US20140149467A1 - Digital Interactive Phrasing System And Method - Google Patents

Digital Interactive Phrasing System And Method Download PDF

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Publication number
US20140149467A1
US20140149467A1 US14/168,992 US201414168992A US2014149467A1 US 20140149467 A1 US20140149467 A1 US 20140149467A1 US 201414168992 A US201414168992 A US 201414168992A US 2014149467 A1 US2014149467 A1 US 2014149467A1
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United States
Prior art keywords
elements
songs
create
phrasing
song
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Abandoned
Application number
US14/168,992
Inventor
Myles J. Schnitman
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
Magnaforte LLC
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Magnaforte LLC
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Priority claimed from US10/704,314 external-priority patent/US20050102707A1/en
Application filed by Magnaforte LLC filed Critical Magnaforte LLC
Priority to US14/168,992 priority Critical patent/US20140149467A1/en
Assigned to MAGNAFORTE, LLC reassignment MAGNAFORTE, LLC ASSIGNMENT OF ASSIGNORS INTEREST (SEE DOCUMENT FOR DETAILS). Assignors: SCHNITMAN, MYLES J.
Publication of US20140149467A1 publication Critical patent/US20140149467A1/en
Abandoned legal-status Critical Current

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Classifications

    • GPHYSICS
    • G06COMPUTING; CALCULATING OR COUNTING
    • G06FELECTRIC DIGITAL DATA PROCESSING
    • G06F16/00Information retrieval; Database structures therefor; File system structures therefor
    • G06F16/60Information retrieval; Database structures therefor; File system structures therefor of audio data
    • G06F16/68Retrieval characterised by using metadata, e.g. metadata not derived from the content or metadata generated manually
    • G06F16/686Retrieval characterised by using metadata, e.g. metadata not derived from the content or metadata generated manually using information manually generated, e.g. tags, keywords, comments, title or artist information, time, location or usage information, user ratings
    • G06F17/30017
    • GPHYSICS
    • G06COMPUTING; CALCULATING OR COUNTING
    • G06FELECTRIC DIGITAL DATA PROCESSING
    • G06F16/00Information retrieval; Database structures therefor; File system structures therefor
    • G06F16/40Information retrieval; Database structures therefor; File system structures therefor of multimedia data, e.g. slideshows comprising image and additional audio data
    • GPHYSICS
    • G06COMPUTING; CALCULATING OR COUNTING
    • G06QINFORMATION AND COMMUNICATION TECHNOLOGY [ICT] SPECIALLY ADAPTED FOR ADMINISTRATIVE, COMMERCIAL, FINANCIAL, MANAGERIAL OR SUPERVISORY PURPOSES; SYSTEMS OR METHODS SPECIALLY ADAPTED FOR ADMINISTRATIVE, COMMERCIAL, FINANCIAL, MANAGERIAL OR SUPERVISORY PURPOSES, NOT OTHERWISE PROVIDED FOR
    • G06Q30/00Commerce
    • G06Q30/06Buying, selling or leasing transactions

Definitions

  • the digital storage of songs allows listeners to store individual songs from various artists together. Without being confined to CDs having a specific song order, users are free to create different song orders from the catalog of songs stored on the MP3 player.
  • a digital interactive phrasing (DIP) system allows listeners to select and edit digitally prepared elements, such as audio or video clips, in any arrangement to create a custom mix.
  • the elements may be reused to make new, different arrangements, as desired by the listener.
  • the system allows the selection, assembly and playback of created sequences of elements, such as songs, verses, dialogs and video elements.
  • Original source material is divided into pre-edited, digitally prepared elements arranged in a coded sequence.
  • the elements are stored in memory, such as a computer hard drive or a removable storage device such as a CD, for future reassembly.
  • the elements have a file main portion with a tag at the beginning and ending. The tag allows the central processing unit to identify the beginning and end of each element so elements may be mixed together.
  • a computer accesses the elements from the databases where they are stored. Each element can be mixed with other elements in the DIP format.
  • the tag locates a point at which one element is spliced with another element.
  • the splice may be a fade where the first element is faded out while the second element is faded in.
  • the splice may also be a seamless transition. Any variety of transition affects can be used and included in the preparation and editing of the element.
  • a listener is able to mix studio and live versions of a song from one artist.
  • different versions of the same song may be woven together to create a hybrid.
  • a medley of different songs by the same or different artists can be woven together to create an entirely new song.
  • Table I illustrates the simple scenario of mixing different version of the same song.
  • the user can easily mix the phrases from the different versions to create a new song. For instance, the use can make a version that is A1 B2 A3 or C1 A2 B3, and continuing to pick versions of each phrase until the song is complete.
  • the phrases preset the user can quickly and easily string the phrases together, without needing to determine where each phrase should begin and end.
  • Each song would have its own alphanumeric code so as to be enable users to quickly find songs.
  • the invention allows the easy mixing of elements to create new versions of one songs or the conglomeration of different songs in any order the user desires. Every song or video is pre-edited into elements forming blocks that can be combined. Once the elements are chosen, a file can be created. The file may be the elements themselves or the codes for the elements. In the latter case, the computer reads the codes and retrieves the elements to play the file.
  • the invention can be performed in a procedure as follows:
  • the device recognizes the title/artist/track selection from encoding on the CD
  • the device creates a code file in the data base
  • Equipment may have remote control

