、黄仲玉  百花小鸟 手卷 设色绢本 一九一六年作 引首:约1.9平尺;畫:约8.2平尺;題跋:约2.6平尺 引首:三昧在手夺化工。蔡元培。钤印:「鹤卿」 题识: 丙辰嘉平月。黄仲玉写於北平。 钤印:「仲玉女史」 题跋:1.丙辰年岁杪蔡元培题。钤印:「蔡元培」 2.子民先生属题。次篯王寿彭。钤印:「王寿彭印」 3.子民先生携示嫂夫人丹青妙卷属题。兹吟俚句二首以 应为祈不吝郢正。吴江柳亚子。钤印:「柳亚子」


502

502 PU RU  (1896-1963) LEADING THE HORSE mounted; ink and color on silk 39.5×53.5cm.  (15 1/2×21 1/8 in.)

HK$ 50,000 - 80,000 US$ 6,400 - 10,300

溥儒  引马图 镜心 设色绢本 约1.9平尺 题识: 心畬画。 钤印:「溥儒」 来源:香港佳士得,2017年春季拍卖LOT1535


503

504

503

504

PU RU  (1896-1963) AUTUMN VIEW

PU RU  (1896-1963) BOATING IN AUTUMN

hagning scroll; ink on paper 101×28cm.  (39 3/4×11 in.)

hagning scroll; ink and color on paper 106×29.5cm.  (41 3/4×11 5/8 in.)

HK$ 50,000 - 80,000 US$ 6,400 - 10,300

HK$ 50,000 - 80,000 US$ 6,400 - 10,300

溥儒  煙光秋树

溥儒  远帆秋水

立轴 水墨纸本 约2.5平尺

立轴 设色纸本 约2.8平尺

题识: 峦影连云碧,煙光满树秋。清波浩无极, 萧瑟度扁舟。心畬。

题识: 挂帆凌远浦,秋水静无波。茅屋居人少, 山风动薜萝。心畬。

钤印:「溥儒」、「明夷」

钤印:「溥儒」、「省心斋」

来源:紐約苏富比,2015年春拍LOT562

来源:纽约苏富比,2015年春拍LOT561


IMPORTANT NOTICES

保利香港拍賣有限公司 ( 以下稱為“保利香港拍賣”或 “本公司”) 舉辦的拍賣活動均依據本圖錄中所附之業 務規則、重要通告、競投登記須知及財務付款須知進 行,參加拍賣活動的競投人須仔細閱讀並予以遵守。 該等業務規則及規定可以以公告或口頭通知形式進行修 改 , 而不需要另行通知。 The auctions held by Poly Auction (Hong Kong) Limited (“Poly Auction (Hong Kong)”or“our company”) are conducted according to the Conditions of Business, Important Notices, Important Notices about Bidding Registration and Important Notice about Payment, and anyone participating in the auction should read the terms carefully. ﬔese Conditions and rules may be revised by announcement or verbal notification without prior notice. 下文旨在給予閣下有關如何在拍賣會上競投之實用資 料。於本圖錄前部份所列之保利香港拍賣職員將樂意 協助閣下。然而,閣下務須詳閱下列資料,並須注意 保利香港拍賣乃賣方之代表。 The following pages are designed to give you useful information on how to bid at auction. Poly Auction (Hong Kong)'s staff as listed at the front of this catalogue will be happy to assist you. However, it is important that you read the following information carefully and note that Poly Auction (Hong Kong) acts for the seller.

展品之出處 在某些情況下,若展品出處之資料擁有學術價值或是 為人熟悉且能協助鑑別該展品,保利香港拍賣會在圖 錄內刊印有關資料。但基於不同理由,賣方或上手物 主之身份或不會被揭露,如因應賣方要求將身份保密 或因展品年代久遠以致上手物主之身份不詳等。

PROVENANCE In certain circumstances, Poly Auction (Hong Kong) may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller's request for confidentiality or because the identity of prior owners is unknown given the age of the work of art.

買家支付之佣金 買家應支付本公司佣金 。佣金按每件拍賣品落槌價之 20%計算。

BUYER’S PREMIUM A buyer’s premium will be added to the Hammer Price and is payable by the buyer as part of the total purchase price. ﬔe buyer’s premium is 20% of the hammer price of each lot up.

拍賣品之狀況 競投人應於拍賣前之預展中審看拍賣品,並對自己 的競投行為承擔責任 ( 包括但不限於法律責任 )。如 欲進一步瞭解拍賣品資料,請向業務人員諮詢。如 圖錄中未說明拍賣品之狀況,不表示該拍賣品沒有 缺陷或瑕疵。

CONDITIONS OF THE PROPERTIES Bidder must review the Lot(s) in the preview before the auction, and bear all responsibilities(including but not

limit to legal liability and/or responsibility) of his/her bidding acts. For more information on the Properties, please consult our business staff. If the conditions of a Property are not described in the catalogue, this does not mean that the Property has no weakness or defects.

受限制物料 附有▲符號之拍賣品於編制圖錄當時已識別為含有受 限制物料,而有關物料可能受到進出口之限制。有關 資料為方便競投人查閱,而無附有該符號並非保證該 拍賣品並無進出口之限制。由植物或動物材料 ( 如珊 瑚、鱷魚、象牙、鯨骨、玳瑁、犀牛角及巴西玫瑰木等 ) 製成或含有植物或動物材料之物品,不論其年份或價 值,均可能須申領許可證或證書方可出口至香港境外, 且由香港境外國家進口時可能須申領其他許可證或證 書。務請注意,能取得出口許可證或證書並不能確保 可在另一國家取得進口許可證或證書,反之亦然。例 如,將歷時不足 100 年之象牙進口至美國即屬非法。 競投人應向相關政府查核有關野生動物植物進口之規 定後再參與競投。買家須負責取得任何出口或進口許 可證或證書,以及任何其他所需文件。

RESTRICTED MATERIALS Properties with ▲ symbol have been identified be made of or containing restricted materials at the time of the compiling of the catalogue, and the materials concerned may be subject to import and export restraints. Properties without this symbol it is not guaranteed that Properties are not subject to import and export restraints. For items made of botanic or animal materials (coral, crocodile, ivory, whale bone, tortoise, rhinoceros horn and Brazilian Rosewood, etc.) or containing botanic oranimal materials, regardless of their year or value, may require application for permits or certificates before exporting outside Hong Kong, and other application for permits or certificates may be required when importing into countries outside Hong Kong. Please pay attention that the ability to obtain export permits or certificates does not ensure that import permits or certificates can be obtained in another country, and vice versa. For example, importing ivory of less than 100 years is illegal in the USA. Bidders should enquire about the import regulations on products made of or containing wild animals and plants materials of the governments concerned before participating in an auction. Buyers must be responsible for obtaining any export or import permits/ or certificates and any other documents required.

電器及機械貨品 所有電器及機械貨品只按其裝飾價值出售,不應假設其 可運作。電器在作任何用途前必須經合格電器技師檢驗 和批核。

ELECTRICAL APPLIANCES AND MECHANICAL MERCHANDISES All electrical appliances and mechanical merchandises are sold on an“as is”basis, and should not be assumed that they operate. Before putting into any use, electrical appliances must be inspected and approved by qualified electric technicians.

珠寶 、鐘錶及手袋尚品 有關是次珠寶拍賣品的狀況陳述通常會載於圖錄上,然 而沒有說明不代表該拍賣品沒有缺陷、瑕疵或未經美化 處理。 有色寶石的美化處理,如加熱、用油或放射等, 已被國際珠寶市場普遍接受。 如該件拍賣品已向國際公 認寶石化驗所取得驗證報告,所知的重要事實及珠寶狀

況均已記載於圖錄上,本公司不會對驗證報告之准確性 承擔責任。 本公司或不可能就每一件珠寶拍賣品取得 驗證報告,估價乃就當刻已知悉之所有資料而作出,競 投人應於拍賣前自行審看拍賣品,事後持不同意見不足 構成撤回或撤銷對該拍賣品之競投或延遲付款的理由。 如要求提供指定驗證報告,需另行付費及于拍賣會 14 個工作天前提出要求。 競投人另需注意源自緬甸的寶 石或翡翠,可能會被禁止進口美國,此限制不足構成撤 回或撤銷對該拍賣品之競投或延遲付款的理由。 圖錄中的所有鐘錶拍賣品均以當刻的狀況賣出,競投 人應親自檢查拍賣品的狀況,圖錄中對各拍賣品的描 述僅供參考,沒有說明不代表該拍賣品狀況良好、沒 有損壞或不曾作過修復。 狀況報告只屬保利香港拍賣 專家的主觀意見,可能並不完整,亦未必對所有零件 更換、損壞修復作出記錄。 本公司不會對鐘錶拍賣品 的運作、防水性、個別零配件 ( 包括錶帶 ) 的真實性及 是否原廠作出保證。 此外,競投人需注意美國對高級 鐘錶的進口限制。 因印刷或攝影等技術原因造成拍賣品在圖錄及/或其 它任何形式的圖示,影像製品和宣傳品中的色調、顏 色、層次、形態等與原物存在誤差者,以原物為準。 本公司及其工作人員或其代理人對任何拍賣品用任何 方式 ( 包括證書、圖錄、幻燈投影、新聞載體等 ) 所作 的介紹及評價,均為參考性意見,不構成對拍賣品的 任何擔保。本公司及其工作人員或其代理人對上述之 介紹及評價中的不準確或遺漏之處不承擔責任。 免費提供的狀況報告及評級,是為方便買家而設,只 供參考,並不能代替閣下親身檢驗拍賣品或向專家尋 求專業意見。競投人應於拍賣前自行審查拍賣品,事 後對拍賣品的狀況有任何不滿不足構成撤回或撤銷對 該拍賣品之競投或延遲付款的理由。拍賣中所出售的 拍賣品的狀況可受多種因素如時間、先前的損壞、修 復、維修及磨損等影響而有較大變化。鐘錶評級是根 據拍賣品的整體狀況、品質、製作工藝、歷史價值、 生產年代及稀有程度而定,每件拍賣品均以拍賣時的 實際狀況出售,保利香港拍賣或賣家對於拍賣品的狀 況不設任何聲明或保證。 買家承認及同意,任何出售 均完全是買家的決定,而過程中買家沒有依賴保利香 港拍賣或賣家的任何陳述或其他訊息(不論口頭或書 面形式)。 鐘錶品相評級 評級 1:品相如新—鐘錶狀況如全新,沒有明顯使用 或放置痕跡,機芯製作圖錄時運作正常。 評級 1.5:品相極佳—鐘錶有極輕微放置痕跡,外殼或 有微細頭髮絲劃痕,但沒有明顯使用痕跡,機芯製作 圖錄時運作正常。 評級 2:品相非常好—鐘錶有輕微使用痕跡,外殼或 有輕微劃痕,機芯製作圖錄時運作正常。 評級 2.5:品相良好—鐘錶有明顯使用痕跡,外殼有明 顯刮花或劃刻,機芯製作圖錄時運作正常。 評級 3:品相尚可—鐘錶有非常明顯的使用痕跡,並 有明顯磨損或瑕疵,或需維修。 詳細的拍賣品品相狀況請參考品相報告 手袋尚品品相評級 評級 1:如新。看來從不曾使用過。沒有任何磨損跡象。 評級 1.5:嶄新。肉眼未見明顯使用痕跡,但因長期收 藏,可見輕微放置痕跡。 評級 2:處於原始狀態。在未受過訓練的人眼中是全 新的。可能會有輕微的狀況注意事項,但總體而言袋 的狀況幾近完美。 評級 3:狀況優良。看來較少使用表面幾乎沒有任何磨損。 可能會有少許 的狀況注意事項,但總體而言袋的狀況優良。 評級 4:狀況非常良好。可能會有輕微的磨損。狀況 非常良好但邊角可能 呈現輕微的劃傷痕跡,底部可能 會出現輕微划痕,而金屬配件亦可能會出現淺刮痕。


評級 5:狀況良好。有使用痕跡。狀況報告會顯示狀 況注意事項。 評級 6:狀況尚可。有顯著磨損和 / 損壞。使用前可能 需要先維修或翻新。 狀況報告會顯示狀況注意事項。

JEWELRY, WATCHES AND HANDBAGS Description of the conditions of Jewelry Lot(s) usually contained in the catalog, however, absence of a description does not imply that the Lot(s) is free from defects or imperfection or beautification process. Beautification processes of colored gemstones such as heat enhancement, oiling or irradiation etc, have been generally accepted by the international jewelry markets. If Poly Auction (Hong Kong) has obtained gemological reports from internationally recognized gemological laboratories for the Lot(s), all known important facts and conditions of the Lot(s) have contained in the catalog, our company assumes no responsibility for accuracy of the reports. It may not be feasible for Poly Auction (Hong Kong) to obtain laboratory report for all Lot(s), the estimates are based on all known information at the moment. Bidders must inspect conditions of the Lot(s) by themselves before the auction, any dissent about conditions of the Lot(s) after the bid shall not justify rescission or cancellation of a sale or any delay payment. If bidders request designated laboratory report for any Lot(s), such request should be raised out 14 workings days before the auction and at own cost. Bidders should also aware that Lot(s) containing jadeite or gemstones originating from Burma may not allowed to be imported into the U.S., this will not constitute a ground for rescission or cancellation of a sale or any delay payment. Lot(s) of clocks and watches in the catalog will be sold at current status (i.e. as is), bidders should personally inspect conditions of the Lot(s) before the auction. Descriptions of the Lot(s) in catalog are for reference only, absence of a description does not imply that the Lot(s) is in good condition, free from defects or restorations. Descriptions only reflect subjective opinions of experts of Poly Auction (Hong Kong), it is not a statement of facts, nor a complete record of all repairs, component replacements or restorations. Poly Auction (Hong Kong) makes no guarantee on operation, water-resistance, authenticity and originality of individual parts (including watchstrap) of the Lot(s). In addition, bidders should aware the import restrictions of the U.S. concerning luxury watches. Where the tone, color, graduation shape or any other feature of the Lot shown in the catalogue and/or any other illustrations, images and public materials differ from those of the original Lot due to printing, photography or other technical reasons, the original Lot shall take precedence. Any introduction and appraisal of any Lot made by the Company and its employees or its agents in any way (including the certificate, catalogue, slideshow and news media) are only opinions for reference and do not constitute any guarantee for the Lot. The Company and its employees or its agents shall undertake no liability for any inaccuracy or omission in the aforesaid introduction or appraisal. Condition reports and grade are provided free of charge as a convenience to our buyers and are for guidance only. They are not an alternative for examining a lot in person or taking your own professional advice from Specialists. Bidders must inspect conditions of the lot(s) by themselves before the auction. Any dissent about conditions of the lot(s) after the bid shall not justify rescission or cancellation of a sale or any delay in payment. The condition of lots sold in our auctions can vary widely due to factors such as age, previous damage,

restoration, repair and wear tear. The grading of watches is based on the general condition, quality, technical and historical interest, age and rarity of each timepiece. Lots are sold “as is,” in the condition they are in at the time of the sale, without any representation or warranty as to condition by Poly Auction (Hong Kong) or by the seller. The buyers acknowledge and agree that any sale is entirely the buyers’ decision, and the buyers have not relied upon any representation or other information (whether oral or written) by Poly Auction (Hong Kong) or by the seller. Condition Grades of Watches Grading 1: As new. The timepiece appears with neither signs of use nor ownership over time. The movement is in working order when cataloguing. Grading 1.5: In excellent condition. The timepiece appears with extremely slight signs of ownership over time. It may exhibit very slight hairline scratches on the case but no obvious signs of use. The movement is in working order when cataloguing. Grading 2: In very good condition. The timepiece appears with slight signs of use over time. It may exhibit slight scratches on the case. The movement is in working order when cataloguing. Grading 2.5: In good condition. The timepiece appears with obvious signs of use and scratches on the case. The movement is in working order when cataloguing. Grading 3: In fair condition. The timepiece appears with very obvious signs of use and scratches/defects. Maintenance may be required. For more details, please refer to the Condition Report for each lot. Condition Grades of Handbags Grading 1: As new. Appears never to have been used. It exhibits no signs of wear. Grading 1.5: In mint condition; virtually new and unused with very minor signs of ownership over time. Grading 2: In pristine condition. To the untrained eye, it may appear brand new. There may be a slight condition note, but overall the piece is in excellent condition. Grading 3: In excellent condition. This is a piece that has seldom been used and shows little to no wear. There may be small condition issues to note overall the piece is in excellent condition. Grading 4: In very good condition. This piece may show signs of light wear. It is in very good condition but the corners may show signs of light scuffing, the base may show light scratches, and the hardware may exhibit light marks. Grading 5: In good condition. This piece shows significant wear. There are condition issues that will be noted in the condition report. Grading 6: In fair condition. This piece shows significant w e a r a n d / o r d a m a g e . I t m ay re q u i re re p a i r o r refurbishment in order to be used. Condition issues will be noted in the condition report.