Abstract

A digital interactive phrasing (DIP) system allows listeners to select and edit digitally prepared elements, such as audio or video clips, in any arrangement to create a custom mix. The elements may be reused to make new, different arrangements, as desired by the listener. The system allows the selection, assembly and playback of created sequences of elements, such as songs, verses, dialogs and video elements.

Description

    CROSS REFERENCE TO RELATED APPLICATIONS
  • This application is a continuation-in-part application of U.S. patent application Ser. No. 10/704,314, filed Nov. 7, 2003.
  • BACKGROUND OF THE INVENTION
  • The proliferation of computers and the Internet have changed the way average consumers buy, store and listen to music. It is no longer necessary to buy complete albums or to have songs stored on medium such as CDs. It is possible to download songs from the Internet and store them digitally on devices such as MP3 players.
  • The digital storage of songs allows listeners to store individual songs from various artists together. Without being confined to CDs having a specific song order, users are free to create different song orders from the catalog of songs stored on the MP3 player.
  • Greater freedom in digitally stored songs have allowed the average person to mix together phrases of songs. While this amount of interaction by listeners with songs if desirable, it is often time consuming and beyond the abilities of an average listener.
  • As the music industry has embraced the new matter in which songs are distributed and sold to the ultimate consumer, piracy and unauthorized copying of songs has long been a concern. The technology of making such transfer of songs possible also increases the ease in which copyright infringement occurs. A secure format preventing piracy would be welcomed by the music industry.
  • It is an object of the invention to provide listeners with a system and method for allowing interaction with commercially recorded music.
  • It is another object of the invention to provide a method for listeners to assemble audio and visual clips in any manner, being able to reuse clips in different arrangements.
  • It is still another object of the invention to empower a user will limited musical and computer skills to create blends of two or more musical tracks.
  • These and other objects of the invention will become apparent to one of ordinary skill in the art after reading the disclosure of the invention.
  • SUMMARY OF THE INVENTION
  • A digital interactive phrasing (DIP) system allows listeners to select and edit digitally prepared elements, such as audio or video clips, in any arrangement to create a custom mix. The elements may be reused to make new, different arrangements, as desired by the listener. The system allows the selection, assembly and playback of created sequences of elements, such as songs, verses, dialogs and video elements.
  • DETAILED DESCRIPTION OF THE INVENTION
  • Original source material is divided into pre-edited, digitally prepared elements arranged in a coded sequence. The elements are stored in memory, such as a computer hard drive or a removable storage device such as a CD, for future reassembly. The elements have a file main portion with a tag at the beginning and ending. The tag allows the central processing unit to identify the beginning and end of each element so elements may be mixed together.
  • A computer accesses the elements from the databases where they are stored. Each element can be mixed with other elements in the DIP format. The tag locates a point at which one element is spliced with another element. The splice may be a fade where the first element is faded out while the second element is faded in. The splice may also be a seamless transition. Any variety of transition affects can be used and included in the preparation and editing of the element.
  • In one simple application, a listener is able to mix studio and live versions of a song from one artist. However, it is not unusual for a single form to be recorded by different artists at different times. Using the system, different versions of the same song may be woven together to create a hybrid. Likewise, a medley of different songs by the same or different artists can be woven together to create an entirely new song.
  • A musical phrase or verse is segmented into audio phrases and assigned codes. The visual interpretation of how phrases are digitally stored are shown in the following Tables:
  • TABLE I
    Ver Ver Ver
    A B C Pre-edited Phrases
    A1 B1 C1 Yesterday
    A2 B2 C2 All my troubles seem so far away
    A3 B3 C3 Now looks as though they are here to stay
  • TABLE II
    Ver Ver Ver
    A B C Pre-edited Phrases
    A1 B2 n/a Yesterday
    A2 B2 C2 Random Verse 1
    A3 B3 n/a Now looks as though they are here to stay
    A4 B4 C4 Random Verse 2
    A5 B5 n/a Oh I believe, in Yesterday
  • TABLE III
    Ver Ver Ver
    A B C Pre-edited Phrases
    A1 B2 n/a Yesterday
    A2 B2 C2 TV Clip 1
    A3 B3 n/a Now looks as though they are here to stay
    A4 B4 C4 TV Clip 2
    A5 B5 n/a Oh I believe, in Yesterday
  • Table I illustrates the simple scenario of mixing different version of the same song. The user can easily mix the phrases from the different versions to create a new song. For instance, the use can make a version that is A1 B2 A3 or C1 A2 B3, and continuing to pick versions of each phrase until the song is complete. By having the phrases preset, the user can quickly and easily string the phrases together, without needing to determine where each phrase should begin and end. Each song would have its own alphanumeric code so as to be enable users to quickly find songs.
  • Table II exemplifies the mixing of disparate songs. Again the user is able to string together various phrases of different songs to create an entirely new song. The songs may be combined based on their similar theme or subject matter or because they have the same rhythm, tempo or melody. This allows the combination of any number of songs or even the insertion of a few phrases into a song. In a similar situation, video clips can be added to songs, as depicted in Table III. The video clips, like the audio clips, are pre-edited and stored as a file main portion with a tag at the beginning and ending.
  • The invention allows the easy mixing of elements to create new versions of one songs or the conglomeration of different songs in any order the user desires. Every song or video is pre-edited into elements forming blocks that can be combined. Once the elements are chosen, a file can be created. The file may be the elements themselves or the codes for the elements. In the latter case, the computer reads the codes and retrieves the elements to play the file. The invention can be performed in a procedure as follows:
  • 1) The user inserts two CDs into a suitable device, such as a DSP digital signal processor;
  • 2) User selects two or more tracks to be mixed;
  • 3) The device recognizes the title/artist/track selection from encoding on the CD;
  • 4) The device creates a code file in the data base;
  • 5) The user initiates playback of a track in it entirety while viewing the corresponding code on the consumer interface while pre-annotated elements are being played;
  • 6) User repeats the above step for the second (and each additional) track;
  • 7) The user selects sequence of alternating selective playback by pushing buttons corresponding to codes (ie. A1 B2 B3 etc.)
  • 8) User initiates selective playback by pressing a “Blend” button;
  • 9) User preserves mix by pressing a “File” button to create file with artist/track date stamped and the corresponding selected codes;
  • 10) User listens to selective alternating playback sequence or pre-annotated elements while viewing associated codes on consumer interface (LCD);
  • 11) Option of pressing a “Random” button to create random mix of two tracks;
  • 12) Save random mix as in step 9
  • 13) Listen to random mix as in step 10
  • 14) Equipment may have remote control
  • 15) May mix tracks from same CD.
  • While the invention has been described with reference to preferred embodiments, variations and modifications would be apparent to one of ordinary skill in the art without departing from the spirit of the invention. The invention encompasses such variations and modifications.