酒類及茶葉 有關是次酒類及茶葉拍賣品的陳述已列於圖錄上,本公 司提醒競投人應在競投前詳細了解拍賣品。競投人在現 場參與競投即視為競投人認可並接受所競投拍賣品之包 裝、品質、狀態等,競投人競投成功後對拍賣品持不同 意見,不足構成撤回或撤銷對該拍賣品之競投或延遲付 款的理由。買家提貨時請審慎驗貨。買家 ( 或其代理人 ) 簽收後,即表示已接受拍賣品之狀況及質量,包括但不 限於貨品包裝盒、標籤、耗損量、酒塞上等存在的缺陷 或瑕疵,且無異議。

ALCOHOL AND TEA The descriptions about the auction of alcohol and tea are being stated in the catalogue. Our company reminds bidders to learn more about the auctioned products before bidding. Bidder's participation in bidding at auction is deemed as the bidder's approval and acceptance of the package, quality and status of the auctioned items. Any different opinion formed by the bidders after successful bidding, will not constitute a valid reason to withdraw or cancel the bid and delay payment for the auctioned item. Buyers should cautiously inspect the auctioned item during collection. Upon acknowledging receipt of the auctioned item by the buyer (or his agent), the buyer confirms that he or she has accepted the state and quality including but not limited to any defect or flaw on, e.g. the packaging, labels, level of wear and tear, cork, etc., of the auctioned items without any objection.

語言文本 本公司業務規則、重要通告、目錄編列方法之說明、 競投登記須知、財務付款通知及載於圖錄、由拍賣官 公佈或於拍賣會場以通告形式提供之所有其他條款、 條件、通知、表格等文件以及本圖錄中拍賣品之描述, 均以中文文本為準,英文文本僅供參考。

LANGUAGE The Chinese version of the Conditions of Business, Important Notice, Explanation of Cataloguing Practice, Important Notice about Bidding Registration, Important Notice about Payment, and all other documents such as the terms, conditions, notices, forms etc. contained in this catalogue, announced by the auctioneer or provided at the saleroom as well as the descriptions of the Properties in this catalogue of our company shall be binding and the English version is for reference only.

版權 本圖錄版權屬本公司所有。未經本公司書面許可,不 得以任何形式對本圖錄的任何部分進行複製或進行其 他任何形式的使用。

COPYRIGHT ﬔe copyright of this catalogue belongs to our company. Without the written permission of our company, no parts of this catalogue shall be reproduced in any ways or used in any other ways.

解釋權 本公司業務規則、重要通告、目錄編列方法之說明、 競投登記須知、財務付款須知及載於圖錄、由拍賣官 公佈或於拍賣會場以通告形式提供之所有其他條款、 條件、通知、表格等文件的解釋權均由本公司行使。 RIGHT OF INTERPRETATION ﬔe right of interpretation in respect of the Conditions of Business, Important Notice, Explanation of Cataloguing Practice, Important Notice about Bidding Registration, Impor tant Notice about Payment, and all other documents such as the terms, conditions, notices, forms etc. contained in this catalogue, announced by the auctioneer or provided at the sales room, shall be exercised by our company.


1 ú§Ô¸ ¿À EXPLANATION OF CATALOGUING PRACTICE

保利香港拍賣在受委託拍賣品中的權益

保利香港拍賣可能不時提供其或其附屬公司部分或全部擁 有之拍賣品。該等拍賣品在目錄中的拍賣編號旁註有 Δ 號,以供識別。保利香港拍賣有時在受委託出售的拍賣品 中有直接的財政權益,這可能包括保証最低出售價格或以 受委託拍賣品作抵押預先支付委託人該等拍賣品於目錄中 其拍賣編號旁註有□號以供識別。倘若保利香港拍賣在目 錄中的每一項拍賣品均有著擁有或財政權益,則保利香港 拍賣將不在每一項拍賣品旁註上符號,但將於目錄的前部 份聲明其權益。

POLY AUCTION (HONG KONG) INTEREST, IN PROPERTY CONSIGNED FOR AUCTION From time to time, Poly Auction (Hong Kong) may offer a lot which it owns in whole or in part. Such property is identified in the catalogue with the symbol Δ next to the lot number. On occasion, Poly Auction (Hong Kong) has a direct financial interest in lots consigned for sale which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. Such property is identified in the catalogue by the symbol □ next to the lot number. ﬔis symbol will be used both in cases where Poly Auction (Hong Kong) holds the financial interest on its own, and in cases where Poly Auction (Hong Kong) hasfinanced all or a part of such interest through a third party. Such third parties generally benefit financially if a guaranteed lot is sold successfully and may incur a loss if the sale is not successful. ﬔe financing offered by a third party may be in the form of an irrevocable bid provided by that third party. Where Poly Auction (Hong Kong) has an ownership or financial interest in every lot in the catalogue, Poly Auction (Hong Kong) will not designate each lot with a symbol, but will state its interest at the front of the catalogue.

所有量度皆為約數及狀況報告

拍賣中所出售的拍賣品的狀況可受多種因素如時間、先前 的損壞、修復、維修及磨損等影響而有較大變化。免費提 供的狀況報告及評級,為方便買家並僅作指引作用。狀況 報告及評級反映了我們的真實想法但示必足以覆蓋拍賣品 所有缺點、修復或調整情況。它們不能取代由閣下親身檢 驗拍賣品或閣下自行就拍賣品尋求的專業意見。拍賣品均 以拍賣時的“現狀”出售且保利香港拍賣對於拍賣品的狀 況不設任何聲明或保證。 詳細的拍賣品品相狀況請參考品相報告

ALL MEASUREMENTS ARE APPROXIMATES AND CONDITION REPORTS ﬔe condition of lots sold in our auctions can vary widely due to factors such as age, previous damage, restoration, repair and wear tear. Condition reports and grades are provided free of charge as convenience to our buyers and are for guidance only. ﬔey offer our honest opinion but they may not refer to all faults, restoration, alteration or adaptation. ﬔey are not an alternative to examinming a lot in person or taking your own professional advice. Lots are sold "as is," in the condition they are in at the time of the sale, without any representation or warranty as to condition by Poly Auction (Hong Kong) or by the seller. For more details, please refer to the Condition Report for each lot.

本目錄採用之貨幣兌換率

7.8 港元 =1 美元 本目錄中標示的貨幣兌換率是根據目錄付印時的兌換率設 定,可能與拍賣當日兌換率有差別。競投者請注意,所有 貨品的估價均是多月前擬定,並非一成不變,拍賣時可能 會作出調整。

CATALOGUE EXCHANGE RATE HK$7.8 = US$1 ﬔe rate of exchange was established at the latest practical date prior to the printing of the catalogue and may therefore have changed by the time of the sale. Bidders should bear in mind that estimates are prepared well in advance of the sale and are not definitive. ﬔey are subject to revision.

目錄編列方法之說明 有關相片 、圖畫 、印刷品及微型書畫之規定

下列詞語於本目錄中具有以下意義。請注意本目錄中有關 作者身份的所有聲明均按照本公司之業務規則及有限保証 的條款而作出。買家應親自檢視各拍賣品的狀況,亦可向 保利香港拍賣要求提供書面狀況報告。目錄內註明藝術家 之姓名或認可名稱之作品,保利香港拍賣無條件地認為是 屬於該藝術家之作品。 *「認為是 _ 之作品」 指以保利香港拍賣合資格之意見認為,某作品全部或部 份是藝術家之創作。 *「_ 之創作室」及「_ 之工作室」 指以保利香港拍賣合資格之意見認為,某作品在某藝術 家之創作室或工作室完成,可能在他監督下完成。 *「_ 時期」 指以保利香港拍賣合資格之意見認為,某作品屬於某藝 術家一個時期之創作,並且反映出該藝術家之創作風 格。 *「跟隨 _ 風格」 指以保利香港拍賣合資格之意見認為,某作品具有某藝 術家之風格,但未必是該藝術家門生之作品。 *「具有 _ 創作手法」 指以保利香港拍賣合資格之意見認為,某作品具有某藝 術家之風格,但於較後時期完成。 *「_ 複製品」 指以保利香港拍賣合資格之意見認為,某作品是某藝術 家作品之複製品 ( 任何日期 )。 *「簽名 _」、「日期 _」、「題寫 _」 指以保利香港拍賣合資格之意見認為,某作品由某藝術 家簽名/寫上日期/題詞。 *「附有 _ 簽名」、「附有 _ 之題詞」 指以保利香港拍賣合資格之意見認為某簽名/題詞應不 是某藝術家所為。 *「附有 _ 日期」 指以保利香港拍賣合資格之意見認為,並非於該日期完 成。 * 於本目錄編列方法之說明中此詞語及其定義為對作者身 份而言之有規限說明。雖然本詞語之使用,乃基於審慎 研究及代表專家之意見,保利香港拍賣及委託人於目錄 內使用此詞語及其所描述之拍賣品及其作者身份之真確 及可信性,並不承擔及接受任何風險、義務或責任,而 有限保証條款,亦不適用於以此詞語所描述的拍賣品。

EXPLANATION OF CATALOGUING PRACTICE For Pictures, Drawings, Prints and Miniatures Terms used in this catalogue have the meanings ascribed to them below. Please note that all statements in this catalogue as to authorship are made subject to the provisions of the Conditions of Business and Limited Warranty. Buyers are advised to inspect the property themselves. Written condition reports are usually available on request. * Name(s) or Recognised Designation of an Artist without any Qualification In Poly Auction (Hong Kong)'s opinion a work by the artist. * “Attributed to ...” In Poly Auction (Hong Kong)'s qualified opinion probably a work by the artist in whole or in part. * “Studio of ...”/ “Workshop of ...” In Poly Auction (Hong Kong)'s qualified opinion a work executed in the studio or workshop of the artist, possibly under his supervision. * “Circle of ...” In Poly Auction (Hong Kong)'s qualified opinion a work of the period of the artist and showing his influence. * “Follower of ...” In Poly Auction (Hong Kong)'s qualified opinion a work executed in the artist's style but not necessarily by a pupil. * “Manner of ...” In Poly Auction (Hong Kong)'s qualified opinion a work executed in the artist's style but of a later date. * “After ...” In Poly Auction (Hong Kong) 's qualified opinion a copy (of any date) of a work of theartist. * “Signed ...”/“Dated ...”/“Inscribed ...”

In Poly Auction (Hong Kong) 's qualified opinion the work has been signed/dated/inscribed by the artist. * “With signature ...”/ “With inscription...”/ In Poly Auction (Hong Kong) 's qualified opinion the signature/inscription appears to be by a hand other than that of the artist. * “With date ...” In Poly Auction (Hong Kong)'s qualified opinion the date on the item was not executed on that date. * ﬔis term and its definition in this Explanation of Cataloguing Practice are a qualified statement as to authorship. While the use of this term is based upon careful study and represents the opinion of specialists, Poly Auction (Hong Kong) and the consignor assume no risk, liability and responsibility for the authenticity of authorship of any lot in this catalogue described by this term, and the Limited Warranty shall not be available with respect to lots described using this term.


第一章 總則 第一條

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第二條 定義及釋義

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第三條 適用範圍

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第二章 關於賣家 第五條 委託程序

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第六條 賣家之代理人

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第七條 賣家之保證

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第八條 保留價

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第九條 本公司的決定權

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第十條 未上拍拍賣品

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第十二條 賣家撤回拍賣品

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第十三條 自動受保

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第二十三條 延遲付款

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第二十四條 賣家稅項

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第三十八條 本公司之選擇權

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第三十九條 異常情況緊急處理

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第四十九條 佣金及費用

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CONDITION OF BUSINESS

Unless otherwise stated, Poly Auction (Hong Kong) Limited acts as the Seller's agent. ﬔe closing agreement for sale of a Lot shall be a contract between the Seller and the Buyer. ﬔese Conditions of Business and all other terms, conditions and notices contained in the catalogue, announced by the Auctioneer or provided at the saleroom shall constitute the provisions agreed among the Seller, the Buyer and/or Poly Auction (Hong Kong) Limited as auction agent.

queries or authentication related to the Lot at the request of the Buyer or any additional costs and legal expenses to bring claims against a defaulting Buyer; (14)“Reserve” means the confidential minimum selling price for the Lot that the Seller has confirmed with the Company; (15)“Estimate” means the estimated selling price of a Lot written in the catalogue or other descriptive materials, excluding the Buyer's Commission; (16)“Storage Fee” means the storage fee payable by the Buyer to the Company according to these Conditions of Business. In these Conditions of Business, where the context requires, words denoting the singular shall include the plural and vice versa.

ARTICLE 2 DEFINITIONS AND INTERPRETATION

ARTICLE 3 SCOPE OF APPLICATION

In these Conditions of Business, the following terms shall have the meanings set forth below: (1)“Company” means Poly Auction (Hong Kong) Limited; (2)“Seller” means any natural person, legal person or other organization that consigns a Lot(s) within the scope of these Conditions of Business to the Company for auction. In these Conditions of Business, a Seller shall include any of its agents unless as otherwise specified herein or required in a particular context; (3)“Bidder” means any person, company, body corporate or other organization who or which considers, carries out or attempts to bid in anyway. In these Conditions of Business, a Bidder shall include any of its agents unless as otherwise specified herein or required in a particular context; (4)“Buyer” means the Bidder whose bid or offer for a Lot is recognized by an Auctioneer as the highest bid for that Lot in an auction held by the Company, including the principal on behalf of which such Bidder acts; (5)“Buyer's Commission” means any commission that a Buyer shall pay to the Company calculated at the rate specified herein of the Hammer Price for the Lot that such Buyer purchases; (6)“Lot” means any item consigned by a Seller to the Company for auction and so auctioned in any auction, in particular, any item numbered in any catalogue with certain description; (7)“Auction Date” means the date on which an auction is formally held, as announced by the Company in its public notice. In case of any discrepancy between the actual date and the announced date of an auction, the actual date shall prevail; (8)“Sale Date” means, in an auction held by the Company, the date on which the auctioneer concludes a contract for sale between a Seller and a Buyer by way of hammer striking or any other customary manner publicly confirming the sale; (9)“Auctioneer” means any person designated by the Company to moderate a particular auction; (10)“Hammer Price” means the price for a Lot at which the Auctioneer decides to sell the Lot by striking the hammer or the agreed sale price in the post-auction sale; (11)“Proceeds of Sale” means the net amount due to the Seller, being the Hammer Price less the Buyer's Commission, all expenses and other amounts payable to the Company by the Seller; (12)“Purchase Price” means the total amount payable by the Buyer for his/her/its purchase for each Lot, including the Hammer Price, the Buyer's Commission, other Buyer's Expenses and all Buyer's Expenses arising from its failure to perform its obligations; (13)“Buyer's Expenses” means costs and expenses in relation to sale of the Lot by the Company, including but not limited to insurance policies, packing, moving, storage, custody for the Lot, any expenses of testing, investigation,

All parties participating in any auctions organized by the Company, including the Seller, the Bidder, the Buyer and all other related parties (including but not limited to the agents of the Seller, the Bidder and the Buyer) shall be deemed to accept in full and bound by these Conditions of Business, and shall comply with them in such auctions, enjoy the rights and perform the obligations provided herein. Any Bidder who bids in an auction organized by the Company, whether in person or by authorizing an agent to bid on his/ her/its behalf, whether by raising the paddle, by absentee bids, by phone or by any other means, shall be deemed to have accepted these Conditions of Business in full. Any dispute among the parties to auctions organized by the Company shall be settled in accordance with these Conditions of Business.

CHAPTER I GENERAL RULES ARTICLE 1 POLY AUCTION (HONG KONG) LIMITED AS AGENT

ARTICLE 4 SPECIAL NOTICE Bidders and Buyers participating in any auctions organized by the Company shall carefully read and be abided by these Conditions of Business; Bidders and Buyers shall read the provisions limiting the Company's liabilities and disclaimers contained in these Conditions of Business carefully. Bidders and/or their agents have the responsibilities to review the original Lot in person, and bear legal liabilities for their acts of bidding the Lot. Upon the Auctioneer confirms the Bidder's bid by striking his/her hammer or in any other manner publicly indicating confirmation of the purchase in any auctions organized by the Company, the contract for sale regarding the Lot shall immediately enter into force and the Bidder shall become the Buyer of the Lot. ﬔe Company, the Seller and the Buyer shall acknowledge the sale of the Lot and its closing, enjoy the rights and assume the obligations provided by applicable laws and/or these Conditions of Business. Any party that fails to perform obligations shall bear its/his/her corresponding legal liabilities. ﬔe Company may amend these Conditions of Business for a particular auction by posting announcements at the auction site or making an announcement at such auction through an Auctioneer.

CHAPTER II THE SELLER ARTICLE 5 CONSIGNMENT PROCEDURE When arranging for the consignment of the Seller's Lot to the Company for auction: (1) The Seller must present a valid identity document with photo issued by the government (e.g. resident identity card or passport) if the Seller is a natural person and sign a consignment auction contract with the Company; (2) A valid certificate of incorporation, proof of shareholding, or a legal authorization document shall be required if the Seller is a legal entity or any other organization, which shall

sign a consignment auction contract with the Company. (3) When the Seller signs a consignment auction contract with the Company, the Company shall be automatically authorized to make pictures, illustrations, catalogues, or other video images of the Lot.

ARTICLE 6 THE SELLER'S AGENT When arranging for the consignment of the Lot to the Company for auction, the Seller's agent shall submit to the Company the relevant authorization certificates including: (1) A valid identity document if such agent is a natural person; (2) A valid certificate of incorporation and proof of share holding if such agent is a legal person or any other organization; and (3) A power of attorney duly executed. The Company has the right to examine the aforesaid documents in a lawful manner.

ARTICLE 7 THE SELLER'S WARRANTIES The Seller hereby makes irrevocable warranties to the Company and the Buyer with respect to the Lot it consigns to the Company for auction as follows: (1) The Seller has absolute ownership or legal right to dispose of the Lot. ﬔe auction of the Lot will not prejudice any legal interest (including copyright interest) of any third party, and will not violate the provisions of relevant laws and regulations; (2) The Seller has, to the best of its knowledge, made full, complete and accurate disclosure and description to the Company with respect to the origin and any flaw of the Lot and notified the Company in writing, without any concealment or fabrication; If the Lot is liquors or teas, the Assignee should truly disclose the defects or flaws about, including but not limit to the packaging, labels, level of wear and tear, corks, etc. (3) If the Lot being consigned shall be imported into Hong Kong, the Seller shall guarantee the compliance with the laws of its origin, and ensure the completion of the export and import procedures and notify the Company in writing; and (4) The Assignee must ensure that the auctioned items do not contravene any laws of Hong Kong (including the Public Health and Municipal Services Ordinance, the Food Safety Ordinance and the Protection of Endangered Species of Animals and Plants Ordinance the Endangered Species of Wild Animals and Plants), ensure and disclose to our Company that it has any license or qualification registration to possess, disposal or sale of the auctioned item required by the laws of Hong Kong. ﬔe Assignee should ensure that if they require our Company to make an additional license or permit to the relevant departments for the auction, display, disposal or possession of the auctioned items, they should notify us in written notice not less than two months prior to the auction. (5) ﬔe Seller shall guarantee that the Lot is authentic. In so doing, the Seller guarantees: (a) ﬔe Lot is not a counterfeit or forgery of: i. ﬔe work of any artist, author or manufacturer, if the Lot is described by the Seller as the work of that artist, author or manufacturer; ii. A work created or produced within a particular time frame or culture, if the Lot is described by the Seller as a work created or produced during that time frame or culture; iii. A work of a particular origin or source, if the Lot is described by the Seller as a work of that origin or source; or iv. A work created or crafted or refined or restored through a


particular process or manner, if the Lot is described by the Seller as a work created through that process or manner. (b) In the case of jewellery and timepieces, in addition to 5(a) above, the Lot is crafted in the manner as described by the Seller, out of the particular materials as described by the Seller, and had underwent no restoration processes other than those stated by the Seller; and (c) In the case of gemstones, in addition to 5(a) above, the Lot had undergone no beautification processes other than those specified by the Seller. If the Seller violates any of the above warranties, the Seller shall fully indemnify all losses, costs and expenses suffered by the Company and/or the Buyer.

and all losses caused by the suspension of auction; (3) ﬔe Company has an objection to the explanation of the Seller or the accuracy of the Seller's warranty mentioned in Article 7 hereof; (4) Any evidence proves the Seller has violated or will violate any provisions of these Conditions of Business; (5) For any other reason, the Company believes that the auction of such Lot shall be suspended; or (6) Whichever situation causes such suspension, if the Company is aware of any ownership or other dispute in relation to the Lot being consigned for auction, the Company shall have the right to refuse to return such Lot until the dispute is settled.

wear, inherent flaws, internal or potential defects, change of substance itself, self-combustion, self-heating, oxidation, corrosion, leakage, rat-bite, worm-bite, change in the atmosphere (climate or air temperature), change in humidity or temperature, or other gradual changes or caused by force majeure such as earthquake, tsunami, war, hostile action, armed conflict, terrorism, coup, strike and social riot, or nuclear radiation or radioactive pollution as well as the damage or destruction of book frames, glass, drawers, bottom pads, trestles, mountings, insert pages, scroll heads or other similar accessories caused by any reason are not within the scope of insurance coverage. ﬔe aforesaid risks should be borne by the Seller.

ARTICLE 8 RESERVE

ARTICLE 12 THE SELLER'S WITHDRAWAL OF LOT

ARTICLE 18 INSURANCE INDEMNITY

Unless otherwise agreed upon by the Company and the Seller, all Lots are offered subject to a Reserve. ﬔe Reserve shall be determined by the Seller and the Company in writing through consultation, and no modification of the Reserve shall be made without the prior consent of the other party after it is determined by both parties. Following the bidding failure of the Lot authorized by the Seller, the Auctioneer shall have the right to sell such Lot at the Reserve after such auction and the Seller must pay the Commission to the Auctioneer. In no circumstance shall the Company bear any liability for failure to sell the Lot at the Reserve at the auction held by the Company.

The Seller may withdraw the Lot at any time prior to the Auction Date by issuing a written notice to the Company. In the case that the Lot has been listed in the catalogue or other public materials and they have begun to be printed at the time of the withdrawal of the Lot, the Seller shall pay an amount equal to 20% of the Reserve of the Lot and all other expenses. In the case that the catalogue or other public materials have not been printed, the Seller shall pay an amount equal to 10% of the Reserve of the Lot and all other expenses. Any dispute or claim arising out of the Seller's withdrawal of the Lot shall be borne by the Seller and has nothing to do with the Company.

Any damage or destruction of the Lot caused by incidents or disasters covered by the insurance purchased by the Company for the Lot shall be handled in accordance with the laws of Hong Kong on insurance. The Company shall pay insurance indemnities after deducting the Company's expenses (other than the Commission) to the Seller after the Company obtains such indemnities from the insurance company.

ARTICLE 9 THE COMPANY'S DISCRETION

ARTICLE 13 AUTOMATIC INSURANCE

The Company may decide the following matters at its absolute discretion: (1) Explanation and/or appraisal of any aspect of any Lot through the catalogue of the Lot and/or news media and/or other carriers; (2) Whether to consult any expert or not; (3) ﬔe illustration of the Lot in the catalogue, the exhibition of the Lot and other forms of publicizing the Lot, the arrangement in the promotional activities as well as the standards of payable expenses; (4) Suitability of a Lot for auction by the Company; (5) Other matters such as the date of auction, the place of auction, the conditions of auction and the manner of auction.

Unless otherwise instructed by the Seller in writing, all Lots will be automatically covered under the insurance policies purchased by the Company after the Seller enters into the consignment auction contract with the Company and delivers the Lots to the Company. ﬔe insured amount shall be based on the Reserve agreed by the Seller and the Company in the consignment auction contract (if there is no Reserve, it shall be the agreed insured amount of the Lot; if the Reserve is adjusted, it shall be the original Reserve of the Lot). ﬔe insured amount is only applicable to insurance and claim for compensation, is not the Company's warranty or guarantee for the value of the Lot, and does not mean that the Lot can be sold for an amount equal to the insured amount through any auction by the Company.

ARTICLE 10 LOT NOT AUCTIONED

ARTICLE 14 INSURANCE PREMIUM

After the Seller has signed the consignment auction contract with and delivered the Lot to the Company, if for any reason the Company believes that the Lot is not suitable for auction by the Company, the Seller shall collect the Lot within thirty days from the issuance date of the Company's notice (fees for packaging and transportation shall be at the Seller's own expense). The consignment auction contract between the Seller and the Company will terminate on the date when the Seller collects the Lot. If during the above-mentioned period the Seller fails to collect the Lot, the consignment auction contract will automatically terminate upon the expiration of such period. If within seven days after the termination of the consignment auction contract the Seller does not collect the Lot, the Company shall have the right to charge the Storage Fee, insurance fees and other reasonable expenses, and to dispose of the Lot in a way the Company deems proper. ﬔe Seller is responsible for the collection of, if any, the amount obtained from the disposal after deducting all the fees and expenses incurred by the Company.

If the Lot is sold, the insurance premium payable by the Seller shall be 1% of the Hammer Price unless otherwise agreed by the Seller and the Company. If the Lot is not sold, the Seller shall as well pay the insurance premium at 1% of the Reserve.

ARTICLE 11 SUSPENSION OF AUCTION The Company has the right to suspend the auction of any Lot at any time before the actual auction in any one of the following situations: (1) The Company has an objection to the ownership or authenticity of the Lot; (2) Any third party has an objection to the ownership or authenticity of the Lot and can provide relevant evidence materials as to the basis of such objection, pays a security pursuant to the Company's requirements and is willing to take the corresponding liabilities for the legal consequences

ARTICLE 15 INSURANCE PERIOD If the Lot is sold in the auction, the insurance period shall terminate at the earlier of the seventh day after the Sale Date (including the Sale Date) and the date when the Buyer collects the Lot. If the Lot is not sold in the auction, the insurance period shall terminate upon the expiry of thirty days after the Company issues the notice on the collection of the Lot.

ARTICLE 16 INSURANCE BY THE SELLER In the event that the Seller notifies the Company in writing not to insure the Lot, it shall undertake all the risks and the following liabilities at any time (unless otherwise ruled by an arbitration institution): (1) To compensate for any claim or action brought by any other parties against the Company with respect to the damage or destruction of the Lot; (2) To compensate the Company and/or any other parties for all losses suffered and all expenses incurred because of the damage or destruction of the Lot caused by any reason; and (3) To notify the compensation related provisions herein to any insurer of the Lot.

ARTICLE 17 INSURANCE DISCLAIMER The damage or destruction of the Lot caused by natural

ARTICLE 19 BIDDING PROHIBITION ﬔe Seller shall not bid for the Lot consigned to the Company by himself/herself/itself for auction, or authorize any other person to bid on his/her/its behalf. Only the Company has the right to bid on behalf of the Seller at a price not more than the Reserve. The Seller shall bear all legal liabilities and compensate for all losses caused to the Company if the Seller violates this Article.

ARTICLE 20 COMMISSION AND EXPENSES Unless otherwise agreed upon by the Seller and the Company, the Seller shall authorize the Company to deduct 10% of the Hammer Price as Commission and at the same time deduct other expenses. Despite the fact that the Company is the Seller's agent, the Seller agrees that the Company may collect the Commission and other expenses from the Buyer in accordance with the provisions in Article 49 hereof.

ARTICLE 21 SERVICE FEE FOR UNSOLD LOT In case the Lot is not sold because the bidding price is lower than the Reserve, the Seller shall authorize the Company to charge the Seller a service fee for unsuccessful auction and other expenses.