Claims (3)

I claim:
1. A method of creating mixed digital media, comprising
loading source material into a database
editing the source material to create a plurality of elements,
assigning each element a code,
combining a plurality of elements in a file.
2. The method of claim 1 wherein each element comprises a file main portion with a tag at the beginning and ending.
3. The method of claim 1 wherein the source material comprises songs.
US14/168,992 2003-11-07 2014-01-30 Digital Interactive Phrasing System And Method Abandoned US20140149467A1 (en)

Priority Applications (1)

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Applications Claiming Priority (3)

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US10/704,314 US20050102707A1 (en) 2003-11-07 2003-11-07 Digital interactive phrasing system and method
US11/723,503 US8645336B2 (en) 2003-11-07 2007-03-20 Digital interactive phrasing system and method
US14/168,992 US20140149467A1 (en) 2003-11-07 2014-01-30 Digital Interactive Phrasing System And Method

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US11/723,503 Continuation US8645336B2 (en) 2003-11-07 2007-03-20 Digital interactive phrasing system and method

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US20070239754A1 (en) 2007-10-11

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AS Assignment

Owner name: MAGNAFORTE, LLC, CALIFORNIA

Free format text: ASSIGNMENT OF ASSIGNORS INTEREST;ASSIGNOR:SCHNITMAN, MYLES J.;REEL/FRAME:032290/0024

Effective date: 20140218

STCB Information on status: application discontinuation

Free format text: ABANDONED -- FAILURE TO RESPOND TO AN OFFICE ACTION