ARTICLE 22 PAYMENT OF PROCEEDS OF SALE Where the Buyer effects full payment of the Purchase Price to the Company in accordance with the provisions in Article 49 hereof, the Company shall pay the Proceeds of Sale to the Seller thirty-five days after the Sale Date in Hong Kong dollars.

ARTICLE 23 DEFERRED PAYMENT Where the Company does not receive the full payment of the Purchase Price from the Buyer upon the expiry of the payment period under Article 51 hereof, the Company will pay the Proceeds of Sale to the Seller within seven working days after receipt of full payment of the Purchase Price from the Buyer.

ARTICLE 24 SELLER TAXES ﬔe Seller shall pay taxes to the government for the Proceeds of Sale obtained. If the Company has the obligation to withhold and pay taxes according to the provisions of the relevant laws, the Company will follow the provisions of the laws. The Seller shall assist in handling all the formalities and bear the corresponding taxes and expenses.

ARTICLE 25 ASSISTANCE IN THE COLLECTION OF OUTSTANDING PAYMENT ﬔe Seller shall, at the time of its consignment of the Lot to the Company for auction, be deemed to have authorized the Company to demand the corresponding outstanding payment from the Buyer on behalf of the Seller. Where the Buyer


fails to fully pay the Purchase Price within seven days after the Sale Date (including the Sale Date), the Company shall have the right to demand the Commission and other Buyer's Expenses according to the provisions of Article 58 hereof. In addition, the Company shall as well have the right to take appropriate actions (including but not limited to resorting to legal proceedings) to assist the Seller in collecting such outstanding payment from the Buyer where it is deemed by the Company to be practicable. ﬔe above provision does not exclude the Seller's right to demand in person or authorize any third party to demand the outstanding payment from the Buyer and does not obligate the Company to demand the corresponding outstanding payment from the Buyer on behalf of the Seller under any circumstance. ﬔis Company shall not bear the corresponding liability for the Seller because of the Buyer's failure to pay the Purchase Price under any circumstance.

ARTICLE 26 THE COMPANY'S DISCRETION The Company shall have the right to accept the Seller's authorization (at the Seller's expenses) and may determine the following matters as the case may be: (1) To agree on special conditions of the payment of the Purchase Price; (2) To remove, store and insure the sold Lot; (3) To settle claims brought by the Buyer or the Seller in accordance with the relevant articles hereof; and (4) To take other necessary measures to collect the outstanding payment owed by the Buyer to the Seller.

ARTICLE 27 UNSOLD LOT In the event that the Lot is not sold, the Company may choose any one of the following actions: (1) Private sale after the auction The Company may re-negotiate with the Seller on the revised Reserve and sell the Lot in private sale, and pay the Seller the Proceeds of Sales adjusted based on the revised Reserve. (2) Re-auction ﬔe Company may re-auction the Lot. ﬔe Commission and expenses scale set out in the previous consignment auction contract remains applicable. (3) Collection of the Lot ﬔe Seller shall take back the Lot within 30 days upon receipt of the Company's notice on collection (fees for packaging and transportation shall be paid by the Seller) and pay the Company the service fee for unsuccessful auction and other expenses. ﬔe Company shall, upon expiration of such time limit, be entitled to charge the Storage Fee, insurance fees and other reasonable expenses, and to sell the Lot through public auction or other means of sale according to the conditions the Company deems appropriate. The Company shall also be entitled to deduct the service fee for unsuccessful auction and other expenses payable by the Seller in the first auction as well as all expenses for re-sale of the Lot by auction from the Proceeds of Sale before paying the remaining amount to the Seller.

ARTICLE 28 RISK ASSUMPTION ﬔe Seller shall assume liability for all risks and expenses that occur after the time limit prescribed herein if the Seller fails to take back the Lot not auctioned or the unsold Lot within such the time limit. ﬔe Seller shall assume liability for all risks and expenses of the Lot not auctioned or the unsold Lot at the earlier of the thirtieth day after the Company issues a notice on collection of the Lot to the Seller (including the notice date) and the time when the Seller collects the Lot in accordance with these Conditions of Business. Where the Seller requests Company to assist it in the return of the Lot within the time limit provided herein and the Company so agrees, the Seller shall assume liability for all risks and expenses that occur after the Lot leaves the place designated by the Company. Unless the Seller specifically gives an indication and pays insurance premium in advance, the Company has no obligation to insure the Lot for any period after its departure from the place designated by the Company. Where the Seller requests

the Company to assist it in returning the Lot by means of post, express delivery or other third-party transportation, the Company shall be deemed to have returned the Lot and the Seller shall be deemed to have collected the Lot upon the Company's delivery of the Lot to the post, express delivery and transportation entities, companies or their employees/branch offices.

be responsible for any breach of the Conditions of Business by the Seller. 4. Without affecting Article 30 (2) of these rules, any claim for compensation that the Bidder makes to the Company or the Seller shall be limited to the Hammer Price and the Buyer's Commission of the Lot. Under no circumstances shall the Company and the Seller bear any consequential losses incurred by the Buyer.

CHAPTER III THE BIDDER AND THE BUYER ARTICLE 29 RESPONSIBILITIES OF THE BIDDER AND THE COMPANY IN RESPECT OF THE LOT 1. ﬔe Company's perception of all Lots partly relies on the information provided by the Seller, the Company is unable and will not carry out comprehensive inspection of all Lots. Bidders are aware of this and bear the responsibilities of inspecting and testing the original Lots so that Bidders will be satisfied with those Lots in which they may be interested. 2. All Lots for sale by the Company are available for viewing by Bidders. By bidding, Bidders and/or their agents are deemed to have carried out thorough examination of the Lots, and are deemed to be satisfied with the conditions of the Lots and the accuracy of their description. 3. Bidders acknowledge that various Lots are dated long time ago and of special categories, implying that the Lots are not perfect and not free from defects. All Lots are sold on an“as is” basis at the time of the auction (whether or not Bidders attend the auction). Condition reports may be provided when during the viewing period. Under certain circumstances, catalogue descriptions and condition reports may be used for reference about certain defects of the Lots. Nevertheless, Bidders should pay attention that the Lots may have other defects not clearly stated in the catalogue descriptions and condition reports. 4. Regarding the information about the Lot provided to Bidders, including any forecast information (written or verbal), catalogues and other reports, commentaries or estimated values, such information are not statement of facts, but rather are statements of the opinion that the Company holds. Such information can be altered at the sole discretion of the Company from time to time. 5. ﬔe Company or the Seller has not made any declaration or warranty as to whether any Lot is subject to any copyright or whether the Buyer has bought the copyright of any Lot. 6. In accordance with the matters contained in Article 29 (1) to 29 (5) of the Conditions of Business and the special exemption contained in Article 30 of the Conditions of Business, the descriptions in the catalogue and in the condition reports are written in a reasonably prudent manner (and such should be in line with those terms of the Conditions of Business regarding the Company serving as Auction Agent) based on (1) the information provided by the Seller to the Company; (2) academic and technical knowledge (if any); and (3) generally accepted opinions of the relevant experts.

ARTICLE 30 THE COMPANY'S EXEMPTION AND RESTRICTION OF RESPONSIBILITIES TO THE BUYER 1. If the Company considers the Lot as forgery, it shall return the Hammer Price and Buyer's Commission to the Buyer. 2. Subject to the matters contained in Article 29 of the Conditions of Business and the rules in Article 30 (1) and 30 (5) of the Conditions of Business, the Company shall not: (1) be responsible for any errors or omissions in the information provided by the Company to the Bidder verbally or in writing, no matter whether this is caused by negligence or other reasons, with the exception of provision contained in Article 29 (6) of the Conditions of Business; (2) make any guarantee or warranty to the Bidder, excluding any implied warranty and rules other than the expressed warranty that the Seller has entrusted the Company to make to the Buyer (with the exception of those responsibilities that cannot be discharged according to the stipulations of laws); (3) be accountable to any Bidder for any actions or omissions of the Company regarding the auction or the sale of any Lot (no matter whether this is caused by negligence or other reasons). 3. Unless the Company owns the Lot to be sold, it shall not

ARTICLE 31 CATALOGUE AND OTHER EXPLANATION OF THE LOT ﬔe Company shall prepare a catalogue of the Lot to briefly introduce the conditions of the Lot with words and/or pictures to facilitate the Bidder and Seller to participate in the auction held by the Company. ﬔe words and Estimate in the catalogue of the Lot, pictures, other images as well as public materials are only references for the Bidder and may be revised before auction. The Company provides no guarantee for the authenticity, value, tone, quality or flawlessness of the Lot.

ARTICLE 32 UNCERTAINTY OF CATALOGUE Where the tone, color, graduation shape or any other feature of the Lot shown in the catalogue and/or any other illustrations, images and public materials differ from those of the original Lot due to printing, photography or other technical reasons, the original Lot shall take precedence. Any introduction and appraisal of any Lot made by the Company and its employees or its agents in anyway (including the certificate, catalogue, slideshow and news media) are only opinions for reference and do not constitute any guarantee for the Lot. The Company and its employees or its agents shall undertake no liability for any inaccuracy or omission in the aforesaid introduction or appraisal.

ARTICLE 33 RESERVE AND ESTIMATE Unless otherwise indicated, all Lots are offered subject to a Reserve. Normally, the Reserve is not higher than the lowest Estimate announced before the auction or published before the auction by the Company. If a Reserve has not been set for a Lot, unless there has already been bidding, the Auctioneer, in his or her discretion, may determine the starting price, but this shall not be higher than the lowest Estimate of the Lot before the auction. Under no circumstances shall the Company bear any liability when the bids for a Lot do not reach the Reserve. If the bids are lower than the Reserve, the Auctioneer, in his or her discretion, may sell the Lot at a price lower than the Reserve. However under such circumstances, the amount that the Company shall pay the Seller shall be the amount that the Seller would receive as if the Lot was sold at the Reserve. The Estimate is estimated at an earlier time before the Auction Date, it is not a confirmed selling price, and is not legally binding. Estimates cannot be used as a forecast of the Hammer Price of the Lot, and the Company has the right to revise from time to time the Estimate already made.

ARTICLE 34 BIDDERS' INSPECTION RESPONSIBILITY The Bidder and/or his/her/its agents shall have the responsibility to learn about the actual conditions of the Lot and shall be legally liable for his/her/its bid for a certain Lot. ﬔe Company strongly advises the Bidders to personally inspect the original Lot they intend to bid for before the Auction Date by authentication or other means. Bidders shall judge by themselves whether Lot complies with the descriptions in the Company's catalogue of the Lot and other images and public materials, rather than relying on the catalogue, images and public materials to make decisions.

ARTICLE 35 REGISTRATION OF BIDDERS If the Bidder is a natural person, before the Auction Date, he/ she shall fill in and sign the registration documents with an identity document with photo issued by the government (such as resident identity card or passport), and provide proof of the current address (e.g. utility bill or bank statement); if the


Bidder is a company or other organization, before the Auction Date, it shall fill in and sign the registration documents and collect a paddle with its valid certificate of incorporation and proof of shareholding and legitimate authorization document. ﬔe Company may request the Bidder to present proof of bank details or other proof of financial conditions for payment purposes.

ARTICLE 36 PADDLE The Company can announce before the Auction Date the conditions and procedures of arranging paddle for the Bidder according to different auction conditions and auction methods etc., including but not limited to the qualification and conditions for the Bidder to arrange a paddle. The Company solemnly reminds that a paddle is the only proof for the Bidder to participate in the auction at the venue. ﬔe Bidder shall keep it properly and shall not lend it to others to use it. If it is lost, it shall immediately handle the loss report formalities in a written form recognized by the Company. No matter if the person holding a paddle has been appointed by the Bidder or not, his or her bidding acts at auction are considered as having been made by the registered person himself, and the Bidder shall bear the legal responsibilities for the acts of the former, unless the Bidder himself has already submitted a written report to the Company regarding the loss paddle.

ARTICLE 37 AUCTION DEPOSIT When a Bidder participates in an auction of the Company, he/she shall first pay the auction deposit before collecting the paddle. The amount of the auction deposit will be announced by the Company before the Auction Date, and the Company has the right to waive the auction deposit. If the Bidder fails to buy the Lot and he does not owe the Company any sum, then that auction deposit shall be returned to the Bidder in full without interest within 14 working days after the end of the auction. If the Bidder succeeds in buying a Lot, the auction deposit shall automatically be converted to the payment of the Purchase Price of the Lot.

ARTICLE 38 DISCRETION OF THE COMPANY The Company has the right to forbid anyone from participating in the auction organized by the Company or entering the auction site, or taking pictures or shooting videos at the auction site at its discretion.

ARTICLE 39 HANDLING OF ABNORMAL EVENTS If any abnormal event occurs at the auction site, the Company has the right to take emergency actions. If any dispute arises at the auction site, the Company has right to mediate and settle it.

ARTICLE 40 CONFIRMATION OF BUYER'S IDENTITY ﬔe Bidder must take good care of his/her/its paddle and be cautious not to lose it. ﬔe Bidder shall not lend his/her/its paddle to others, or the Bidder shall assume all legal liability for others' act of bidding for the Lot using his/her/its paddle.

ARTICLE 41 ABSENTEE BIDS Bidders shall attend the auction in person. If a Bidder or its agent cannot attend in person, it can appoint the Company in writing for the Company to bid on its behalf. ﬔe Company has the discretion to accept or not accept the above appointment. Any Bidder who has appointed the Company to bid shall handle the appointment formalities within the period stipulated (no later than three business days), and produce a completed Absentee Bid Order to the Company, and at the same time pay the auction deposit according to the Conditions of Business. If the Bidder who has appointed the Company to bid needs to cancel the absentee bid, it shall notify the Company no later than 24 hours before the Auction Date.

ARTICLE 42 AUCTION RESULTS OF ABSENTEE BID If a Bidder who has appointed the Company to bid, the auction results and the related legal responsibilities shall be

borne by the Bidder. If the Bidder indicates in the Absentee Bid Order that it bids by instant communication methods such as telephone, it shall fill in the instant communication method accurately and keep the instant communication instrument properly, during the period in which the Company is appointed to bid, the Bidder shall use that instant communication instrument itself. Where the instant communication instrument is lost or it cannot be within control, the Bidder shall immediately use a written form recognized by the Company to change the instant communication method filled in the Absentee Bid Order. During the period the Company is appointed to bid, it shall make appropriate efforts to contact the Bidder, the bidding information transmitted by that instant communication instrument (whether or not it is transmitted by the Bidder personally or the Bidder's agent) shall be considered as transmitted by the Bidder itself, and the Bidder shall bear legal responsibilities for the actions taken by it. Unless the Buyer itself has changed the instant communication method filled in the Absentee Bid Order by a written method recognized by the Company. All telephone bids may be recorded and kept at Poly Auction (Hong Kong)’s sole discretion, by opting for telephone bids, the Bidder agrees that its phone conversation will be recorded. Nevertheless, under no circumstances shall the Company be responsible for any unsuccessful contact or errors or omissions in the bidding process using that instant communication instrument.

ARTICLE 43 DISCLAIMER OF ABSENTEE BID Since absentee bid is a free service of transmitting bidding information that the Company provides to the Bidder, the Company and its employees shall not bear any responsibilities for unsuccessful bidding or any errors, omissions, negligence, fault or inability to bid on its behalf during the bidding process.

ARTICLE 44 FIRST-COME-FIRST-SERVE PRINCIPLE FOR ABSENTEE BID If two or more Bidders appointing the Company to bid on their behalf have bid the same price for the same Lot and eventually that Lot is sold at that Hammer Price, then the one who first submitted to the Company shall be the Buyer of that Lot.

ARTICLE 45 DISCRETION OF THE AUCTIONEER The Auctioneer has the right at his absolute and sole discretion in the following matters: 1. Refusal or acceptance of any bid; 2. Carrying out the auction in such a manner as he may decide; 3. Withdrawal of any Lot, dividing it for auction separately, combining any two or more Lots for auction; 4. If there are errors or disputes, no matter if they occur during or after the auction, he shall have the right to decide the successful Bidder, whether or not to continue the auction, to cancel the auction or place the Lot under dispute for auction again; 5. ﬔe Auctioneer may open and carry out the bidding at a level with bidding increments that he considers suitable, and has the right to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other Bidders; 6. Adoption of other actions that he considers as appropriate.

ARTICLE 46 NO RESERVE For those Lots without a Reserve, unless there has already been bidding, otherwise the Auctioneer, under his own discretion, may decide the starting price. If there is no bidding at such a price, the Auctioneer will, at his own discretion, lower the price and continue the auction until a Bidder starts to bid, then he will continue the auction at that price and then continue up from that amount.

ARTICLE 47 IMAGE DISPLAY BOARD AND CURRENCY CONVERSION BOARD To facilitate Bidders, the Company may use image projector

or other forms of display boards in the auction. ﬔe contents shown are for reference only. It is possible that there are differences in the information such as the amount, reference number of the Lot, images of the Lot or reference foreign currency etc. shown in the image projector or other forms of display boards and the Company shall not bear any responsibilities for any losses caused by such differences.

ARTICLE 48 SUCCESSFUL BID The fact that the Auctioneer confirms the highest bid of a Bidder by striking his/her hammer or in any other manner of publicly confirming the sale shall indicate the conclusion of a sales contract for the Lot between the Bidder and the Seller.

ARTICLE 49 COMMISSION AND EXPENSES After the Bidder has succeeded in bidding, it will become the Buyer of that Lot. A buyer’s premium will be added to the Hammer Price and is payable by the buyer as part of the total purchase price. The buyer’s premium is 20% of the hammer price of each lot and at the same time other Buyer’s Expenses, and recognizes that the Company can charge the Seller the commission and other Seller expenses according to provisions of the Consignment Agreement.

ARTICLE 50 TAXES All the monies that the Buyer pays to the Company are net amounts, which shall not include any tax on goods, tax on services or other value added tax (whether levied by Hong Kong or other regions). If there is any tax applicable to the Buyer, the Buyer shall bear it itself according to the provisions of the relevant laws currently in force.

ARTICLE 51 PAYMENT TIME After the Lot is successfully sold in an auction, unless otherwise agreed, regardless of any stipulations of the export, import or other permits of the Lot, the Buyer shall fully pay the Purchase Price within 7 days after the Sale Date (including the Sale Date), and collect the Lot. If packing, moving costs, and insurance expenses, expenses related to export are involved, the Buyer shall pay them altogether.

ARTICLE 52 PAYMENT CURRENCY All monies shall be paid in Hong Kong dollars. If the Buyer pays in another currency other than Hong Kong dollars, it shall convert it at the exchange rate agreed between the Buyer and the Company or at the exchange rate of Hong Kong dollars and that currency type on the previous working day announced by such bank as selected by the Company. All bank handling fees, commission and charges incurred by the Company for converting the foreign currency paid by the Buyer into Hong Kong dollars shall be borne by the Buyer.

ARTICLE 53 TRANSFER OF OWNERSHIP Even if the Company has delivered the Lot to the Buyer, the Buyer has not yet obtained the ownership of the Lot. This shall pass onto the Buyer only when the Buyer has fully paid the Purchase Price and all monies that the Buyer owes the Company.

ARTICLE 54 TRANSFER OF RISKS After the bidding has succeeded, the risks ofthe Lot shall be borne by the Buyer itself after the occurrence of one of the following events (whichever earlier): 1. ﬔe Buyer has collected the Lot; or 2. ﬔe Buyer has fully paid the Purchase Price for the Lot to the Company; or 3. ﬔe expiry of seven days after the Sale Date (including the Sale Date).

ARTICLE 55 COLLECTION OF THE LOT Risk and responsibility for the lot passes to the Buyer at the expiration of thirty calendar days from the Sale Date (including the Sale Date). or on collection by the Buyer, if earlier. After thirty calendar days, all expenses incurred, including but not limited to storage, moving, insurance will be for the account of the Buyer. Although the Company


shall use reasonable efforts to take care of purchased Lot and suggest handlers, packers or carriers, the company is not responsibleto any person to whom we have made are commendation for the acts or omissions of the third party concerned.

ARTICLE 56 PACKING, HANDLING AND MOVING If the employees of the Company pack and handle the Lot bought on behalf of the Buyer according to the latter's requirements, this is considered as a service provided by the Company to the Buyer and the Company has the discretion to decide whether to provide this service, if any losses arise therefrom, the Buyer shall bear them itself. Under no circumstances shall the Company be responsible for any damage of the glass or picture frame, box, backing sheet, frame case, mounting, inserts, rolling rod or similar auxiliary objects caused by any reasons. Where the Buyer requests the Company to assist it in collecting the purchased Lot (the packaging, mailing and transportation expenses shall be paid by the Buyer) by means of post, express delivery or transportation, the Company shall be deemed to have delivered the Lot and the Buyer shall be deemed to have collected such Lot according to the normal procedure upon the Company's delivery of the Lot to the post, express delivery and transportation entities, companies or their employees/branch offices. The risks arising from this process shall be borne by the Buyer. Unless Buyer gives a clear indication and pays insurance premium, no insurance is provided in the process of mailing, express delivery or transportation generally. The Company shall undertake no liability for any error, omission, damage or destruction caused by the packaging company and post, express delivery and transportation entities or companies designated by the Buyer or recommended by the Company to the Buyer.

ARTICLE 57 IMPORT, EXPORT LICENSES AND PERMIT ﬔe Buyer shall be responsible for obtaining any import and export licenses, permit for endangered animals or other aspects related to the Lot. Failure or delay in obtaining any permits required shall not be deemed as a reason for cancelling the purchase or delaying in paying the Purchase Price. The Company shall not bear any responsibilities for the failure to properly fill in or submit the required import or export documents. If the Buyer requests the Company to apply for the import and export licenses on its behalf, the Company has the right to charge service fees for this service. However, the Company does not warrant that the import or export license will be issued. The Company and the Seller has not made declaration or warranty in respect of whether or not any Lot is subject to import and export restrictions or any embargo.

ARTICLE 58 REMEDIES FOR NON-PAYMENT If the Buyer fails to make full payment according to the provisions of the Conditions of Business or any payment arrangements agreed with the Company, the Company has the right to adopt one or more of the following measures: 1. After the Lot is sold, if the Buyer fails to pay the Purchase Price within 7 days from the Sale Date (including the Sale Date), the auction deposit paid at the time of bidding registration shall not be refunded, and it shall at the same time bear the relevant responsibilities according the provisions of the Conditions of Business; if the Buyer has bought a few Lots with the same paddle, after the Lots are sold, if the Buyer has not paid the Purchase Price of any of the Lots within the time stipulated, then the entire auction deposit shall not be refunded, and it shall at the same time bear the relevant responsibilities according the provisions of the Conditions of Business; 2. If the Buyer fails to pay the Purchase Prices in full to the Company within 7 days from the Sale Date (including the Sale Date), the Company has the right to appoint a third party organization to collect the entire or part of the Purchase Prices that the Buyer owes;

3. If the Buyer fails to pay the Purchase Price in full within 7 days from the Sale Date (including the Sale Date), the Company has the right to charge interest at 0.03% per day on the unpaid portion starting from the 8th day after the Sale Date until the day on which the Buyer has fully paid the monies, with the exception that the Buyer has otherwise agreed with the Company; 4. The Buyer shall bear the risks and expenses of taking out an insurance policy, moving and storing the Lot in the Company or other places; 5. To sue the Buyer or apply to Arbitration Agency for mediation, demand for compensation for all the losses due to the breach of contract by the Buyer including but not limited to economic loss, legal expenses, default penalty and pass due interest caused by the delay in payment or refusal to make payments by the Buyer; 6. To retain that or any other Lot that the same Buyer has bought via the Company, and any other properties or rights to property of the Buyer that the Company holds for any reasons, all the expenses and/or risks incurred during the retention period shall be borne by the Buyer. If the Buyer fails to perform all its duties concerned within the period specified by the Company, the Company has the right to issue a lien notice tothe Buyer and dispose of the items under lien if the Buyer has not yet fully paid all outstanding amounts within 30 days after the issue of that notice. if the items under lien are insufficient to offset all the monies payable by the Buyer to the Company, the Company has the right to claim them; 7. The Company has sole discretion to cancel the sale or agree that the Consignor can cancel the deal, and reserve the right to claim all the losses suffered by the Company due to the cancellation of that deal; 8. ﬔe Company can place the Lot for auction again or sell it by other means according to the provisions of the Conditions of Business with the consent of the Seller, and the Company reserves the right to decide the Estimate and Reserve. ﬔe original Buyer shall pay the commission and other Buyer's Expenses and the Seller in the first auction, and it shall bear all the costs of the second auction or the sale of the Lotby other means. If the price obtained from the second auction or the sale of the Lot by other means is lower than the original auction sum, the original Buyer shall pay the shortfall; 9. To offset any monies related to the Lot that the Buyer owes the Company by any sums that the Company owes the Buyer in any other transactions; 10. ﬔe Company can decide to use any monies paid by the Buyer to repay any sums that the Buyer owes the Company in any other transactions; 11. To reject any bids made by the Buyer or its agent at future auctions, or to obtain auction deposit before accepting any bids; 12. To disclose the information of the Buyer to the Seller, so that the Seller can start a law suit to recover the outstanding amount, or claim damages and claim legal fees for breach of contract by the Buyer.

ARTICLE 59 REMEDIES FOR DELAY IN COLLECTING THE LOT If the Buyer fails to collect the purchased Lot 7 days after the Sale Date (including the Sale Date), the Company has the right to adopt one or more of the measures below: 1. All costs (including but not limited to the storage fee calculated and charged according to the provisions of the Bidder Registration Order starting from the 31st day from the Sale Date (including the Sale Date) and/or risks for the taking out of an insurance policy and/or storing the Lot in the Company or other places shall be borne by the Buyer. Only after the Buyer has paid the full amount of the Purchase Price, it can collect the Lot (packing and moving costs, insurance expenses, expenses related to export shall be at the Buyer's expense); 2. ﬔe Buyer shall bear all the risks and expenses incurred after the deadline as stated in the Conditions of Business if it cannot collect the Lot concerned within that deadline. If the Buyer has not yet collected the Lot within 30 days from the

Sale Date (including the Sale Date), after notifying the Buyer, the Company has the right to sell that Lot in a public auction or by a method and with methods and conditions that it considers suitable. Any proceeds after the deduction of all the losses, expenses (packing & moving costs, insurance costs, expenses related to export, Storage Fee, and notarial expenses etc.) incurred by the Company from the disposal shall be taken back by the Buyer; such balance is noninterest-bearing. If the Buyer fails to take the proceeds back two years after the Sale Date, the balance shall be deposited to a Hong Kong court by the Company after deducting the relevant expenses (including legal fees).

ARTICLE 60 LIMITED WARRANTY 1. ﬔe Company provides general warranty to the Buyer: If the Lot sold by the Company is later found to be a counterfeit, the Company will cancel that deal according to the terms of the Conditions of Business, and will return to the Buyer in the currency of the original deal the Hammer Price together with the Buyer's Commission that the Buyer has paid to the Company for the Lot. In this regard, based on the reasonable opinion of the Company, counterfeits refer to frauds in various aspects such as the source, place of origin, date, production year, duration, culture or sources etc. of the article, and the correct description of the above points have not been recorded in the contents of the catalogue (any special terminologies are taken into consideration). Any damage and/or any type of restored item and/or repaired items (including repaintingor painting on top of it) of the Lot shall not be considered as counterfeit. Please pay attention that if any of the following situations happens, this warranty shall not apply; The contents of the catalogue are based on generally accepted opinion of academics and specialists on the selling date, or contradictions in opinions are shown in the contents of the catalogue; or On the selling date, the only method of proving the Lot is a counterfeit is not a method which can be used in general; which is recognized; which is extremely high price; the usage of such method is impractical; or this method may have caused damage to the Lot or may (according to the reasonable opinion of the Company) have already caused the Lot to lose value; or If the Lot has not lost any material value from the description of the Lot. 2. ﬔe deadline in this warranty is 5 years fromthe Auction Date concerned, these benefits are exclusively enjoyed by the Buyer, and shall not be transferred to any third party. In order to make claims based on this warranty, the Buyer shall:-(1) notify the Company in writing within one month after the receipt of any information which leads the Buyer to doubt the authenticity or attributes of the Lot, specifying the reference number of the Lot, date on which the Lot is purchased and reasons for which it is considered as counterfeit; (2) return the Lot to the Company in the same conditions as it was on the date of sale, and the proper ownership of it is transferrable, plus there are no claims from any third party after the Sale Date. 3. Regarding Southeastern Asian modern and contemporary art, Chinese painting and Chinese calligraphy and Chinese ink painting, although at present the academic sector does not permit the making of definitive statements, the Company reserves the discretion to cancel those deals of Lots which are proved to be counterfeit southeastern Asian modern and contemporary arts, Chinese painting and Chinese calligraphy and Chinese ink paintings within one year after the Auction Date based on this warranty. Paid sums shall be returned to the Buyer according to this term, however the Buyer shall provide evidences (based on the methods provided forin clause 2 and 4 of this article) to prove that the Lot is counterfeit within one year from the Auction Date; 4. ﬔe Company can, at its discretion, decide to waive any of the above provisions. ﬔe Company has the right to demand from the Buyer two independent specialist reports which are recognized by the specialist sector concerned and which are accepted by the Company and the Buyer at the expense of


the Buyer. ﬔe Company shall not be subject to any report presented by the Buyer, and retains the right to seek additional expert opinion at the expense of the Company. 5. This limited warranty does not apply to auction categories, such as, jewellery, watches, designer handbags, alcohol, tea and other food and beverage items, etc.

ARTICLE 61 SPECIAL CATEGORIES 1. Statements about the status of jewellery items in the auctions are usually set out in the catalogue. However, it does not imply that the auctioned item has no defects, flaws or has not enhanced beautification after processing. (1) Coloured gems (such as rubies, sapphires, emeralds and various coloured gems) may enhance beautification after processing or improved in appearance, including heat-treated, oiling and radiation. ﬔese common practises have been approved by the international jewellery industries. However, the hardness of the treated stones may be reduced and / or need special maintenance in the future. (2) Our Company will not apply appraisal report from professional organisations for each piece of jewellery item in the auction. If an auctioned item has obtained the appraisal report from an internationally recognised gem laboratory, the Company will specify it in the auction catalogue. Due to the difference in methods and techniques used in different laboratories, there may be different views as to whether a gemstone has been treated, degree of treat or permanently treated. Our Company will not be responsible for the accuracy of the appraisal report issued by each laboratory. (3) If you would like to request an appraisal report by a specific laboratory, please submit the request at least 14 working days before the auction date, the Company will apply for appraisal report on behalf of you, and the corresponding appraisal costs will borne by you. (4) ﬔe valuation of an item of jewellery item in the auction is made based on all information being known at the time the item being auctioned, bidders should review the auctioned item or make a detailed understanding of the auctioned item before the auction. Once you have placed a bid, it is deemed that you have accepted all the current status of the auctioned items. (5) Our Company reminds bidders that precious stones or emerald originating from Myanmar may be banned in certain countries. 2. Watches and Timepieces Auctioned items (1) Our Company has stated that the current status of a watch and timepieces auctioned items being known on the auction catalogue, and is for bidder's reference only. Due to the fact that most timepieces have been repaired and maintained during the previous period being used, we do not guarantee that any parts and components of any watch are original, and it is possible that no pendulum, clock hammers or keys are for available for sale. (2) Watches and timepieces generally have a very sophisticated mechanical manufacture that may require general warranty service, battery replacement or further repair works, and these will be all at the buyer's disposal. Our Company does not guarantee that any auction of watches is in good working condition. Unless mentioned in the catalogue, otherwise we do not provide a certificate. (3) Most watches have been opened to check the movement of the models and their quality, so with a waterproof case may not contain waterproof function, our Company recommends that you to ask a professional watch maker to check before use.

CHAPTER IV MISCELLANEOUS ARTICLE 62 OBTAINING INFORMATION, VIDEO-TAKING In connection with the operation of the auction business of the Company, the Company may make audio recording, video recording of any auction process, and need to

collect personal information from the Bidder or ask for the information of the Bidder from third parties (such as asking for credit review from banks). Such information will be handled and kept confidential by the Company. However the information concerned may be provided to the Company, its divisions, affiliates and subsidiaries in order to assist the Company to provide comprehensive services to Bidders, carry out client analysis, or in order to provide services that meet the requirements of the Bidder. For the sake of the interest of the Bidder, the Company may also provide some personal information of the Bidder to third party service providers (such as cargo liners or storage houses). By participating in the auction of the Company, the Bidder agrees to all previously stated disclosure. If the Bidder would like to obtain or amend his personal information, please contact the customer service department.

ARTICLE 67 NOTICE

ARTICLE 63 CONFIDENTIALITY

ARTICLE 68 SEVERABILITY

The Company shall be obligated to keep confidentiality for the Seller, the Bidder and the Buyer and protect the legitimate rights of the Seller, the Bidder, the Buyer as well as the Company according to these Conditions of Business and the laws of Hong Kong. With below exceptions: 1.To any related parties as the Company considers appropriate with the obligations to maintain the confidentiality of the information extended; 2.To whom information is requested to be disclosed by any court, jurisdiction, governmental, banking, taxation or other regulatory authority, or by any applicable law or regulation; 3.Being agreed by relevant seller, bidder or buyer.

If any terms or parts of the Conditions are confirmed as void, illegal or cannot be executed, other terms or parts of the Conditions are still valid, the parties concerned shall abid by and execute them.

ARTICLE 64 AUTHENTICATION RIGHT The Company may authenticate the Lot if necessary. In case of any discrepancy between the authentication conclusion and the conditions of the Lot in the consignment auction contract, the Company shall have the right to request modification or rescission of the consignment auction contract.

ARTICLE 65 COPYRIGHT The Seller authorizes the Company to produce photos, illustrations, catalogue, video products and advertising materials in other forms of the Lot that it has appointed the Company to place for auction, the Company is entitled to the above photos, illustrations, catalogue, video products and advertising materials in other forms of the Lot, and has the right to use them. Without prior written consent of the Company, the Buyer and anyone shall not use them. ﬔe Company and the Seller have not made any statement and warranty as to whether the Lot is restricted by copyright or if the Buyer has obtained any copyright of the Lot.

ﬔe Bidder and the Buyer shall inform the Company their permanent and effective correspondent address and contact methods in the bidding registration documents or by other methods recognized by the Company. If there are changes, they shall inform the Company in writing immediately. The notices mentioned in the Conditions of Business only refer to written notices sent by letter or fax formats. A notice shall be deemed as served at the following moment: 1. If it is served by hand, when it reaches the address of the party concerned; 2. If it is sent by post, then it is the seventh day after it is posted; 3. If it is sent by fax, then it is the moment the outgoing fax transmission is confirmed by the fax machine.

ARTICLE 69 LAWS AND JURISDICTION The Conditions of Business and the related matters, transactions, any disputes caused by or in connection with the participation in the auction activities of the Company pursuant to the Conditions of Business shall be subject to Hong Kong laws and shall be interpreted by Hong Kong laws. The Company and the Buyer and the Bidder shall submit to the exclusive jurisdiction of Hong Kong courts. Adjudication(s) promulgated by Hong Kong courts on any disputes arising from the Conditions of Business and related matters can be enforced in People's Republic of China.

ARTICLE 70 LANGUAGE The Chinese version of the Conditions of Business shall be the standard texts; the English version is for reference only. Should there be any discrepancy between the English version and Chinese version, the Chinese version shall prevail.

ARTICLE 71 OWNERSHIP OF THE COPYRIGHT OF THE CONDITIONS The Conditions of Business is prepared and revised by the Company, the copyright concerned belongs to the Company. Without the prior written approval of the Company, no one shall use any methods or means to use the Conditions of Business to obtain business benefits, and shall not make duplication, of any parts of the Conditions of Business.

ARTICLE 66 EXEMPTION FROM LIABILITY

ARTICLE 72 APPLICABLE PERIOD

Being an agent of the Seller, the Company shall assume no liability for any breach of contract by the Seller or the Buyer. In case of the breach of contract by the Seller or the Buyer, the Company shall have the right to decide to disclose the other party's name and address to the Seller or the Buyer at its own discretion so that the damaged party may receive compensation for damages through legal proceedings. However, prior to the Company's disclosure of such materials to the Seller or the Buyer, the Company shall take the reasonable steps to notify the party whose materials are to be disclosed. Buyers and sellers have to bear liabilities arisen from transactions including but not limited to, economic, legal, tax and settlement and other related responsibilities, and have to ensure transactions not relate to money laundering or other illegal benefit transfers. Any receive or payment instruction must be clear and direct, the Company shall assume no liability for losses arisen from account stolen, misappropriation of funds and other unforeseen circumstances resulting from mismanagement of sellers or buyers.

The Conditions of Business is only applicable for this auction. The Company may update the Conditions of Business from time to time, when the Bidder and the Buyer participate in another auction, the then applicable Conditions of Business shall prevail.

ARTICLE 73 RIGHT OF INTERPRETATION ﬔe right of interpretation of these Rules shall belong to the Company.


ÐÑ©ªê IMPORTANT NOTICE ABOUT BIDDING REGISTRATION

—、閣下參與競投登記時須填寫競投牌登記表格並提供有 關身份證明文件,繳納保證金,以辦理登記手續。 I. When you register to bid in an auction, you must fill in the Bidding Registration Form, with all relevant documents as follow, and pay a deposit in order to complete the registration. 二、競投登記時須提供之文件 : 1. 個人:政府發出附有照片的身份證明文件 ( 如居民身份 證及 / 或護照 ),及現時住址證明 ( 如身份證明文件未有顯 示 ),如公用事業賬單及 / 或銀行月結單。 2. 公司客戶:公司商業登記證及股東證明文件。 3. 代理人:代理人附有照片的身份證明文件 , 代理人所代 表之競投人士 / 公司之證明文件 , 以及該人士 / 公司簽發 的授權書正本。敬請注意 , 保利香港拍賣不接受第三方付 款 - 此規定亦適用於代理人。如閣下代表他人參與競投, 保利香港拍賣僅接受委託人之付款。 4. 新客戶以及未在北京保利國際拍賣有限公司成功競投拍 賣品的客戶,本公司有絕對權力向閣下要求提供銀行發出 之信用證明。建議首次參與競投的新客戶於拍賣會前至少 3 個工作天前辦理登記,以便有充足的時間處理登記資料。 II. Documents that must be provided when completing the bidding paddle registration: (1) Individuals: photo identity i.e. national identity card and/ or passport; proof of current address (if the current address is not shown on the identity document), i.e. utility bill or bank statement. (2) Corporate clients: a certificate of incorporation and official documents listing directors and shareholders. (3) Agents and/or Acting Personnel: photo identity of the agent and/or acting personnel, copy of identity document of the person/company that the agent and/or acting personnel acts on, original copy of signed and/or chopped authorization letter from the particular person/ company. Please note that Poly Auction (Hong Kong) Limited does not accept any payment from any third party and this also applies to agent. If you participate in the bidding on behalf of others, Poly Auction (Hong Kong) only accepts the payment of the principal. (4) New clients and those clients who have not bidden successfully from Beijing Poly Intemational Auction Co., Ltd., must provide credit proof issued by banks, and must complete the registration at least three business days before the auction so that there will be enough time to process the registration. 三、若閣下是首次參與競投,同時未獲得保利香港拍賣有 限公司認可的註冊客戶推薦,保證金為港幣 500,000 元。 如閣下打算競投高估價拍賣品 ( 在圖錄內及 / 或電子圖錄 內標有〇符號之拍賣品 ),保證金為港幣 1,000,000 元。 保利香港拍賣有絕對權力隨時調整高估價拍賣品之保證金 及 / 或手續 , 而不需要另行通知。在閣下競投前 , 本公司 亦有絕對權力向閣下要求提供任何有關閣下的財務證明。 本公司有絕對權力拒絕任何人之競投登記而不需給予任何 解釋。 III. If this is the first time you bid with Poly Auction (Hong Kong) Limited, and you are not recommended by a registered client endorsed by us, the deposit will be HK$500,000. If you intend to bid on a “Premium Lot”(i.e., a lot marked with 〇 in the printed catalogue and/or the digital catalogue), the deposit will be HK$1,000,000, please be aware the amount of deposit and/or bidding registration procedure for “Premium Lot” can be changed at any time at Poly Auction(Hong Kong)’s sole discretion without prior notice. In either case, you must deliver to Poly Auction (Hong Kong) Limited such necessary financial references, guarantees, deposits and/or such other security as Poly Auction (Hong Kong) Limited may in its absolute discretion require for before your bid. Poly Auction (Hong Kong) Limited may refuse any bidding registration without any explanation at its’ sole discretion.

四、所有保證金必須以電匯或保利香港拍賣有限公司認可 之信用卡 / 銀聯卡以港幣付款 ( 閣下必須親自使用您名下 的信用卡 / 銀聯卡 )。如閣下未能投得任何拍賣品 , 保利香 港拍賣將安排在拍賣結束後十四個工作日內退回閣下已付 的保證金 ( 不包含利息 )。如閣下成為買家,保利香港拍 賣有限公司有權將該保證金作為支付拍賣品購買價款的款 項。任何涉及退款的兌換交易損失或費用,將由閣下承擔。 IV. All deposits must be paid in HK dollars by telegraphic transfer, credit card acceptable to Poly Auction (Hong Kong) Limited and/or Union Pay Card under your name. If you are not successful in any bid,the deposit (without interest) will be returned to you by any method as determined by Poly Auction (Hong Kong ) Limited within 14 days after the end of the auction. If you successfully bid for any lot(s), Poly Auction (Hong Kong) Limited may use the deposit to offset any amount of purchase price of the lot(s) that bought by you. Any losses or expenses from foreign currency conversion involved in the refund will be borne by you. 五、本公司有權要求競投人提供財務狀況證明、擔保、存 款證明,或本公司可要求競投人為其有意競投的拍賣品提 供其他抵押。本公司保留調查競投人資金來源的權利。 V. Poly Auction (Hong Kong) Limited has the right to demand the Bidder to provide any proof of financial conditions, guarantee, proof of bank deposit and/or any other necessary documents that our company can demand, at its absolute discretion, and/or asking the Bidder to provide any other collateral for the Lot(s) that the latter intends to bid. Our company reserves the right to investigate the sources of funds of the Bidder. 六、本公司有絕對權力拒絕任何人之競投登記而不需給予 任何解釋。 VI. Please be aware that Poly Auction (Hong Kong) Limited can refuse any bidding registration without any explanation at its’ sole discreation.


ì ê IMPORTANT NOTICE ABOUT PAYMENT

一、拍賣成交後,買家應支付落槌價 及相應佣金。拍賣成交日 ( 含成交日 ) 起七日內,買家應向本公司付清購買 價款並提取拍賣品 , 即使買家希望將 拍賣品出口 , 並需要或可能需要出口 許可證 , 此一條款亦適用。 I. In addition to the Hammer Price, the Buyer agrees to pay the applicable commission in respect of such Hammer Price. Payment must be made within 7 calendar days (including the day of Sale) from the day of sale. ﬔis applies even if the Buyer wishes to export the lot and export license is (or may be) required. 二、自拍賣成交日 ( 含成交日 ) 的第 三十一日起,買家須為本次拍賣會未 領取的拍賣品支付儲存費,每件每月 港幣八百元。儲存不足一個月者,亦 須繳付整月儲存費。儲存費不包括其 他額外費用,如保險、包裝和運輸費, 其他額外費用將會另行收取。 II. Where Lot(s) is(are) not collected within 30 calendar days (including the day of sale) from the day of sale, the Buyer must pay the monthly storage fee of HK$800 per lot starting from the 31st day. For storage less than one month, one whole month’s storage fee will be charged. All other additional expenses such as insurance, packing and/or transportation costs will be charged separately. 三、本公司接受以下幾種付款方式: 電匯 付款方式最好以電匯的方式直接轉入 本公司的銀行賬戶。請將匯款指示連 同您的姓名及競投牌號或發票號碼一 起交予銀行。 戶行:香港上海匯豐銀行有限公司 戶名:保利香港拍賣有限公司 號碼:004-848-360475-838 收款銀行代號 : HSBCHKHHHKH 銀行代碼 : 004 戶行:交通銀行股份有限公司香港分 行 戶名:保利香港拍賣有限公司 號碼:027-536-9-311-5318 收款銀行代號 : COMMHKHH 銀行代碼 : 027 信用卡 / 銀聯卡 買家如以保利香港拍賣認可之信用卡 及 / 或銀聯卡方式支付購買價款,則 需承擔相當於付款金額不多於 2.5% 之行政費用。本公司接受信用卡付款 之上限為港幣 1,000,000 元 ( 每一場 拍賣 )。如買家以持卡人不在場方式 以信用卡支付貨款,客戶必須填寫” 信用卡付款授權書” , 並以傳真 (852 23039888 ) / 電 郵 (cs@polyauction. com.hk ) 或郵寄方式送回本公司地址, 須受有關條款約束。 支票 本公司接受個人支票與公司支票,但 請留意買家須於支票承兌後方可提取 拍 賣 品。 本 公 司 不 接 受 旅 行 支 票 付

款。 現金 / 銀行本票 如以現金或銀行本票繳付款項,則可 立即提取拍賣品。惟本公司恕不接受 以一筆或多次付款形式用現金支付超 過港幣 80,000 元或同等價值外幣之 款項,本公司有權向支付現金的買家 或新客戶索取有效身份證明文件、通 訊住址證明及現金來源證明。 III. Our company accepts the following types of payment: TELEGRAPHIC TRANSFER Payment should preferably be made by telegraphic transfer directly to our company’s account. Please include your name and paddle number or invoice number with your instructions to the bank. Bank: The Hongkong and Shanghai Banking Corporation Limited Account Name: Poly Auction (Hong Kong) Ltd. Account No: 004-848-360475-838 SWIFT: HSBCHKHHHKH Bank Code: 004 Bank: Bank of Communications Co., Ltd. Hong Kong Branch Account Name: Poly Auction (Hong Kong) Ltd. Account No: 027-536-9-311-5318 SWIFT: COMMHKHH Bank Code: 027 CREDIT CARD/UNIONPAY CARD Our company accepts payments by credit cards and/ or Union Pay which is acceptable to Poly Auction (Hong Ko n g ) u p t o H K $ 1 , 0 0 0 , 0 0 0 p e r auction sale. The Buyer have to bear the administrative charge which is not more than 2.5% of the paid amount. If buyer pay by credit card but not in person, client have to fill in the “Credit Card Authoirsation Form” and send back by fax (852 23039888)/ email (cs@polyauction.com.hk) or mail to our office address (subject to conditions). CHEQUE Our company accepts personal and company cheques, but please be reminded that the purchases will not be released until such cheques have been cleared. Traveler’s cheques are not accepted. CASH / CASHIER ORDER If payment is made by cash or cashier order, the purchases will be released immediately. However, our company does not accept sums exceeding HK$80,000 (or its equivalent in other currencies) in cash in a single or multiple payments. Our company requests any new clients or purchasers preferring to make a cash payment to provide proof of identity and proof of the permanent address. We reserve the right to seek identification of the source of funds received.

四、所有價款應以港幣支付。如買家 以港幣以外的其他貨幣支付,應按買 家與本公司約定的匯價折算或按照本 公司選擇之銀行於買家付款日前一個 工作日公佈的港幣與該貨幣的匯價折 算,並以本公司所發出之單據上所列 之匯率為準。買家自行承擔所支付之 該種外幣兌換成港幣所引致之所有銀 行手續費、佣金及 / 或其他費用。 IV. If the payment made in a currency other than Hong Kong Dollars, we shall charge the Buyer for any currency costs incurred. This will include bank charges, commissions for converting the currency. The exchange rate of Hong Kong Dollars and that currency will be the rate quoted by such bank as selected by the company, in Hong Kong on the date of payment. 五、本公司將向競投登記表格上的姓 名及地址發出售出拍賣品的賬單,且 登記的姓名及地址不得更改。 V. Our company will issue an invoice of sold lot (s) based on the name and address which is (are) on the Bidding Registration Form and the registered name and address should not be changed and/ or amended. 六、本公司不接受除買家外的任何第 三 方 付 款。 此 項 規 定 亦 適 用 於 代 理 人。如代理人代表他人參與競投,僅 接受委託人的付款。除接受買家付款 外,本公司保留拒收其他來源付款的 權利。 VI. Our company does not accept payment from any third party other than the Buyer. This applies to agent as well. If the agent participates in the auction on behalf of any others, we only accept payment from the principal. Except payment from the Buyer directly, our company reserves the right to reject payments from other sources.


保 利 香 港 拍 賣 有 限 公 司 (“ 保 利 香 港 拍 賣 ”)

競投登記表格

競投牌編號 :

客戶編號 個人名義競投

公司名義競投

姓名

公司名稱

身份證 / 護照編號

商業登記編號

被授權代表︰ 姓名 _______________________________

身份證 / 護照編號 __________________________ 電話 __________________

地址 城市

國家

郵政編號

電話

傳真

電郵

拍賣類別:

□現當代藝術 □中國古董珍玩

□中國當代水墨 □珠寶

閣下曾否於北京保利國際拍賣有限公司拍賣登記競投?

□中國近現代書畫 □鐘錶 □有

□中國古代書畫 □手袋 / 潮玩

□茅台及白酒 □威士忌及干邑

□茶葉 □其他

□沒有

請附上身份證或護照影印本及住址證明 ( 如公用事業賬單或銀行月結單 ) 以作核對用途。 本人特此確定申請競投拍賣品。本人同意向保利香港拍賣交付所需的財政狀況證明、擔保、存款證明及 / 或保利香港拍賣酌情要求本人為競投須作出的其他抵押。 本人同意保利香港拍賣並無責任接受此競投牌登記申請表及保利香港拍賣對此有最終決定權。除收到保利香港拍賣之書面通知確定此申請表有效或發給之競投 牌,本人並不應假設保利香港拍賣已接納此拍賣品預先登記申請表。 拍賣官可代表賣家為任何拍賣品叫第一口價以開始競投。拍賣官更可代表賣家以接連投標或競投之方式就拍賣品作出競投直至達到保留價。 基於管理、經營業務、市場推廣以及保利香港拍賣提供之服務及 / 或法律規定等需要之用途 , 保利香港拍賣可能向客戶要求提供其個人資料或向協力廠商索取有 關資料,如信貸資料等。保利香港拍賣在未獲得客戶明確同意前將不會將該等個人資料作其他用途。為履行客戶所要求之服務,保利香港拍賣有可能向協力廠商, 如船務公司披露資料。部份國家未能提供與香港相同之個人資料法律保障。根據保利香港拍賣的公司政策,將要求該協力廠商尊重客戶之私隱,將客戶的資料保 密並提供與香港相同程度之個人資料保障,不論他們所處國家能否提供對個人資料之相同法律保障。本人於此拍賣品預先登記表簽署,即同意有關披露。 本人同意接受圖錄內列明之業務規則、重要通告、須知。應保利香港拍賣要求,本人同意提供有效身份證明文件及通訊地址證明。 買家及賣家之合約於拍賣官落槌時訂立,而閣下作為買家必須於拍賣會結束 ( 含成交日 ) 後七日內以港元支付拍賣品之款項及任何買家之費用。 □ □

本人希望透過電郵或短信收取保利香港或保利集團將舉行之拍賣或活動資訊 本人不欲以電郵方式收取賬單

簽署

日期

如閣下計劃出席本次拍賣並競投拍賣品,請填妥以下表格並於拍賣日期 3 個工作日傳真至 (852) 2303 9888 或郵寄到本公司地址如下。 本欄由保利香港拍賣專用

保證金付款方法 : □ 電匯 □ 本票 □ 支票 □ 證件 : □ 已提供 ERP 經辦

信用卡 (VISA / 萬事達 / 銀聯 / 美國運通 ) 審核

其他 日期 / 時間

Suite 701-708, 7/F, One Pacific Place, 88 Queensway, Admiralty, Hong Kong 香港金鐘金鐘道 88 號太古廣場 1 期 7 樓 701-708 室 T: + 852 2303 9899 F: + 852 2303 9888 E: cs@polyauction.com.hk W: www.polyauction.com.hk


POLY AUCTION (HONG KONG) LIMITED (“POLY AUCTION (HONG KONG)”)

BIDDING REGISTRATION FORM Paddle No. Client No. Personal Account

Company Account

Name

Company Name

ID / Passport No.

Business Registration No.

Authorized Person : ___________________________________

ID/Passport No. : ______________________ Telephone: _________________________

Address City

Country

Postal Code

Telephone

Fax

Email

Auction Category:

□ Modern and Contemporary Art □ Fine Modern Chinese Paintings and Calligraphy □ Classical Chinese Paintings and Calligraphy □ Chinese Contemporary Ink Paintings

Have you registered to bid at Poly International Auction Co. Ltd. before?

□ Chinese Ceramics and Works of Art □ Jewels □ Watches □ Bag & Hype □ Yes

□ Tea □ Chinese Spirit □ Whisky & Cognac □ Other

□ No

Please attach a copy of your ID Card/Passport and proof of current address (e.g. utility bill and bank statement) for identification purpose. I hereby confirm my intention and application to bid in the above auction. I agree to deliver to Poly Auction (Hong Kong) such necessary financial references, guarantees, deposits and/or such other security as Poly Auction (Hong Kong) may in its absolute discretion for my bid. I agree that Poly Auction (Hong Kong) has no obligation to accept this registration application and that Poly Auction (Hong Kong)’s decision in this regard shall be final. I shall not assume Poly Auction (Hong Kong)’s acceptance of my registration application unless I have received a written confirmation from Poly Auction (Hong Kong) to that effect or a bidding paddle. Please note that the auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. ﬔe auctioneer may further bid on behalf of the seller up to the amount of the reserve, by placing responsive or consecutive bids for a lot. In connection with the management and operation of our business and the marketing and supply of Poly Auction (Hong Kong) services, or as required by law, we may ask clients to provide personal information about themselves and/or obtain information about clients from any third parties (e.g. credit information). Poly Auction (Hong Kong) will not use and/or process my personal information for any other purpose without the client’s express consent. In order to fulfill the services that clients have requested, Poly Auction (Hong Kong) may disclose certain information to third parties (e.g. shippers). Some countries do not offer equivalent legal protection of personal information to that offered within Hong Kong. It is Poly Auction (Hong Kong)’s policy to require that any such third parties respect the privacy and confidentiality of my information and provide the same level of protection for my information as provided within Hong Kong, whether or not they are located in a country that offers equivalent legal protection of personal information. By signing this Registration Form I agree to such disclosure. By signing below, I agree to be bound by the Conditions of Business and all the important notices as printed in the catalogue. If Poly Auction (Hong Kong) so requests, I agree to provide proof of identity and permanent address. ﬔe contract between the Buyer and Seller shall be concluded upon the striking of hammer by the Auctioneer. If the Lot is sold, I agree to pay in Hong Kong dollars the Hammer Price, a commission and related charges of buyer within 7 calendar days (including the day of sale).

□ I would like to receive the news for coming auction or events by email or message from Poly Hong Kong or Poly's group □ I do not wish to receive the settlement advice by email

SIGNATURE

DATE

If you plan to attend the sale and bid on a lot, please fill out this form and fax it to (852) 2303 9888 or mail to the following address in either case to reach POLY AUCTION (HONG KONG) no later than 3 working days prior to the day of sale:

FOR OFFICE USE ONLY

□ Wire Transfer Handled by

□ Cashier Order

□ Cheque

□ Credit Cards (VISA, MASTER, CUP, A E)

Approved by

□ Others Date / Time

Suite 701-708, 7/F, One Pacific Place, 88 Queensway, Admiralty, Hong Kong 香港金鐘金鐘道 88 號太古廣場 1 期 7 樓 701-708 室 T: +852 2303 9899 F: +852 2303 9888 E:cs@polyauction.com.hk W: www.polyauction.com.hk

ID/PP : □ Provided

□ ERP


保 利 香 港 拍 賣 有 限 公 司 (“ 保 利 香 港 拍 賣 ”)

委託競投表格

競投牌編號 :

郵寄或傳真至:

客戶編號

保利香港拍賣有限公司 地址 : 香港金鐘道 88 號太古廣場 1 期 7 樓 701-708 室 電話 : (852) 2303 9899 傳真 : (852) 2303 9888

個人競投

公司競投

姓名 __________________________________

公司名稱

身份證 / 護照編號

商業登記編號

戶行 : 香港上海匯豐銀行有限公司 戶名 : 保利香港拍賣有限公司 號碼 : 004-848-360475-838 SWIFT: HSBCHKHHHKH 銀行編號 : 004

地址 城市

傳真

☐ 授權代表委託競投︰ 被授權人︰姓

身份證 / 護照編號

委託競投表格須於拍賣日前三個工作日或之前遞交客戶服務部。保 利香港拍賣將以傳真或錄音電話等方式確認收到閣下之書面競投表 格。若於一個工作日內還未有收到確實回覆,請重新遞交表格。

□ 書面競投

. 競投將以盡可能低之價格進行。在適當情況下,閣下之書面競 投價將會被大概調整至最接近拍賣官遞增之競投金額。 . “購買”或“無限價競投”將不被接納,及我們不接納“加一 口價”競投標。請根據圖錄內之指示投標。 . 如保利香港拍賣就同一拍賣品收到兩個或兩個以上競投價相同 的書面競投,而在拍賣時此等競投價乃該拍賣品之最高競投 價,則該拍賣品會歸於其書面競投最先送抵保利香港拍賣之競 投人。 . 拍賣官可直接於拍賣台上執行書面競投。

□ 電話競投

. 請清楚注明於拍賣期間可聯絡閣下之即時通訊方式及工具,我 們會於閣下擬競投之拍賣品競投前致電給閣下,該即時通訊工 具所傳達之競投信息 ( 無論是否為閣下本人傳達 ),均視為閣 下所為,閣下應對其行為承擔所有責任 ( 包括但不限於法律責 任 )。 . 本公司有絕對權利對所有電話競投錄音和保存。選擇電話競投 即代表競投人同意其電話被錄音。

圖錄號

郵政編號

電話 #2

電郵 _________________________________________ 選擇語言 __________________________

戶行 : 交通銀行股份有限公司 戶名 : 保利香港拍賣有限公司 號碼 : 027-536-9-311-5318 SWIFT: COMMHKHH 銀行編號 : 027

拍賣編號

國家

電話 #1

電話

重要提示:

. 保利香港拍賣不接受包括代理人之內之任何第三方付款;不接受逾港幣八萬元 ( 或等值貨幣 ) 之現金 款項;且發票資訊於拍賣會完結後將不能更改。 . 請閣下提供以下文件之經核證副本: • 個人:政府發出附有照片的身份證明文件 ( 如居民身份證及 / 或護照 ),及現時住址證明 ( 如身份證 明文件未有顯示 ),如公用事業賬單及 / 或銀行月結單。 • 公司客戶:公司商業登記證及股東證明文件。 • 代理人:代理人附有照片的身份證明文件 , 代理人所代表之競投人士 / 公司之證明文件 , 以及該人 士 / 公司簽發的授權書正本。敬請注意 , 保利香港拍賣不接受第三方付款 - 此規定亦適用於代理人。 如閣下代表他人參與競投,保利香港拍賣僅接受委託人之付款。 . 保利香港拍賣僅接受本書面格式的委託競投表格。 茲申請並委託保利香港拍賣就本申請表所列拍賣品進行競投,並同意如下條款: 一、本人承諾已仔細閱讀刊印於本圖錄上的保利香港拍賣業務規則、重要通告、競投登記須知及財務付 款須知,並同意遵守前述規定之一切條款。 二、保利香港拍賣業務規則之委託競投之免責條款為不可爭議之條款。無論是由於疏忽或其它原因引致, 本人不追究保利香港拍賣及其工作人員競投未成功或未能代為競投的相關責任。 三、本人須於拍賣日前三個工作日或之前向保利香港拍賣出具本委託競投表格。並根據保利香港拍賣公 佈的條件和程序辦理競投登記手續。如在規定時間內保利香港拍賣未收到本人支付的相應金額的競 投保證金,或保利香港拍賣未予審核確認的,則本表格無效。 四、買家及賣家之合約於拍賣官落槌時訂立。如拍賣成交,本人同意於拍賣會結束 ( 含成交日 ) 後七日內 以港幣付清拍賣品之落槌價、相當於落槌價 20% 的佣金以及任何買家負責的各項費用。

最高競投價 ( 未包含佣金 ) 適用於書面競投 / 緊急競投價 ( 未包含佣金 ) 適用於電話競投 #

拍品名稱

港幣 港幣 港幣 港幣 港幣 港幣 港幣 # 重要通知:倘若保利香港投標人員無法在拍賣時聯絡閣下,本公司將依照閣下所列出的緊急競投價競投

□ 本人希望透過電郵或短信收取本公司或保利集團將舉行之拍賣及活動資訊 □ 本人不欲以電郵方式收取賬單 簽署:

日期:

本欄由保利香港拍賣專用 保證金付款方法 : □電匯 經辦

□本票 □支票 □信用卡 (VISA / 萬事達 / 銀聯 / 美國運通 ) 審核

証件:

□已提供

□ ERP

日期及時間


POLY AUCTION (HONG KONG) LIMITED (“POLY AUCTION (HONG KONG)”)

ABSENTEE BID REGISTRATION

Paddle No.:

Mail or Fax to: Poly Auction (Hong Kong) Limited Address: 701-708, 7/F, One Pacific Place 88 Queensway, Admiralty Hong Kong Phone: (852) 2303 9899 Fax: (852) 2303 9888

Personal Account

Company Account

Name

Company Name

Bank: ﬔe Hongkong and Shanghai Banking Corporation Limited Account Name: Poly Auction (Hong Kong) Ltd. Account No: 004-848-360475-838 SWIFT: HSBCHKHHHKH Bank Code: 004

Address

Client No.

Bank: Bank of Communications Co., Ltd. Hong Kong Branch Account Name: Poly Auction (Hong Kong) Ltd. Account No: 027-536-9-311-5318 SWIFT: COMMHKHH Bank Code: 027

This Absentee bid registration must be sent to the customer service department at least three business days before the Auction Day. Poly Auction (Hong Kong) will confirm receipt of your Absentee Bid Registration by fax or recorded phone message etc. If you have not received definite reply within one working day, please send in the form again.

□ WRITTEN BIDS Bidding will be conducted at the lowest possible price. If appropriate, your absentee bids will be roughly adjusted to the bidding increment of the Auctioneer as close as possible. “Buy” or unlimited bids will not be accepted and we do not accept “plus one” bids. Please place bids in the same order as in the catalogue. If Poly Auction (Hong Kong) receives two or more absentee bids at the same bidding price, and during the Auction, such bidding prices are the highest bids for that Lot, then that Lot will belong to the Bidder whose absentee bid reaches Poly Auction (Hong Kong) first. ﬔe Auctioneer can execute absentee bids directly on the Auction stage.

□ TELEPHONE BIDS Please indicate clearly the instant communication methods and instruments that you can be contacted during the auction period, we will phone you before the bidding of the Lot that you intend to bid for, the bidding information transmit by that instant communication instruments (whether or not it is transmitted by you personally) shall be considered as transmitted by you, and you shall bear all liability and responsibility (including but not limit legal liability and responsibility) for the actions taken by it. All telephone bids may be recorded and kept at Poly Auction (Hong Kong)’s sole discretion, by opting for telephone bids, the Bidder agrees that its phone conversation will be recorded.

Sale No.

Lot No.

_________________________________

Business Registration No.

ID / Passport No.

City

Country

Postal Code

Tel #1

Tel #2

Fax

Email

Preferred language

☐Authorization for Absentee Bid Registration: Name of Agent ID / Passport No.

Tel:

IMPORTANT REMINDER: • Poly Auction (Hong Kong) does not accept any payment from any third parties (agent inclusive), nor cash in excess of HK$80,000 (or its equivalent in other currencies), and that the invoice details cannot be changed and/or amended after the end of the Auction. • Please provide certified true copies of the following documents: o Individuals: photo identity i.e. national identity card and/or passport, proof of current address (if the current address is not shown on the identity document), i.e. utility bill or bank statement. o Corporate clients: a certificate of incorporation and official documents listing directors and shareholders. o Agents and/or Acting Personnel: photo identity of the agent and/or acting personnel, identity document of the person/company that the agent and/or acting personnel acts on, original copy of signed and/or chopped authorization letter from the particular person/ company. Please note that Poly Auction (Hong Kong) Limited does not accept any payment from any third party and this also applies to agent. If you participate in the bidding on behalf of others, Poly Auction (Hong Kong) only accepts the payment of the principal. • Poly Auction (Hong Kong) only accepts Absentee Bid Registration Form in this written format. I hereby apply for and appoint Poly Auction (Hong Kong) to conduct bidding for the Property(ies) listed in this Absentee bid registration, and agree to the following terms: 1. I undertake that I have carefully read and accept the Conditions of Business, Important Notices, Important Notices about Bidding Registration and Important Notices about Payment of Poly Auction (Hong Kong) published in the catalogue, and agree to be bound by all the terms of the above mentioned provisions. 2. ﬔe disclaimer of absentee bid of the Conditions of Business of Poly Auction (Hong Kong) is indisputable, I shall not seek to establish the relevant responsibilities of Poly Auction (Hong Kong) and its staff for unsuccessful bidding or their inability to bid on my behalf regardless such is caused by negligence or other reasons. 3. I shall present this Absentee Bid Registration to Poly Auction (Hong Kong) at least three business days before the Auction Day, and complete the bidding registration according to the conditions and procedures announced by Poly Auction (Hong Kong). If Poly Auction (Hong Kong) has not received the amount corresponding to the Auction deposit that I have paid or Poly Auction (Hong Kong) has not verified and confirmed it within the period stipulated, this form shall be void. 4. ﬔe contract between the Buyer and Seller shall be concluded upon the striking of hammer by the Auctioneer. If the Lot is sold, I agree to pay in Hong Kong dollars the Hammer Price, a commission equivalent to 20% of the hammer price of each lot and any Buyer's expenses within 7 calendar days (including the day of sale).

Highest Bid (excluding commission) for written bid / Emergency bid (excluding commission) for phone bid #

Lot Description

HKD HKD HKD HKD HKD #important Note: If Poly HK staff is unable to contact you during the auction, the bid will be placed in accoedance with you listed emergency bid price

□ I would like to receive the news for coming auction or events by email or message from Poly Hong Kong or Poly’s group □ I do not wish to receive the settlement advice by email Signature: FOR OFFICE USE ONLY Deposit payment: □ Wire Transfer Handled by

Date:

□ Cashier Order

□ Cheque Approved by

□ Credit Cards (VISA, MASTER, CUP, AE)

ID/PP: Date / Time

□ Provided

□ ERP


裝運委託 運輸信息

請填寫此部分 並劃去不適用部分

銷售詳情

請填寫此表格,我們會安排我們指定的貨運代理之一寄送 您所有購買的拍賣品,費用由您承擔。保利香港拍賣不 會承擔因任何包裝及 / 或運送過程而產生之任何對拍賣品 及 / 或其包裝 ( 如畫框、玻璃 ) 之損壞。買家應自行負責

銷售編號 #

拍賣品編號 #

發票編號 #

寄送方式

掛號 / 空運 / 商業快遞

任何有關出 / 入口之相關文件及其相關費用及 / 或稅項。 若需要配送方面的建議,請致電保利香港倉務及物流部 (852) 2303 9899。

送達地址

( 請刪去不適用 )

費用 於正式處理配送之前,本人需要 / 不需要報價。 電話

傳真

運輸保險 僅適用於郵件託運 請安排 / 不要安排運輸保險。 除非另行指定,所有拍賣品將按其總價受保。

帳單地址 如不同上述送達地址

請注意保利香港拍賣不會承擔任何運輸保險費用及其相關 費用。 請不要拆除包裝。

電話

傳真

( 玻璃物品將被棄置 ) 。 請拆除包裝與玻璃物品。 注意:價值超過 10,000 港幣或重量超過 2 公斤的物品不

特別指示:

是/否

能通過郵件寄送。 簽署

日期

SHIPPING INSTRUCTIONS SHIPPING INFORMATION Please complete this Form and we shall arrange for the dispatch of all your purchases through one of our nominated shipping agents, at your expense. Poly Auction (Hong Kong) is not responsible for any damage and/or loss of the purchases and/or the packing (i.e frames, glasses) from any packing and/or transportation. It should be the buyer’s responsibility to obtain any necessary licenses and/or permits, and all the duties, and/or taxes which may occur. For advice on shipping your purchases please call Poly Auction (Hong Kong)'s Warehouse and Logistics Department on (852) 2303 9899.

Please complete this section and delete where applicable

SALE DETAIL Sale #

Lot #

Methods of Dispatch

Registered post/Air fright/Commercial Courier

Invoice#

Delivery Address

(Please cross out as appropriate)

CHARGES

Telephone

Fax

I do/do not require a quotation before the shipment is processed.

INSURANCE IN TRANSIT Please arrange/do not arrange transit insurance. All purchases will be insured at the aggregate price unless otherwise specified. Please note that Poly Auction (Hong Kong) is not responsible for any insurance charge which may occur from transit.

Invoice Address if different from above

Telephone

Fax

POSTAL CONSIGNMENTS ONLY Please do not remove frames. (Glass will be discarded). Please remove frames and glass. NB: items valued in excess of HK$10,000 or weighing more than 2kg cannot be sent by Post.

Special instructions:

Signature

Y/N

Date


全球保利拍賣辦事處 WORLDWIDE OFFICES 香港(Hong Kong) 保利香港拍賣有限公司 香港金鐘道88號太古廣場1期7樓 電話:(852) 2303 9899 傳真:(852) 2303 9888 電郵:sale@polyauction.com.hk 澳門(Macau) 保利澳門拍賣有限公司 澳門新口岸宋玉生廣場322-362號誠豐商業 中心16樓G室 聯繫人:鄭妙賢 電話:(853) 2875 1013 傳真:(853) 2875 1014 台灣(Taiwan) 保利香港拍賣有限公司台灣代表處 台北市中山區中山北路二段39巷6號10樓 聯繫人:張筠菲 電話:(886) 2 2581 3855 傳真:(886) 2 2522 2595 電郵:taipei@polyauction.com.hk

上海(Shanghai) 保利香港拍賣有限公司上海代表處 延安中路1111號延安飯店391室 聯繫人:張瑾 電話:(86-21) 5178 0360 傳真:(86-21) 5178 0361 電郵:shanghai@polyauction.com 厦門 (Xiamen) 保利厦門國際拍賣有限公司 廈門市白鷺洲東路86-3號 電話:(86-592) 2209995 傳真:(86-592) 5320009 山東 (Shandong) 保利山東國際拍賣有限公司 山東省濰坊市奎文區勝利東街5051號陽光 100城市廣場8號樓7樓 電話:(86)13810245312/18601255615

義烏 (Yiwu) 保利義烏藝術發展有限公司 浙江省義烏市賓王路158號文創 園二區D座保利藝術+二層 電話:0579-83556111 傳真:0579-83556111 日本(Japan) 保利拍賣日本代表處 東京都中央區銀座2丁目12-4-601 Duplex 銀座2/12 1040061 聯繫人:風見治子 電話:(81) 3 6278 8011 傳真:(81) 3 6278 8012 美國(USA) 保利拍賣紐約代表處 (New York) 559 West 23rd Street, New York 10011 聯繫人:Kenny Wong 電話:(1) 212 273 0822 電郵:nyc@polyauction.com

香港、北京保利圖錄預訂 CATALOGUES *圖錄預訂可聯系全球各地代表或以下合作單位: 新加坡 (Singapore) 斯民國際藝苑(油畫) SooBin Art Int'L 10 Ubi Crescent, Ubi Techpark Lobby C, # 04-90 Lobby E Singapore 408564 電話:(65) 68372777 傳真:(65) 63397767 印尼 (Indonesia) Fang Gallery 芳藝術(油畫) The Plaza 27th Floor,Jl.M.H.Thamrin Kav28-30,Jakarta 10350 Lndonesia Tel: (62) 2129923311 Fax: (62) 2129923311 西安 Xi'an 亮寶樓 西安雁塔區雁引路35號(書畫 古董) 電話:(86-029) 82069868/75/78 電郵:sxliangbaolou@163.com 濟南 Jinan 中寶齋(書畫 古董) 山東省濟南市馬鞍山路2-1號山東大厦一層 電話:(86-531) 86953009 青島 Qingdao 榮寶齋青島經銷店(書畫 古董) 青島市閩江三路12號 電話:(86-532) 88080822 傳真:(86-532) 88080833

太原 Taiyuan 晋寶齋(書畫 古董) 山西省太原市迎澤大街376號 電話:(86-351) 4034756 傳真:(86-351) 4034962

成都 Chengdu 成都浣花雅集文化藝術有限公司 四川·成都市青羊區支矶石街31號附2號 郵編:610031 電話:(86-28) 62323289

大希堂(書畫 古董) 山西省太原市迎澤大街248號 南宮文化樓201室 電話:(86-351) 4085383 傳真:(86-531) 4180191

廣州 Guangzhou 榮和堂(書畫) 廣州市越秀區盤福路79號傾城酒店十樓 電話:(86-20) 81749713

宜興 Yixing 江蘇保利典當行(書畫) 江蘇省宜興市太隔橋北側綜合樓 電話:(86-510) 68995988 傳真:(86-510) 68995988 江陽 Jiangyang 劉家大院文化產業有限公司 江蘇省江陽市板橋南處 傳真:(86-510) 68970068 南京 Nanjing 江蘇畫店(書畫) 南京市王府大街朝天宮2號2樓 電話:(86-25) 83719611 傳真:(86-25) 83719611

福州 Fuzhou 福州畫院—墨園(書畫) 福建省福州市于山路2號 電話:(86-591) 83333867 83366176 傳真:(86-591) 83337963 碧潭畫苑 鄭州市黃河路109號院1號樓1單元2201室 電話:(86-0371) 66976789 電郵:zysf6789@126.com


中国拍卖行业概念股——保利文化 (3636·HK) 总 经 理:王

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